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  • av Simon Shepherd
    1 312,-

    "Each volume provides substantial treatment of three major directors, with each director considered by two specialists, combining analysis of the director's practical craft with accounts of the historical, cultural and theoretical context of their practice. Links between the featured directors and other artists and directors from the period are traced to round out the picture of influences and artistic development."--

  • av Simon Shepherd
    1 312,-

    "Each volume provides substantial treatment of three major directors, with each director considered by two specialists, combining analysis of the director's practical craft with accounts of the historical, cultural and theoretical context of their practice. Links between the featured directors and other artists and directors from the period are traced to round out the picture of influences and artistic development."--

  • av Simon Shepherd
    543 - 1 775

  • av James Moran & Simon Shepherd
    226 - 656,-

  • av UK) Shepherd & Simon (Central School of Speech and Drama
    637 - 1 995

  • av Simon Shepherd
    388 - 623,-

    Bringing together buildings, people and plays, this Introduction examines the features that characterise modern and current British theatre. These features include experimental performances under motorways alongside plays by Stoppard and Ayckbourn, amateur theatre and virtual spaces, the emergence of the director, the changing role of writers and political shows.

  • av Simon Shepherd & Mick Wallis
    349 - 1 352,-

    This text explores the concept of these related terms and considers the complex relationship that exists between all three. This useful guidebook is an essential read for any student of literature, drama, theatre and performance studies.

  • - Readings in Theatre Practice
    av Simon Shepherd
    465,-

    Is directing an art? Do directors need to be trained? What do directors actually do? These questions and more are answered in this accessibly written survey of the art of theatre direction. Its broad scope ranges across the theatres of both America and Europe, looking at practices from Stanislavski up to the present day.

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