Bøker av Tanith Lee

Previously unpublished grim dark novella by Tanith Lee

A fantasy novella set in an alternate Ancient Greece

A collection of rare short stories by Tanith Lee

A collection of the rare and uncollected short stories by Tanith Lee, fantasy and horror.

Tanith Lee wrote hundreds of short stories in her lifetime, many of which appeared only in small press magazines and anthologies, and other rare publications. A great many of these pieces have remained uncollected, unseen by a wider readership. Strindberg's Ghost Sonata and Other Uncollected Tales is the first of three anthologies to be published by Immanion Press that will showcase a wide selection of these sought-after tales.From the horror fantasy of 'Persian Eyes' set in ancient Rome, via the fantastical fairy-tale realm of 'Among the Leaves So Green', through the frozen landscape of 'Cold Spell' and into the doomed city of 'The Woman', this collection spans the genres of horror and fantasy, showcasing Tanith Lee's ability to conjure wondrous, vivid and mysterious worlds. The book includes a story that has never been published before - 'Iron City', which was written in 1987 - as well as two tales set in Tanith's Flat Earth mythos; 'The Pain of Glass' and 'The Origin of Snow', the latter of which only ever appeared briefly on the author's now defunct web site.This collection presents a jewel casket of twenty stories, and even to the most avid fan of Tanith Lee will contain gems they've not read before.Contents: Strindberg's Ghost Sonata, Among the Leaves so Green, Beauty is the Beast, Ceres Passing, Cold Spell, Elvenbrood, Felidis, Goldenhair, Herowhine, In the Balance, Iron City, Last Drink Bird Head, The Origin of Snow, The Pain of Glass, Persian Eyes, Question a Stone, The Three Brides of Hamid-Dar, A Tower of Arkrondurl, Two Lions, a Witch and the War-Robe, The Woman

She took the rose and lifted it. It had a strange hot smell in the cold of the cave. It brushed her mouth and broke. She felt the burning blood go over her lips and down her chin. It had no taste, and yet… She raised her hand, in the cup of which all the blood had gathered and drank it down. No more than water. Yet water in thirst. It was not water, but fruit. It was wine. She must have more… 'There will be more,' he said.Tanith Lee was writing grimdark fantasy even before it was known as a genre. Gritty, savage and darkly erotic, Vivia is one of the author's darkest - and finest - works. Immanion Press is proud to bring it back into print with this second edition.Vivia, the neglected daughter of a vicious warlord, discovers strange, lightless caverns deep beneath her father's castle. Here she finds an entity she believes is a living god and, in her loneliness, seeks its favour. After war and disease devastate her father's lands, Vivia is taken captive by the hedonistic Prince Zulgaris. Kept as his concubine, Vivia intrigues the cruel, eccentric prince. He sees in her aloof indifference something to match the darkness of his own soul, unaware of what she once invoked and how it changed her. She drinks blood and feeds without remorse upon the young girls that Zulgaris brings to her.In the great city of Starzion, Vivia begins to understand her own nature. To Zulgaris she is a plaything, treasured like the bizarre contraptions he keeps in hidden workrooms and the unspeakable mutations of human flesh he conceals beneath his palace. But in this callous, barbaric land, where life means very little, and the spectre of the plague haunts the alleys and markets of even the greatest city, circumstances can change very quickly. No life is safe, and treachery abounds. Perhaps, in such a brutal world, only remote pitiless creatures like Vivia can survive unscathed. But at what cost?

Tenebrae sum.I am the darkness. Darkness, I…Rachaela's daughter Ruth is dead - and now she has a new child with her Scarabae lover Althene. Anna is no ordinary girl. She matures with preternatural speed and Rachaela can't dispel the feeling that her daughter is Ruth reborn. But if Ruth wasn't evil, she was certainly dangerously unstable - a threat to all. It's difficult for a mother to connect with a child she feels isn't quite what she seems - or is far worse than she seems. But perhaps Anna doesn't have that streak of insanity, and it's only Rachaela's fevered imagination. Perhaps she's nothing more than a bright, new member of the mysterious Scarabae family, (themselves something greater than mere human), who is an asset not a potential disaster.Anna's parents and the other Scarabae aren't aware that another member of the family has become aware of the girl - the father of them all, the almost mythical Cain, who lives apart from the world in a frozen wasteland, where's he's constructed a bizarre reproduction of Ancient Egypt within a pyramid of ice He wants not only Anna, but other children he believes are reincarnations of people from the past - the earliest times of the family. But what does he want them for? Soon, the kidnappings begin…Meanwhile, Miranda Scarabae continues to grow younger, into a beautiful woman, bewitching the grizzled biker Connor. Uncle Camillo, himself no longer an aged man, has a new set of friends who live upon the streets of London. It's inevitable his eccentric presence will change them. And Malach, alone in the Netherlands, grieving the death of Ruth - despite her amoral wickedness - becomes aware his love might be reborn, and is pulled from his melancholy to find her: to save her.As lives and stories twist and intertwine, the tale of the Scarabae draws to a vivid and powerful climax in the final volume of The Blood Opera Sequence.

The Scarabae, a mysterious family, who are not entirely human, have been forced to leave the burned ruins of their reclusive home in a remote part of England. Most are dead at the hands of Ruth, a child created through incest with the purpose of repopulating this ageing branch of the family. Scarabae must breed with Scarabae, but Ruth was a tragically misjudged experiment.Rachaela, Ruth's mother, trails listlessly with the survivors of the Scarabae. She is one of them but still can't feel that she is. Yet where else does she belong? The Scarabae relocate to London, and roost within a baroque old mansion. Here, they lick their wounds, but bizarrely appear to be growing younger…Ruth has also come to London. The people she seeks shelter with are often cruel or warped. Ruth cold-bloodedly removes them from the world. She has already learned how to kill, but not how to cover her tracks. When the Scarabae see news stories of a murderous black-haired girl, they know who's responsible. And they must call upon another strand of the family to help them trap and control this threat to their invisibility within the world.Malach and Althene arrive at the Scarabae mansion; beautiful and merciless beings. While Malach initiates the process of finding and containing Ruth, Rachaela struggles to resist the ambiguous allure of Althene, who is far more than she seems.First published in 1993, and long out of print, Immanion Press is proud to release this new edition, which includes seven illustrations and an introductory essay by Freda Warrington, author of The Blood Wine series.

Tanith Lee was one of the most influential and admired writers of the 20th Century. Since her first novel in 1971, right up to her death in 2015, her works resonated with generations of readers. She left behind an incredible legacy: a body of work which embraces every facet of the fantastic. From vampires to ghosts, fairies to robots, science fiction to fantasy and horror and back again: no-one could write like Tanith Lee!Telos Publishing is proud to present this special collection of 26 key works from Tanith's vast short story archive. Personally selected by her husband, the artist John Kaiine, these stories will touch your heart. They will caress your soul before ripping it from your body … they will change the way you look at the world.'A beautiful writer … spot-on, with moments of wry humour amid her smooth, elegant prose; she gives the impression of days-of-yore and a faraway world, and tackles her creation's weird eroticisms, without ever being tempted into going over the top.' The Guardian'Quite astonishing: unrelentingly skilful, unputdownable … Accept no substitutes.' John Clute'One of the most intelligent and powerful writers in fantasy.' Publishers Weekly

"Tanith's work is lush and rich with beauty, darkness, and sensuality. More than almost anyone else whom I have ever read, Tanith's work sounds like it was meant to be read aloud, perhaps while huddled around a fire in the dark forest or in the quiet and still air within an ancient temple."Jeremy Brett, (Cushing Memorial Library & Archives, Texas A&M University) Tanith Lee wrote fifteen stories for the acclaimed US genre magazine 'Realms of Fantasy', which ran from 1994 to 2009 and was founded and edited by her close friend, Shawna McCarthy. Venus Burning: Realms collects all these stories in one volume for the first time, some of which only ever appeared in the magazine and will therefore be new to some of Tanith's fans.The stories in this collection are among her best work, in which Tanith takes myth and fairy tale tropes and turns them on their heads. You might find fantasy swordsmen (Woman in Scarlet), vampires (Israbel), werewolves (Moonblind), dragons (The Children of his Old Age), ghostly dolls (Doll Skulls) and tales reminiscent of the Arabian Nights (I Bring You Forever), but these are nothing like stories of those genres you've read before. Lush and lyrical, deep and literary, Tanith Lee created fresh poignant tales from familiar archetypes. This book also includes three previously uncollected stories from her Flat Earth mythos."We published fifteen of Tanith Lee's brilliant works. All of those wonderful, mystical, gorgeous, glorious stories are in this volume, and I'm so glad that Immanion Press is sharing them with new (and old) readers."Shawna McCarthy - founder and editor of 'Realms of Fantasy'