Bøker av Sue William Silverman

Acetylene Torch Songs is a guidebook for writers who want their honesty, social engagement, and intimacy to reach beyond the page and transform the lives of readers with searing, indelible, and unquenchable words.

In Crayon Colors for Serial Killers, Silverman has constructed something akin to a potion bag-a collection of juju text to keep the forces of darkness at bay-sometimes by lament, but more often by turning the dark archetype of male violence against women on its head. These subversive haikus and flash prose pieces are literary grenades. And, just as importantly, they exist in the realm of myth and collective imagery. While specific events-both political and personal-may have triggered some of these pieces, Silverman is writing more broadly. When a transformation comes that gives women their due-sexually, politically, and socially-this collection might go out of fashion. But, until then, this is writing that fights its way toward that outcome one little textual explosion at a time.

Follow Sue William Silverman, a one-woman cultural mash-up, on her exploration of identity among the mishmash of American idols and ideals that confuse most of us - or should. This searching, bracing, hilarious and moving book tries to make sense of that most troubling American condition: belonging, but to what?

In these thematically linked pieces, Sue William Silverman explores the fear of death, and her desire to survive it, through gallows humor, realism, and speculation. Although defeating death is physically impossible, language, commemoration, and metaphor can offer slivers of transcendent immortality.

You are The Girl, and The Girl is a Badass.From the opening lines, it's clear The Girl at the center of these poems is damaged-which is another way to say she's a survivor. If the Girl Never Learns moves from the personal to the mythic to the apocalyptic, because The Girl would do anything, even go to hell, to save her soul. So, she resists, takes action to overturn society's suffocating ideal of Good Girldom. The poems' sense of breathlessness reflects The Girl's absolute need to control her own destiny, to outrun her past, while at the same time chasing a future she alone has envisioned and embodied. Because The Girl is, above all else, a badass.

A deeply personal story of a woman's addiction to and recovery from the high of dangerous encounters. But the misguided search that became Silverman's life has resonance for those with other addictions, whether to food, drugs, alcohol, or work.

Suitable for people who want to take possession of their lives by putting their experiences down on paper - or in a Web site or e-book, this title helps writers navigate a range of issues from craft to ethics to marketing. It is an atlas that contains maps to the remarkable places in each person's life that have yet to be explored.

From age four to 18, Sue William Silverman was sexually abused by her father, a high-ranking government official. This is an often graphic memoir of those years which recounts how Silverman's mother ignored her distress, thus conspiring in an attempt to keep the situation unreported and undetected.

'An honest and deeply chilling account of what it's like to suffer from a compulsion to look for love in what are most definitely the wrong places' ElleFor Sue Silverman, the wrong places to look for love include: At the end of a phone, when a stranger calls her college dorm late night and asks what she's wearing. On a blue leather couch, with a senator, while an intern on Capital Hill. In the back of a military truck, with a paratrooper, when hitching a ride across a desert on holiday. And still years later, in Room #213 of the Rainbow Motel, where she goes every Thursday lunchtime for routine sex with Rick (unbeknownst to Husband 2) ...In Love Sick, her unflinching memoir of her 28 days of treatment in a clinic for female sex addicts, Sue revisits her past behaviour as she learns to put her demons behind her and discover what love really means.