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This book was originally published in 1829, shortly after Sir Walter Scott had completed his series called Tales of a Grandfather, on the history of Scotland for young readers. Yet the object and tenor of these two works are extremely different. In the Tales taken from Scottish history the author was limiting himself to material that would be suitable for and interest a young reader. In the present history he addresses a reader of more advanced age, not merely as relating to one small kingdom, but as forming a chapter in the general history of man. Sir Walter Scott (1771-1832), began his career writing narrative poetry, and later re-launched his career as a novelist. Deriving most of his material from his native Scotland, its history and its legends, Scott invented and mastered what we know today as the historical novel.
This book was originally published in 1829, shortly after Sir Walter Scott had completed his series called Tales of a Grandfather, on the history of Scotland for young readers. Yet the object and tenor of these two works are extremely different. In the Tales taken from Scottish history the author was limiting himself to material that would be suitable for and interest a young reader. In the present history he addresses a reader of more advanced age, not merely as relating to one small kingdom, but as forming a chapter in the general history of man.Sir Walter Scott (1771-1832), began his career writing narrative poetry, and later re-launched his career as a novelist. Deriving most of his material from his native Scotland, its history and its legends, Scott invented and mastered what we know today as the historical novel.
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Excerpt from Rokeby: A Poem Those towers of Barnard hold a guest, The emotions of whose troubled breast, In Wild and strange confusion driven, Rival the flitting rack of heaven. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
The Prior Aymer had taken the opportunity afforded him, of changing his riding robe for one of yet more costly materials, over which he wore a cope curiously embroidered. Besides the massive golden signet ring, which marked his ecclesiastical dignity, his fingers, though contrary to the canon, were loaded with precious gems; his sandals were of the finest leather which was imported from Spain; his beard trimmed to as small dimensions as his order would possibly permit, and his shaven crown concealed by a scarlet cap richly embroidered. The appearance of the Knight Templar was also changed; and, though less studiously bedecked with ornament, his dress was as rich, and his appearance far more commanding, than that of his companion. He had exchanged his shirt of mail for an under tunic of dark purple silk, garnished with furs, over which flowed his long robe of spotless white, in ample folds. The eight-pointed cross of his order was cut on the shoulder of his mantle in black velvet. The high cap no longer invested his brows, which were only shaded by short and thick curled hair of a raven blackness, corresponding to his unusually swart complexion. Nothing could be more gracefully majestic than his step and manner, had they not been marked by a predominant air of haughtiness, easily acquired by the exercise of unresisted authority. . . .
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