Bøker av Tendai Rinos Mwanaka

The three Ps of art: Poetry, Painting and Photography are conjoined with essays in this artistic offering that deals with what it means to be a poet, what constitute a poem, art, art forms, content, and the poet's vocation. It consists of 33 poems, 40 paintings, 7 essays, 10 photographs and an artist statement. Borrowing from the statement by Robert Duncan that poetry comes from God, and twisting it to mean that anything that comes from God and has a life of its own is a god, the poet here becomes a god. He is a god in the form of Adam who is beholden to the earth. He knows there is no heaven for him, so through poetry he creates a heaven for him and his readers using words, images, metaphors, light, lines, diagrams, circles, space, photography...

FRONTIERS: WILD, SEMI-WILD, HUMAN.... A photographic Novel, is a book of photographs I have taken or worked on over a period of 6 years from 2012 to 2017. I love the concept of writing a novel through photography and that's why I called this book of photographs a photographic novel, for there is a strong narrative dimension in these photographs that creates visual literature. And this narrative link, for a good part, points to the content in the images. They are three countries where I took these photos from; Mozambique, Zimbabwe and South Africa, three neighbours who share borders, languages, cultures, fauna, flora, etc, joined by a bond as old as creation, itself. I decided to work from the wild, to the semi wild, to human, exploring frontiers in these worlds, juxtaposing these worlds, one against the other or all three together in a photo, sometimes obsessively focusing on a single spot, repetitively creating different story strands from that one place, and then combine photography with other visual art medias like painting and drawing thus creating entirely different artworks. It is the essence of my work, to operate at the limit between natural and human landscapes, reality and fiction, nature and humanity, by bestowing an actual dimension to the utopian. The photographs are a celebration of this.¿Tendai Rinos Mwanaka is a multidisciplinary artist, editor, publisher and producer with 26 individual books and over 27 curated anthologies published in the US, Northern Ireland, UK, Cameroon and Zimbabwe. He has 3 music albums playing in at least 18 radio stations in the US, Canada, UK, France, Israel, Brazil and Australia and hundreds of paintings and drawings, thousands of photographs, some exhibited, published and sold. His art pieces have appeared in over 400 journals in over 35 countries and his books and writing are translated into at least 11 languages.

Despite the current economic and political situation in our country, poets, writers, artists, and other creatives have defied the odds and continued to churn their works and submit to produce this marvelous anthology. This eighth installment continues the tradition of giving new writers the platform to shine and to the seasoned writers, a shebeen to meet again and prolong the tradition. We hope you continue to read and follon the Zimbolicious anthology series.

Peace of the Senses: How to Fight the FAGS is a collection of interlinked photographs that deals with the human story in several existential perspectives, especially how we find joy and happiness in difficult circumstances in life. Thus the images in this book celebrate human life, makes funny of difficult situations we go through. There is an element of the comedian in the photos, and it sometimes would create huge howls of laughter, sometimes chuckles and smiles. We go with the adage laughter is the best medicine in this work, and I believe this creates the peace of the senses, as the title presupposes. A set of common themes and philosophical questions permeates the book, bringing the narrative together as an author's self-interrogation through invented others. Detecting the thematic threads whilst paying attention to the differences requires one to experience the book both horizontally and vertically, following a narrative that seems as much widening as deepening.

This collection has 60 poems that tackle spirituality from different perspectives as they also tackle day- to-day activities of the protagonists, from love, truth and lies, what is right or wrong, politics, death, existence, growing up stories, memories, gender and sexuality, what beauty is, etc. And in all these poems there is the search for our beginning (where we came from) to find the path to here (where we are) and what this here represents. A conscious thread runs through and weaves these worlds into some form of religion, an individual spirituality.

The stories in Finding a Way Home tackle many of the experiences of Zimbabwean people, but mostly life in the last few decades: i.e. life during the fight for democracy in Zimbabwe. It also tackles rape and sexual abuse issues, an insight into diseases that are not usually talked about well in Africa, yet they are devastating the continent like AIDS, Malaria, TB; diseases like bipolar, hypertension, cancer. It tackles failure of religious and spiritual beliefs. It delves into early adult coming-of-age stories, love stories in a world in the shadow of the AIDS pandemic, our dire need as humans to want to connect our lives with someone else, especially now in the 21st century and how mostly it is ending in break-ups of relationships and disillusionment. The stories are free of most of the conventions of storytelling. Some stories are like notes, of different people connected to this idea of Finding a way home, talking ... telling their own stories, in their own way. The storyteller also explore storytelling techniques; in having the characters in the stories stamp their own emotions on the page. It is very experimental, challenging and incisive, the stories have the ability to look a subject straight in eyes, without flinching. It is sometimes a fractured narrative with phrases disappearing off the edges, and yet the collection also balances between the exhibit of preciseness use of language and a deeper observation of human behaviour at close range through observing it all like a camera.Tendai Rinos Mwanaka is a Zimbabwean publisher and owner of Mwanaka Media and Publishing, an editor, mentor, thinker, literary artist, visual artist and musical artist with 25 individual books and at least 25 curated and edited anthologies published in Zimbabwe, Cameroon, Northern Ireland, UK, and USA, 2 music albums released and several dozens of songs; hundreds of paintings, drawings, literary pieces and other artworks curated, produced,exhibited and published in over 400 journals in at least 35 countries worldwide. His work has been translated into over 11 languages. His first chapbook of poetry, Disobedience Poems, is published in the UK.

Even though Zimbabwe's ghetto musicians have been vocal in articulating the ghetto struggles through Zimdancehall music, Ghetto literature in the 21st century in Zimbabwe is an area that has scarcely got strong attention from Zimbabwean poets and writers writing now. Yes, we have tackled ghetto subjectivities and difficulties through tackling Zimbabwe's political situation, which I still do in this collection, but I also went further and tackled ghetto as "place literature", developing voices for the masses in ghettos, especially in Zimbabwe's biggest ghetto city, Chitungwiza. The ghetto is a place that changes you in ways that only blues music can manage to encapsulate and like Blues music this collection is both bitter and sweet. A few poems in Ghetto Blues give insight into what shaped the poet, in poems about his birthplace in the east of Zimbabwe, on love, on religion, on race, on migration and xenophobia in South Africa.

Best New African Poets 2022 Anthology has poems, poem pieces, and reviews from over 100 poets from at least 30 African countries writing in English, Portuguese, French, Kiswahili and many other African languages. Idegwu, looks at how religion is used as a tool to make black Africans be slaves in the Middle East, how the black people, even though of the same religion with their Arabic brothers, are debased racially by their brothers. Sulaiman, Matshoba, and Munengwa want poetry to take us to the past and future, to open up great worlds of feeling and song, Sulaiman pinpoints ages in art movements from Chaucer to postmodernism. Chuma uses bible hero stories and characters to build the love characters in his poems whilst Muchirahondo uses place names, eg Jezebel, Stockholm, Phoenix, Delilah, and as tangent, Kassim draws back to old English masters like Austeen to dissect what love meant before the Romantic Movement, saying, "Love was meeting a stranger for the first time. And vowing to make life a service to each other." Not to forget the Nigerians with the harmattan wind, the iroko tree metaphors, the dearth of democracy on the continent, some accruing into wars eg Sierra Leone war aptly depicted in Kamara's poems..., it is a pot pourri of views, opinions, themes, styles....The beauty of the anthology is seeing as many new voices as keeping the old voices we started with. Eppel, Mhondera, Swanson, Ojonugwa, and Mwanaka were in our beginning anthology, 8 years ago, and they are still there, practising poetry. Tendai Rinos Mwanaka is a Zimbabwean publisher and owner of Mwanaka Media and Publishing; an editor, mentor, thinker, literary artist, visual artist and musical artist. Hélder Simbad é pseudónimo de Helder Silvestre Simba André. Professor e escritor. Concorre neste concurso com a obra "Dorsal Grito da Zunga".

Zimbolicious Anthology 7: An Anthology of Zimbabwean Literature and Arts continues with the tradition that Mwanaka Media and Publishing has made an intrinsic part of the Zimbabwean artscape: giving us something Zimbolicious. From the first anthology which focused solely on poetry to the current one, the definition of 'Zimbolicious' has been expanded to include photography, sculpture, paintings, Installations, short stories, essays and interviews, all from Zimbabweans at home and the diaspora. The visual pieces have determined the scope of this anthology as much as the textual ones. Zimbolicious Anthology 7, therefore, showcases the many images of Zimbabwe and its people through the eyes of its artists.Tendai Rinos Mwanaka is a Zimbabwean publisher and owner of Mwanaka Media and Publishing; an editor, mentor, thinker, literary artist, visual artist and musical artist with 23 individual books and at least 25 curated and edited anthologies published in Zimbabwe, Cameroon, Northern Ireland, UK, and USA.Tanaka Chidora is a literary scholar with a PhD in Literature from the University of the Free State in South Africa (2018). He taught at the University of Zimbabwe in the Department of English from 2014 to May, 2021 before joining Goethe University as a Humboldt postdoctoral fellow researching on violence, memory and literature in Zimbabwe. Chidora is a published poet and short story writer.

This project comes from our need to harness voices in Africa and the Latin America, giving these voices an opportunity to converse, argue, synthesize, agree, and share ideas on the craft of writing, on life, on being, on thinking, so that we will all benefit. Sixty-two writers and poets are included, of which 19 were purely fiction writers, six were mixed genres writers, one a non-fiction writer, one a playwright, and 35 are poets. Altogether there are 92 pieces in two languages: English and Spanish. Starcy Hardy, in the first entry in the anthology, deals with a war situation in an unnamed African country. Afopefoluwa Ojo deals with the personal haunted worlds of the writers, artists or art enthusiasts who dealt with the demons (supposed) in her own unique way. Ayo Oyeku deals with adultery, Ikechukwu Nwaogu deals with abuse and AIDS, Honduran Ludwig Varela describes a Latin America numbed by violence and crime where the family man lives on the border between the legal and the survival instinct, in an asphalt jungle where only the strongest survive. Soira Celestino from Brazil takes us back to the magical world of fairies and the dead in a romantic fable. In the conference of Hocquetot Gustavo Campos makes us witnesses of comic responses from a slightly eccentric writer; the poetry of Argentine Claudio Archubi invites us to dream with its dramatic and somber images at once. Este proyecto surge de la necesidad de tratar de aprovechar las voces de África y América Latina, dando eco a la oportunidad de conversar, discutir, sintetizar, estar de acuerdo, diferir y compartir ideas, puede ser dentro del terreno de la escritura, la vida, el ser, el pensamiento, de modo que todos nos beneficiemos. 62 escritores, de los cuales 19 eran puramente escritores de ficción, 6 escritores de géneros mixtos, 1 escritor de no ficción, 1 dramaturgo, 35 poetas, en total reunimos 92 piezas en dos idiomas: inglés y español. Starcy Hardy en el primer texto de la antología nos describe una situación de guerra en un país africano sin nombre. Afopefoluwa Ojo se ocupa del mundo embrujado de los escritores, artistas o aficionados al arte que se enfrentan a los demonios (supuestamente) en su particular estilo. Ayo Oyeku habla sobre adulterio, Ikechukwu Nwaogu se ocupa de los abusos y el SIDA, de Honduras Ludwing Varela nos describe una Latinoamérica adormecida por la violencia y la delincuencia donde el hombre de familia vive entre la frontera de lo legal y el instinto de supervivencia, como una jungla asfáltica donde solo los más fuertes sobreviven. Soira Celestino desde Brasil nos remonta al mágico mundo de las hadas y los muertos en una fábula romántica. En la conferencia de Hocquetot Gustavo Campos nos hace testigos de las cómicas respuestas de un escritor un poco excéntrico, la poesía del Argentino Claudio Archubi nos invita a ensoñar con sus imágenes dramáticas y sombrías a la vez.Tendai Rinos Mwanaka is a publisher, editor, mentor, thinker, literary artist, visual artist and musical artist with over 40 books published.Rodríguez Ricardo Félix was born 1975 in Caborca, Sonora, Mexico. He studied psychology and has a Master's degree in social science with emphasis in health. Book in English and Spanish.

This anthology focuses on the individual actions that build the collective, how can we as individuals create, innovate and change our interactions with earth and the other living beings so as to create a healthy earth for us and our futures.

Tendai Rinos Mwanaka wrote letters to Robert Mugabe, Constantine Chiwenga, Morgan Tsvangirai, The Zimbabweans, Emerson Mnangagwa, Nelson Chamisa and The Police.

THE TRICK IS TO KEEP BREATHING: Covid 19 Stories From African and North American Writers, Vol 3, features 2 essays, 5 stories and 64 poems from 32 poets, writers and academicians from North America and Africa.

Between Places is a journal of existential poetry that covers a three year gap, 2017-2020. It is poetry for or from that inner space you create whilst trying to deal with the impermanence, restlessness, constant moving on, living away from home, the exilitic condition resultant of moving into spaces that others you, and how these corrode the sense of who you are and your agency. is a journal of existential poetry that covers a three year gap, 2017-2020. It is poetry for or from that inner space you create whilst trying to deal with the impermanence, restlessness, constant moving on, living away from home, the exilitic condition resultant of moving into spaces that others you, and how these corrode the sense of who you are and your agency.

Zimbolicious Anthology: An Anthology of Zimbabwean Literature and Arts, Vol 5 is the fifth in this yearly journal of Zimbabwean literature and the arts as it happens. The poetry covers a range of subjects; love, spirituality, religion, migration, poet's vocation and as usual the political direction or situation in the country. The fiction deals with a wide range issues, from religious contrivance in Gwiriri's story, drug problem and corruption in Mutize's story, the political and economic strife in Tokwe's story, and the personal trauma story in Chikomo's car accident story.In the nonfiction section we have Muchuri's illuminating essay on another Zimbabwe storyteller, Ignatious Mabasa's Shona books, Zvikomborero Kapuya harks back to the land issue as the starting point and catapult to the misunderstandings between Zimbabwe and her erstwhile foreign enemies, Chikono writes his painful life story on shame families carry when a family member has a child out of wedlock, worst when the child is disabled and Mwanaka has a small philosophical vignette essay on choice.The visual section is heralded by Nhevera's iconic brushworks depicting movement and portraiture, and Mwanaka has an array of art pieces from documentary photography, experimental photography, water colour, computer graphic and installation, wrapping up this new offering.

Poets featured in Zimbolicious 5th Anniversary Edition are: Tanaka Chidora, Tendai Rinos Mwanaka, Killian Nhamo Mwanaka, Jabulani Mzinyathi, Mandhla Mavolwane, Wilson Waison, Beniah Munengwa, Chenjerai Mhondera, Lisa Jaison, Tinashe Muchuri, Oscar Gwiriri, Christopher Kudyahakudadirwe, Troy Da Costa and John Eppel. These are some of the very best contemporary poets from Zimbabwe, poets we have worked with for the past 5 years as Zimbolicious project. This is an anniversary edition to celebrate the 5 year literary journey.

Sprawling to the south east of the revered Harare…there is a place millions call home, Chitungwiza as in that olden track, "mushamukuru, wakaenda kupiko, Chitungwiza." It is Zimbabwe's biggest village, that became a town, that became a city, that became our own Soweto… Zimbabwe's biggest suburb yet also Zimbabwe's Hollywood. It has produced or groomed Zimbabwe's creatives and creative industry from film, by the book, poets, musicians, entertainers, academia, media practitioners, sculptors and those involved in other visual arts. In this anthology, Chitungwiza Mushamukuru: An Anthology from Zimbabwe's Biggest Ghetto Town, we have work from 1 artist and 11 writers who have called this Chitungwiza, Zimbabwe home, or have wrote home about this place, or have created artworks which highlight the culture, identity, lives, and position Chitungwiza in these matrixes or beyond those highlighted above.

The first thing you will meet in this collection is experimentation and innovativeness in the writing. Poets should be scientists by experimenting with forms, styles, with subject matter too, they should continuously try to find new ways of writing, to problematicise what we have always taken for granted. The second issue is how we understand and critically dissect that point where art criticism and actual art can meet in the poetic form. The third issue is how irreverently the poet treates issues to do with the meaning of words, what words are, how he creates new words, what numbers are, the state of voice, language, thoughts, dreams, perspectives, life, race, death, dreams, spirituality, love etc… The fourth issue is the storytelling tradition that is strong in this collection; the poet is saying poets are also storytellers, who tell a story in condensed form with depth of thought and feeling. The fifth important aspect is defiance. The poet refuses to settle on anything, to accept anything, he is a literary rebel with language, no subject is taboo. A Portrait of Defiance defiantly looks at the world before voice and the world after voice, and the worlds in between. What will human beings be without voice? Even nothingness has a voice!

When Escape Becomes the only Lover is a continuation and crystallization of issues dealt with in A Portrait of Defiance. The poet deals with a broad subject matter, love in all its forms, spirituality; this spirituality is individual it is the artist's spiritual world. He deals with dreams, voice, word, numbers, poet's vocation, wars, language, etc… He is the prophet of his dreams, his world, his future… There is strong experimentation and innovativeness in the writing, in the text, in form, in style, in content matter, the writer is a discoverer, every horizon is a life horizon. There is the dissecting of that space where art criticism meets art mimesis, and this space is offered as the future of art criticism. The storyteller refuses to die thus the collection proffers escape as the ultimate lover who can help us deal with the insanities of our time.

Drawing Without Licence is a collection of Zimbabwean artist, Tendai Rinos Mwanaka's first 51 drawings and interpretations of his them. Most of the drawings have been published in literary and art journals over the years worldwide and this book will serve as an open ended public exhibition platform for these drawings. The collection contains pieces which deal with the supernatural world, spirituality, philosophy, memory, relationships, love…, and acts as the search for sanctuary and forgiveness for our past failures and fears; and to help us understand our reality and humanity.

Vote rigging, voter apathy, intimidations, biased reporting, hubristic political leaders, political gerrymandering, a confused world, and a tired and timid electorate: add to this the decay or death of every governance system or structure in Zimbabwe alongside an economy that is all but dead. These are the issues addressed in this poetry collection Mad Bob Republic. Is there an end to Zimbabwe's problems? The poet contributes to ongoing discourses on the country.

Keys in the River: New and Collected Stories, is a cycle of stories about life, love and spirituality, told as if the reader were sitting and listening to neighbors and friends talking about life. Some stories are tender, even comic; in others, tragedy and outrage lurk. The stories share a common thread, a noble stance in the struggle to find love, freedom, completeness, humanness and satisfaction.