Bøker av Stephen Leacock

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Leacock's hilarious satire of the book-selling industry is a classic of Canadian literature. The story follows Mr. Sellyer, a hapless bookseller who employs a variety of outrageous marketing tactics to try and drum up business. Along the way, he interacts with a colorful cast of characters, including eccentric customers, unscrupulous competitors, and bemused publishers. With its sharp humor and biting social commentary, this book is a must-read for anyone who loves books.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

"The Dawn of Canadian History" is an ancient painting by way of the famend Canadian writer and humorist, Stephen Leacock. In this book, Leacock presents a complete review of Canada's early records, from its Indigenous peoples to the arrival of European settlers. Written with Leacock's function wit and humor, the book gives an energetic and handy account of Canada's past. Leacock delves into the interactions between Indigenous peoples and European explorers, highlighting the cultural exchanges, conflicts, and demanding situations faced through each corporation. He explores key historic occasions, along with the appearance of French and British settlers, the fur trade, and the effect of European colonization on the Indigenous way of lifestyles. Despite being a historical work, Leacock infuses "The Dawn of Canadian History" along with his humor and engaging narrative style, making it not only informative but also enjoyable. The book serves as a creation to Canada's wealthy history, making it on hand to an extensive target market. Stephen Leacock, regarded for his humor and satire, brings a completely unique attitude to historic storytelling, making "The Dawn of Canadian History" a precious and enjoyable study for those inquisitive about Canada's beyond and the intersection of records and humor.

The Mariner of St. Malo is a classic Canadian history biography by the great Canadian writer, Steven Leacock. This historical biography contains the following exerpt:In the town hall of the seaport of St Malo there hangs a portrait of Jacques Cartier, the great sea-captain of that place, whose name is associated for all time with the proud title of 'Discoverer of Canada.' The picture is that of a bearded man in the prime of life, standing on the deck of a ship, his bent elbow resting upon the gunwale, his chin supported by his hand, while his eyes gaze outward upon the western ocean as if seeking to penetrate its mysteries. The face is firm and strong, with tight-set jaw, prominent brow, and the full, inquiring eye of the man accustomed both to think and to act. The costume marks the sea-captain of four centuries ago. A thick cloak, gathered by a belt at the waist, enwraps the stalwart figure. On his head is the tufted Breton cap familiar in the pictures of the days of the great navigators. At the waist, on the left side, hangs a sword, and, on the right, close to the belt, the dirk or poniard of the period. How like or unlike the features of Cartier this picture in the town hall may be, we have no means of telling. Painted probably in 1839, it has hung there for more than seventy years, and the record of the earlier prints or drawings from which its artist drew his inspiration no longer survives. We know, indeed, that an ancient map of the eastern coast of America, made some ten years after the first of Cartier's voyages, has pictured upon it a group of figures that represent the landing of the navigator and his followers among the Indians of Gaspe. It was the fashion of the time to attempt by such decorations to make maps vivid. Demons, deities, mythological figures and naked savages disported themselves along the borders of the maps and helped to decorate unexplored spaces of earth and ocean. Of this sort is the illustration on the map in question. But it is generally agreed that we have no right to identify Cartier with any of the figures in the scene, although the group as a whole undoubtedly typifies his landing upon the seacoast of Canada.

FOR some years past a rising tide of lecturers and literary men from England has washed upon the shores of our North American continent. The purpose of each one of them is to make a new discovery of America. They come over to us travelling in great simplicity, and they return in the ducal suite of the Aquitania. They carry away with them their impressions of America, and when they reach England they sell them. This export of impressions has now been going on so long that the balance of trade in impressions is all disturbed. There is no doubt that the Americans and Canadians have been too generous in this matter of giving away impressions. We emit them with the careless ease of a glow worm, and like the glow-worm ask for nothing in return.

CONTENTSI The Great Elizabethan Navigators II Hearne's Overland Journey to the Northern Ocean III Mackenzie Descends the Great River of the North IV The Memorable Exploits of Sir John Franklin V The Tragedy of Franklin's Fate VI Epilogue. The Conquest of the Pole About the author: Stephen P. H. Butler Leacock FRSC (30 December 1869 - 28 March 1944) was a Canadian teacher, political scientist, writer, and humorist. Between the years 1915 and 1925, he was the best-known English-speaking humorist in the world. He is known for his light humour along with criticisms of people's follies.Early in his career, Leacock turned to fiction, humour, and short reports to supplement (and ultimately exceed) his regular income. His stories, first published in magazines in Canada and the United States and later in novel form, became extremely popular around the world. It was said in 1911 that more people had heard of Stephen Leacock than had heard of Canada. Between the years 1915 and 1925, Leacock was the most popular humorist in the English-speaking world.A humorist particularly admired by Leacock was Robert Benchley from New York. Leacock opened correspondence with Benchley, encouraging him in his work and importuning him to compile his work into a book. Benchley did so in 1922, and acknowledged the nagging from north of the border.Near the end of his life, the US comedian Jack Benny recounted how he had been introduced to Leacock's writing by Groucho Marx when they were both young vaudeville comedians. Benny acknowledged Leacock's influence and, fifty years after first reading him, still considered Leacock one of his favorite comic writers. He was puzzled as to why Leacock's work was no longer well known in the United States. His works can be described as a balancing act between cutting satire and sheer absurdity. He also wrote extensively on his chosen fields of study, political science and political economy. Leacock was professor, but in his works he reflected with wit and ingenuity on everyday situations.During the summer months, Leacock lived at Old Brewery Bay, his summer estate in Orillia, across Lake Simcoe from where he was raised and also bordering Lake Couchiching. A working farm, Old Brewery Bay is now a museum and National Historic Site of Canada. Gossip provided by the local barber, Jefferson Short, provided Leacock with the material which would become Sunshine Sketches of a Little Town (1912), set in the thinly-disguised Mariposa.Leacock was awarded the Royal Society of Canada's Lorne Pierce Medal in 1937, nominally for his academic work. (Wikipedia.org)

Lesser books have gotten greater reviews but the measure of a book's quality is not by the stars it receives but by the mirth it delivers to its readers. Stephen Leacock's book or rather contribution to human knowledge shall remain etched in the crests and troughs of mine. Every now and then as I shuffle through my memories I shall always relive this collection with a chuckle if not instantaneous laughter. That being said, the story 'With the photographer' seems relevant even in today's age of the gram. I suspect that human nature was really so predictable to this under rated humorist that he truly saw things Behind the beyond! (Amar Viswanathan)About the author: Stephen P. H. Butler Leacock FRSC (30 December 1869 - 28 March 1944) was a Canadian teacher, political scientist, writer, and humorist. Between the years 1915 and 1925, he was the best-known English-speaking humorist in the world. He is known for his light humour along with criticisms of people's follies.Early in his career, Leacock turned to fiction, humour, and short reports to supplement (and ultimately exceed) his regular income. His stories, first published in magazines in Canada and the United States and later in novel form, became extremely popular around the world. It was said in 1911 that more people had heard of Stephen Leacock than had heard of Canada. Between the years 1915 and 1925, Leacock was the most popular humorist in the English-speaking world.A humorist particularly admired by Leacock was Robert Benchley from New York. Leacock opened correspondence with Benchley, encouraging him in his work and importuning him to compile his work into a book. Benchley did so in 1922, and acknowledged the nagging from north of the border.Near the end of his life, the US comedian Jack Benny recounted how he had been introduced to Leacock's writing by Groucho Marx when they were both young vaudeville comedians. Benny acknowledged Leacock's influence and, fifty years after first reading him, still considered Leacock one of his favorite comic writers. He was puzzled as to why Leacock's work was no longer well known in the United States. His works can be described as a balancing act between cutting satire and sheer absurdity. He also wrote extensively on his chosen fields of study, political science and political economy. Leacock was professor, but in his works he reflected with wit and ingenuity on everyday situations.During the summer months, Leacock lived at Old Brewery Bay, his summer estate in Orillia, across Lake Simcoe from where he was raised and also bordering Lake Couchiching. A working farm, Old Brewery Bay is now a museum and National Historic Site of Canada. Gossip provided by the local barber, Jefferson Short, provided Leacock with the material which would become Sunshine Sketches of a Little Town (1912), set in the thinly-disguised Mariposa.Leacock was awarded the Royal Society of Canada's Lorne Pierce Medal in 1937, nominally for his academic work. (Wikipedia.org)

A retelling of the voyages of French explorer Jacques Cartier, who established the first French colony in Canada in the 16th century.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Nonsense novels is a collection of superficial spoofs about every imaginable literary genre - the detective story, the hero story, the antihero story, the sea drama, the family drama, etc. He basically took a certain theme that most writers made a formula of and then annihilated it.But unlike most spoofs and parodies, Leacock never risked turning over-critical and over-assessing. You can see his efforts to keep the reader laughing, and nothing more. He was superficial, as if to almost suggest the mood of writers who repeat a literary formula to achieve a shortcut to fandom. And one can only admire his intention to do this - he made fun of others by making fun of himself - there is character in such an attempt. (Sarthak Pranit)About the author: Stephen P. H. Butler Leacock FRSC (30 December 1869 - 28 March 1944) was a Canadian teacher, political scientist, writer, and humorist. Between the years 1915 and 1925, he was the best-known English-speaking humorist in the world. He is known for his light humour along with criticisms of people's follies. Early in his career, Leacock turned to fiction, humour, and short reports to supplement (and ultimately exceed) his regular income. His stories, first published in magazines in Canada and the United States and later in novel form, became extremely popular around the world. It was said in 1911 that more people had heard of Stephen Leacock than had heard of Canada. Between the years 1915 and 1925, Leacock was the most popular humorist in the English-speaking world. A humorist particularly admired by Leacock was Robert Benchley from New York. Leacock opened correspondence with Benchley, encouraging him in his work and importuning him to compile his work into a book. Benchley did so in 1922, and acknowledged the nagging from north of the border. Near the end of his life, the US comedian Jack Benny recounted how he had been introduced to Leacock's writing by Groucho Marx when they were both young vaudeville comedians. Benny acknowledged Leacock's influence and, fifty years after first reading him, still considered Leacock one of his favorite comic writers. He was puzzled as to why Leacock's work was no longer well known in the United States. His works can be described as a balancing act between cutting satire and sheer absurdity. He also wrote extensively on his chosen fields of study, political science and political economy. Leacock was professor, but in his works he reflected with wit and ingenuity on everyday situations. During the summer months, Leacock lived at Old Brewery Bay, his summer estate in Orillia, across Lake Simcoe from where he was raised and also bordering Lake Couchiching. A working farm, Old Brewery Bay is now a museum and National Historic Site of Canada. Gossip provided by the local barber, Jefferson Short, provided Leacock with the material which would become Sunshine Sketches of a Little Town (1912), set in the thinly-disguised Mariposa. Leacock was awarded the Royal Society of Canada's Lorne Pierce Medal in 1937, nominally for his academic work. (Wikipedia.org)

A fantastic and sober look at why we humans can't seem to build that perfect society that we have always dreamer of.Communism and socialism? No altruistic or uncorrupt leadership can be found to make it work.Capitalism and democracy? Pretty good options for us all things considered.Starvation despite great advancements in machines and production? We produce for man's wants not needs.Lealock's work is simple yet expansive. He answers many questions still discussed today.A great read! (Dave)About the author: Stephen P. H. Butler Leacock FRSC (30 December 1869 - 28 March 1944) was a Canadian teacher, political scientist, writer, and humorist. Between the years 1915 and 1925, he was the best-known English-speaking humorist in the world. He is known for his light humour along with criticisms of people's follies. Early in his career, Leacock turned to fiction, humour, and short reports to supplement (and ultimately exceed) his regular income. His stories, first published in magazines in Canada and the United States and later in novel form, became extremely popular around the world. It was said in 1911 that more people had heard of Stephen Leacock than had heard of Canada. Between the years 1915 and 1925, Leacock was the most popular humorist in the English-speaking world. A humorist particularly admired by Leacock was Robert Benchley from New York. Leacock opened correspondence with Benchley, encouraging him in his work and importuning him to compile his work into a book. Benchley did so in 1922, and acknowledged the nagging from north of the border. Near the end of his life, the US comedian Jack Benny recounted how he had been introduced to Leacock's writing by Groucho Marx when they were both young vaudeville comedians. Benny acknowledged Leacock's influence and, fifty years after first reading him, still considered Leacock one of his favorite comic writers. He was puzzled as to why Leacock's work was no longer well known in the United States. His works can be described as a balancing act between cutting satire and sheer absurdity. He also wrote extensively on his chosen fields of study, political science and political economy. Leacock was professor, but in his works he reflected with wit and ingenuity on everyday situations. During the summer months, Leacock lived at Old Brewery Bay, his summer estate in Orillia, across Lake Simcoe from where he was raised and also bordering Lake Couchiching. A working farm, Old Brewery Bay is now a museum and National Historic Site of Canada. Gossip provided by the local barber, Jefferson Short, provided Leacock with the material which would become Sunshine Sketches of a Little Town (1912), set in the thinly-disguised Mariposa. Leacock was awarded the Royal Society of Canada's Lorne Pierce Medal in 1937, nominally for his academic work. (Wikipedia.org)

Moonbeams from the Larger Lunacy, a classical book, has been considered essential throughout the human history, and so that this work is never forgotten we at Alpha Editions have made efforts in its preservation by republishing this book in a modern format for present and future generations. This whole book has been reformatted, retyped and designed. These books are not made of scanned copies of their original work and hence the text is clear and readable.