Bøker av Sylvia Martin

On Air showcases a distinctive art form, the sound sculpture, retracing its evolution from the early 1950s, when artists begin dismantling the conventional boundaries of art, to the early 1970s. In no more than a quarter-century, the range of possible answers to the question "What is art?" grows vastly larger. Propelled by the idea of the work of art as a machine and instrument, sounds, noises, tones, vibrations, silence, words, breath become a "tangible" sculptural material. Artists enrich visual perception by adding the acoustic dimension, interweave seeing and hearing, explore time and space with fresh zeal. In emerging artistic genres such as performance, installation, or media art, sound is an integral component of the work. The book focuses on sound objects by Yaakov Agam, Joseph Beuys, Hermann Goepfert, Yves Klein, Jannis Kounellis, Bruce Nauman, Robert Rauschenberg, Jean Tinguely, David Tudor, Timm Ulrichs, and others.With five scholarly essays and numerous illustrations and notes on individual works, the comprehensive publication offers an attractive introduction to the subject.

Mary Fullerton (1868-1946) and Mabel Singleton (1877-1965) met in Melbourne as suffrage and peace activists in Vida Goldstein's Women's Political Association. They remained together for thirty-five years as loving friends, raising Mabel's son born in 1911. Through her literary friendship with Miles Franklin (1879-1954), Mary Fullerton's last two volumes of poetry were published in the 1940s. Rescued from near destruction, a box of Mary's manuscripts eventually made its way to the Mitchell Library. It contained poems she never sent to Miles Franklin. These poignant poems, many dedicated to Mabel, trace a love story that sheds light on how women of the early twentieth century may have understood their love for each other.

Aileen Palmer - poet, translator, political activist, adventurer - was the daughter of two writers prominent in Australian literature in the first half of the twentieth century. Vance and Nettie Palmer were well known as novelists, poets, critics and journalists, and Nettie suspected that their eldest would grow up with 'ink in her veins'. Aileen certainly inherited her parents' talents, publishing poetry, translating the work of Ho Chi Minh, and recording what she referred to as 'semi fictional bits of egocentric writing'. She also absorbed their interest in leftist politics, joining the Communist Party at university. This, combined with her bravery, led to participation in the Spanish Civil War and the ambulance service in London during World War II. The return to Australia was not easy, and Aileen never successfully reintegrated into civilian life. In Ink in Her Veins Sylvia Martin paints an honest and moving portrait in which we see a talented woman slowly brought down by war, family expectations, and psychiatric illness and the sometimes cruel 'treatments' common in the twentieth century.