Bøker av Stevie Smith

When Stevie Smith died in 1971 she was one of the twentieth-century's most popular poets; many of her poems have been widely anthologised, and 'Not Waving but Drowning' remains one of the nation's favourite poems to this day.Satirical, mischievous, teasing, disarming, her characteristically lightning-fast changes in tone take readers from comedy to tragedy and back again, while her line drawings are by turns unsettling and beguiling. In this wholly new edition of her work, Smith scholar Will May collects together the illustrations and poems from her original published volumes for the first time, recording fascinating details about their provenance, and describing the various versions Smith presented both on stage and page. Including over 500 works from Smith's 35-year career, The Collected Poems and Drawings of Stevie Smith is the essential edition of modern poetry's most distinctive voice.I was much further out than you thoughtAnd not waving but drowning.- 'Not Waving but Drowning'

Stevie Smith was one of the few modern poets to reach a wide general audience. Bizarre, witty, sad, sometimes caustic, her poems impart a zest for life, and reveal her unique eye for the marvels of the ordinary and her deep sensibility to the paradoxical nature of all human emotions.

Celia works at the Ministry in the post-war England of 1949 and lives in a London suburb. Witty, fragile, quixotic, Celia is preoccupied with love - for her friends, her colleagues, her relations, and especially for her adored cousin Casmilus, with whom she goes on holiday to visit Uncle Heber, the vicar. Here they talk endlessly, argue, eat, tell stories, love and hate - moments of wild humour alternating with waves of melancholy as Celia ponders obsessively on the inevitable pain of love. In everything she wrote, Stevie Smith captured the paradox of pain in all human affections - nowhere more so than in this wry, strongly autobiographical tale.

It is 1936. Pompey Casmilus (the heroine of Smith's debut, Novel on Yellow Paper) lives in London with her beloved Aunt, bothered by the menace of German militarism, bothered too by the humbug which confronts it, bothered most of all by her hopeless love affair with Freddy. Its ending plunges Pompey into melancholy; six months of rest and recuperation are prescribed and Pompey goes to Schloss Tilssen on the northern German border, only to fall in with a strange band of conspirators: the plum-coloured Mrs Pouncer, the absent-minded Colonel Peck and the dashing Major Tom Satterthwaite, whom Pompey comes to love.How Pompey gets into uniform and becomes a spy is only one of the astounding events in this extraordinary novel which, on a serious level, is also about a powerful investigation of power and cruelty in a world preparing for war.

Stevie's alter ego Pompey is young, in love and working as a secretary for the magnificent Sir Phoebus Ullwater. In between making coffee and typing letters for Sir Phoebus, Pompey scribbles down - on yellow office paper - her quirky thoughts. Her flights of imagination take in Euripedes, sex education, Nazi Germany and the Catholic Church, shattering conventions in their wake.