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Declares the relationship between sound art and music colloquial": spoken and accessible, rather than locked behind disciplinary boundaries.
Literary Nonfiction. Spiritual improvisations, radiant acts of attention: echoing Thoreau's Walden, the meditations of Guy Davenport, and Kenny Moore's groundbreaking articles for Sports Illustrated, Thomas Gardner strides through inner and outer landscapes. Freed by disciplined effort, the runner's mind here roams and mourns and remembers.
Continuing the work begun in 2014's Poverty Creek Journal, the lyric essays in Thomas Gardner's Sundays focus on moments in our ordinary lives when something within us breaks and we are cast out to wander and sing, "feeling [our] way toward something [in the invisible] that will press back."
Suitable for instructors who want a narrative, descriptive approach with fewer lengthy case excerpts, this book delivers coverage of all the components of substantive criminal law.
Poets are our best readers, contends Gardner, and his deft analysis forges a fresh path into the issues and tensions of John's Gospel.--Chris Beneke, Bently University "The Historian"
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