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Dreiser''s careful preservation of his papers bears new fruit with the publication of his personal diaries for the years 1902-26. This volume presents all seven of Dreiser''s hitherto unpublished American diaries, the intermittent journals he kept during the most productive years of his literary career. Together they constitute a revealing self-portrait as well as a valuable commentary on the American scene during the first quarter of the twentieth century. They offer reflections on turn-of-the-century Philadelphia, the American South and Mid-West, Greenwich Village of the nineteen-teens, and Hollywood of the twenties. The diaries begin in 1902, when Dreiser was at a low point after the "suppression" of Sister Carrie, and continue until 1926, when he was enjoying the greatest success of his career with An American Tragedy.This publication constitutes in its entirety a new source for biographical and critical study. This is particularly true of the diaries covering Dreiser''s experience in Philadelphia, Greenwich Village, and with Helen Richardson—all of which were not available to previous biographers. The present Introduction by Professor Riggio is the first biographical narrative to make use of these materials. Future biographers will now be able to speak with more assurance of Dreiser''s whereabouts, the people he knew, what he was reading, which writings were in progress, and of his fascinating private affairs in general. In addition, these diaries will be of interest to students of Dreiser''s literary art, as they reveal subtle aspects of how Dreiser viewed the external world and transmuted it in his daily creative efforts.
The text of the Third Edition is based on the 1900 Doubleday Page edition, with detailed annotations that reveal the author's use of real people and places in Chicago and New York.
The first published collection of the esteemed novelist's prolific political works
First published in 1912, Theodore Dreiser's third novel, "The Financier", captures the ruthlessness and sparkle of the Gilded Age alongside the charismatic amorality of the power brokers and bankers of the mid-nineteenth century. This volume is an edition of "The Financier" to draw on the uncorrected page proofs of the original 1912 version.
"For Dreiser, Jennie Gerhardt was a good career move. Now, with this Pennsylvania edition, we know that it is also a great novel."-New York Times
Frank Cowperwood, a fiercely ambitious businessman, emerges as the very embodiment of greed as he relentlessly seeks satisfaction in wealth, women, and power. As Cowperwood deals and double-deals, betrays and is in turn betrayed, his rise and fall come to represent the American success story stripped down to brutal realities.
Presents a story of a country girl's rise to riches as the mistress of a wealthy man which marked the beginning of the naturalist movement in America.
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