Bøker av Sinan Antoon

A chilling poetic reflection on the world we have inherited and the destructions that made it.   To confront time, pre-modern Arabic poems often began with the poet standing before the ruins, real and imagined, of a beloved‿s home. In Postcards from the Underworld, Sinan Antoon works in that tradition, observing the detritus of his home city, Baghdad, where he survived two wars‿the Iran-Iraq War of 1980 and the First Gulf War of 1991‿and which, after he left, he watched from afar being attacked during the US invasion in 2003.  Antoon‿s poems confront violence and force us not to look away as he traces death‿s haunting presence in the world. Nature offers consolation, and flowers and butterflies are the poet‿s interlocutors, but they too cannot escape ruin. Composed in Arabic and translated into English by the poet himself, Postcards from the Underworld is a searing meditation on the destruction of humans, habitats, and homes.

Displaced by the sectarian violence in the city, Maha and her husband are taken in by a distant cousin, Youssef. As the growing turmoil around them seeps into their household, a rare argument breaks out between the elderly Youssef and his young guest. Born into sanctions and war, Maha knows nothing of Iraq's good years that Youssef holds dear. Set over a single day, The Baghdad Eucharist is an intimate story of love, memory, and anguish in one Christian family.

Sinan Antoon returns to the Iraq war in a poetic and provocative tribute to reclaiming memory

The book is the first study of the 10th century Iraqi poet Ibn al-Hajjaj who popularized a new genre of obscene and scatological parody (sukhf) and is considered the most obscene poet in Arabic literature. Antoon traces the genealogy of this fascinating genre in and examines its rise by placing it in its sociopolitical context.

Acclaimed and celebrated in the Arab world for its vivid portrait of Iraq, this heartbreaking novel confronts the war-torn nation's horrifying recent history

A risky and risque prison memoir depicts the collective nightmare of life under Saddam.