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Fyodor Dostoevsky--Darkness and Dawn (1848-1849), the third and final volume on the writer's childhood, adolescence, and youth, seeks to disclose, in a detailed and intimate way, Dostoevsky's last two years before his exile to Siberia. Together with the first two volumes, it attempts to present for the first time a complete and congruent picture of the writer's first twenty-eight years on earth. Thomas Gaiton Marullo first examines diverse responses of Russian church, state, and citizens to the French socialists, in particular, Charles Fourier, and to the revolutions of 1848 before he moves to lively debates on Dostoevsky's socialism and new attacks on his writings. He then considers the dynamics of the Petrashevsky and Durov circles; fresh assaults on Dostoevsky's works; and the increasing desperation of the writer himself, particularly with Andrei Kraevsky. In the final sections of his study, Marullo sheds light on Dostoevsky's readings of Belinsky's Letter to Gogol, the arrests of Petrashevsky and company, including Dostoevsky and brothers Andrei and Mikhail, as well as his responses to members of the Investigative Commission for the Petrashevsky Affair, his eight months in prison in the Peter-Paul Fortress, his mock execution on Semyonovsky Parade Ground, and his departure to exile in Siberia. This volume will be of interest to scholars, students, and devotees not only of Dostoevsky, but also of Russian and European history, culture, and civilization.
More than a century after his death in 1881, Fyodor Dostoevsky continues to fascinate readers and reviewers. Countless studies of his writing have been published-more than a dozen in the past few years alone. In this important new work, Thomas Marullo provides a diary-portrait of Dostoevsky's early years drawn from the letters, memoirs, and...
Shows how, at age twenty-eight, Dostoevsky illustrated the workings of emotional addiction that became the scholarly focus of practitioners of mental health. This book provides an example of what psychologists today call codependency.
In this second volume of his major work on Bunin, the neglected master of Russian letters, Thomas Marullo recreates his life in exile, chiefly in Paris, after escaping from his newly bolshevized country in 1920. Drawing from Bunin''s correspondence, his diaries, and his stories, and translating most of these materials into English for the first time, Mr. Marullo gives us a vivid picture of a man suddenly and agonizingly without a country. Bunin''s life and art, which depended so heavily on traditional Russian values, seemed to be overthrown in a moment, and the writer found himself marooned amidst Western culture, clinging to his old ideals. Through his writings we are also provided a window on the lively but despairing and often fractious community of Russian emigrés in Paris in the twenties, which included Stravinsky, Rachmaninoff Chafiapin, Prokofiev, Chagall, Kandinsky, Pavlova, Diaghilev, and Zamyatin. The volume ends in 1933, when Bunin became the first Russian to receive the Nobel Prize in literature. Mr. Marullo''s first volume, Ivan Bunin: Russian Requiem, was widely acclaimed. Gary Saul Morson of Northwestern wrote: "It engages the reader from the first page ...Marullo has an eye for the perfect quotation." Ruth Rischin, in the Russian Review, described the book as "elegantly crafted... a serious achievement."
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