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Book Excerpt: ...bout for a congenial subject upon which to try his hand in a larger way than he had as yet adventured. Such a subject came to him at last in a manner calculated to enlist all his enthusiasm in its treatment, for it was given him by the Countess of Dalkeith, wife of the heir-apparent to the dukedom of Buccleugh. The ducal house of Buccleugh stood at the head of the clan Scott, and toward its representative the poet always held himself in an attitude of feudal reverence. The Duke of Buccleugh was his "chief," entitled to demand from him both passive loyalty and active service; so, at least, Scott loved to interpret their relationship, making effective in his own case a feudal sentiment which had elsewhere somewhat lapsed. He especially loved to think of himself as the bard of his clan, a modern representative of those rude poets whom the Scottish chiefs once kept as a part of their household to chant the exploits of the clan. Nothing could have pleased his fancy more, therefore, than a request on the part of th..
"Reprinted from the 1894 edition"--T.p. verso.
The main characters are the Scottish knight Kenneth, a fictional version of David of Scotland, Earl of Huntingdon, who returned from the third Crusade in 1190; Richard the Lionheart; Saladin; and Edith Plantagenet, a relative of Richard.In Scott's own words: "the warlike character of Richard I, wild and generous, a pattern of chivalry, with all its extravagant virtues and its no less absurd errors, was opposed to that of Saladin, in which the Christian and English monarch showed all the cruelty and violence of an Eastern sultan and Saladin, on the other hand, displayed the deep policy and prudence of a European sovereign, whilst each contended which should excel the other in the knightly qualities of bravery and generosity. This singular contrast afforded, as the author conceived, materials for a work of fiction possessing peculiar interest."
Sir Geoffrey Peveril, an old Cavalier, and Major Bridgenorth, a fanatical Puritan, are neighboring landowners in Derbyshire, and though of widely different opinions and modes of life, have been connected by ties of reciprocal kindness in the days of the Civil War. Julian, the son of Sir Geoffrey, and Alic, the daughter of Bridgenorth, are deeply in love. The recrudescence of bitter political feeling during the period of the 'Popish plot' brings the parents into acute conflict. The author draws elaborate portraits of Charles II and Buckingham, and gives glimpses of Titus Oates, Colonel Blood and Sir Geoffrey Hudson. This edition includes an introduction by the author. Sir Walter Scott (1771-1832), began his career writing narrative poetry, and later re-launched his career as a novelist. Deriving most of his material from his native Scotland, its history and its legends, Scott invented and mastered what we know today as the historical novel.
On the 200th anniversary of the Battle of Waterloo discover a fascinating primary source: Walter Scott's accounts of his journey to the battlefieldIn the immediate aftermath of the Battle of Waterloo tourists flocked from Britain to witness the scene of the most important conflict of their generation.
Young Edward Waverley is caught in the middle: son of a Hanoverian yet nephew and heir to a Jacobite, a captain in the King's army yet drawn to the brave Highlanders and their romantic history. Edward must choose where his loyalties lie, even as his heart is torn between gentle Rose Brawardine, and the passionate, principled Flora Mac-Ivor.
**One of the BBC's 100 Novels That Shaped Our World**Read this timeless tale of medieval romance and adventure. It is the dark days of King Richard the Lion Heart''s reign, when the beloved king is fighting in far-off lands, leaving his corrupt brother John in charge of his kingdom.
New and controversial abridged edition of Walter Scott's The Heart of Midlothian, set in Edinburgh in the mid-eighteenth century, featuring one of Scott's most well-loved heroines, Jeanie Deans.
Ivanhoe follows Wilfred of Ivanhoe, part of one of the few Saxon families at a time when English nobility was dominated by the Normans, who is out of favour with his father for his allegiance to the Norman king, Richard the Lionheart. The gripping storyline beautifully captures the 12th century tensions between Saxons and Normans, Nobility and Commonality and Jews and Gentiles, with a whole host of well-known characters from Robin Hood to Friar Tuck. REVIEWS: A curious exemplification of the power of a single book for good or harm is shown in the effects wrought by Don Quixote and those wrought by Ivanhoe. The first swept the world's admiration for the meiaeval chivalry-silliness out of existence; and the other restored it. MARK TWAIN[Ivanhoe] may have been badly wounded in combat - only to recover and save the day - but he has never been sliced up like this. SCOTLAND ON SUNDAY This is exactly what is needed in order to rescue Sir Walter Scott. ALEXANDER McCALL SMITH. I applaud this new, shorter version of Ivanhoe which makes this wonderful novel, once so popular, accessible to a new generation of readers who will be able to enjoy its classic blend of history and romance. PROFESSOR GRAHAM TULLOCH, Editor of the Edinburgh Edition of the Waverley novels Professor David Purdie's meticulous adaption has made Sir Walter Scott's classic much more accessible to the modern reader... Purdie has managed to conserve Scott's masterly evocation of the 'sights, colours and sounds' of the Middle Ages. EDINBURGH LIFEBACK COVER: Fight on, brave knights. Man dies, but glory lives! A mediaeval tale of political intrigue, tumultuous romance, family machinations and a country's struggle for peace, Ivanhoe is one of Sir Walter Scott's finest historical novels. Banished from his father's court, Wilfred of Ivanhoe returns from Richard Lionheart's Crusades to claim love, justice and glory. Tyrannical Norman knights, indolent Saxon nobles and the usurper Prince John stand in his way. A saga of tournaments and melees, chivalry and love, nobility and merry men, Ivanhoe's own quest soon becomes a battle for the English throne itself... David Purdie's inspired reworking of Ivanhoe's complex characters, romance and high drama is an engrossing page-turner. His armour polished, his sword and dialogue sharp, Ivanhoe re-emerges alive for the modern age.
The novel is set in Orkney and Shetland in 1689, and for the northern isles the 'Glorious Revolution' actually means the beginning of the cultural dominance of Scotland and the advent of English power.
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