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A groundbreaking reevaluation of paleolithic art through the lens of modernism, from the acclaimed historian of art and architecture In The Beginnings of Art, Sigfried Giedion, best known as a historian of architecture, shifts his attention to art and its very origins. Breaking with an earlier, materialistic approach, he explores paleolithic art by bringing abstraction, transparency, and simultaneity into play as modern art has revealed them anew. Focusing on the dual concepts of constancy and change, he examines paleolithic paintings, engravings, and sculpture, as well as modern art and recent examples of "primitive art." He argues that the two keys to the meaning of prehistoric art are the symbol, portraying reality before reality exists, and the animal as humankind's superior in the unified primordial world in which both human and animal were embedded. The result is a highly original and important study of prehistoric art.
An original account of ancient Egyptian and Sumerian architecture from the acclaimed architectural historian In The Beginnings of Architecture, Sigfried Giedion examines the architecture of ancient Egypt and Sumer. These early builders expressed an attitude of immense force when they confronted their structures with open sky. Giedion argues that it was during these periods that the problem of constancy and change flared up with an intensity unknown in any other period of history, and resolved eventually into the first architectural space conception, the automatic, psychic recording of the visual environment.
Der Architekturhistoriker Sigfried Giedion gilt als ein Wegbereiter der Moderne, sein 1941 unter dem Titel Space, Time, Architecture erstmals erschienenes Werk ist längst zu einem Klassiker der Architekturtheorie avanciert. Giedion skizziert darin die Vorgeschichte und die Entwicklung des in denZwanzigerjahren so bedeutungsvollen neuen Bauens und veranschaulicht dessen weltweite Auswirkungen. In der Vielfalt oft widersprüchlicher Tendenzen suchte er die geheime Synthese, in der sich eine neue Tradition ankündigte, ohne dass sie zunächst zu einer bewussten und handlungsbestimmenden Realität wurde. Giedion wurde so zu dem Historiker, der das Entstehen dieser neuen Tradition in der Architektur sowie ihre Beziehungen zu Handwerk, Kunst und Wissenschaft sichtbar machte und so immer noch zur Transparenz des gegenwärtigen Zustands beiträgt. Das Nachwort des Architekturkritikers Reto Geiser erläutert die Aktualität dieses in alle Weltsprachen übersetzten Standardwerks.
No detailed description available for "Architecture and the Phenomena of Transition".
No detailed description available for "Architecture, You, and Me".
A manifesto of a modernist housing ideology
A work on the shaping of our architectural environment.
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