Bøker av Tamar Garb

This is the second publication in The Walther Collection Books series at Steidl, focusing on a dialogue between two of the most important South African photographers of the twentieth century-David Goldblatt (1930-2018) and Santu Mofokeng (1956-2020). There are both profound similarities and differences between the two artists' work. Goldblatt documented the ways in which architecture and spatial planning reflect the ideology of apartheid, and how the land continues to bear its legacy in post-apartheid South Africa. His investigations explore both actual structures and how mental constructs reveal how ideology has shaped our landscape. Mofokeng's photo essays shed light on everyday life in South Africa, beyond the stereotypical news pictures of Soweto depicting violence or poverty. Deeply personal, they record communities in townships and rural areas, religious rituals and landscapes imbued not only with historical significance but spiritual meaning, memory and trauma.The approach of Tamar Garb in Beyond the Binary is both daring and inquisitive-she "scrambles" and reassembles Mofokeng's and Goldblatt's photographs, blurring the boundaries between them and creates juxtapositions and insights that challenge prevailing views of these established images. By delineating 15 viewpoints around the themes of "Earthscapes," "Edifices," and "Sociality," Garb decontextualizes the work and creates a platform for comparing and rethinking the artists' practices.Co-published with The Walther Collection, Neu-Ulm and New York

The union of women artists and painters was founded in Paris in 1881 to represent the interests of women artists and facilitate the exhibition of their work. This is a history of the first 15 years of the organization which places it in the context of the Paris art world in the 19th century.

Charts the history of French female portraiture from its heyday in the early nineteenth century to its demise in the early twentieth century. This book focuses on six canonic paintings and how they illuminate evolving social attitudes and aesthetic concerns in France over the course of the century.

Offers fresh perspectives on the African archive, reimagining its diverse histories and changing meanings. This title investigates typical representations of African subjects, from scenes in nature and romanticized images of semi-nude models, to modern sitters posing in stylized studios.

Looks at two different genres in relation to the construction of femininity in late nineteenth-century France - Degas' representation of ballet dancers and the transforming tradition of female portraiture.