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A New York Magazine Best Book of the YearA Huffington Post Best Book of the Year Twenty contemporary authors introduce twenty sterling examples of the short story from the pages of The Paris Review.What does it take to write a great short story? In Object Lessons, twenty contemporary masters of the genre answer that question, sharing favorite stories from the pages of The Paris Review. Over the course of the last half century, the Review has launched hundreds of careers while publishing some of the most inventive and best-loved stories of our time. This anthology---the first of its kind---is more than a treasury: it is an indispensable resource for writers, students, and anyone else who wants to understand fiction from a writer''s point of view."Some chose classics. Some chose stories that were new even to us. Our hope is that this collection will be useful to young writers, and to others interested in literary technique. Most of all, it is intended for readers who are not (or are no longer) in the habit of reading short stories. We hope these object lessons will remind them how varied the form can be, how vital it remains, and how much pleasure it can give."ΓÇöfrom the Editors'' NoteWITH SELECTIONS BYDaniel Alarc├│n ┬╖ Donald Barthelme ┬╖ Ann Beattie ┬╖ David Bezmozgis ┬╖ Jorge Luis Borges ┬╖ Jane Bowles ┬╖ Ethan Canin ┬╖ Raymond Carver ┬╖ Evan S. Connell ┬╖ Bernard Cooper ┬╖ Guy Davenport ┬╖ Lydia Davis ┬╖ Dave Eggers ┬╖ Jeffrey Eugenides ┬╖ Mary Gaitskill ┬╖ Thomas Glynn ┬╖ Aleksandar Hemon ┬╖ Amy Hempel ┬╖ Mary-Beth Hughes ┬╖ Denis Johnson ┬╖ Jonathan Lethem ┬╖ Sam Lipsyte ┬╖ Ben Marcus ┬╖ David Means ┬╖ Leonard Michaels ┬╖ Steven Millhauser ┬╖ Lorrie Moore ┬╖ Craig Nova ┬╖ Daniel Orozco ┬╖ Mary Robison ┬╖ Norman Rush ┬╖ James Salter ┬╖ Mona Simpson ┬╖ Ali Smith ┬╖ Wells Tower ┬╖ Dallas Wiebe ┬╖ Joy Williams

A Picador Paperback Original"The Paris Review is one of the few truly essential literary magazines of the twentieth century--and now of the twenty-first. Frequently weird, always wonderful."--Margaret Atwood How do great writers do it? From James M. Cain's hard-nosed observation that "writing a novel is like working on foreign policy. There are problems to be solved. It's not all inspirational," to Joan Didion's account of how she composes a book--"I constantly retype my own sentences. Every day I go back to page one and just retype what I have. It gets me into a rhythm"--The Paris Review has elicited some of the most revelatory and revealing thoughts from the literary masters of our age. For more than half a century, the magazine has spoken with most of our leading novelists, poets, and playwrights, and the interviews themselves have come to be recognized as classic works of literature, an essential and definitive record of the writing life. They have won the coveted George Polk Award and have been a contender for the Pulitzer Prize. Paris Review former editor Philip Gourevitch introduces an entirely original selection of sixteen of the most celebrated interviews. Often startling, always engaging, these encounters contain an immense scope of intelligence, personality, experience, and wit from the likes of Elizabeth Bishop, Ernest Hemingway, Truman Capote, Rebecca West, and Billy Wilder. This is an indispensable book for all writers and readers.