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In Thomas Ligotti's first nonfiction outing, an examination of the meaning (or meaninglessness) of life through an insightful, unsparing argument that proves the greatest horrors are not the products of our imagination but instead are found in reality."There is a signature motif discernible in both works of philosophical pessimism and supernatural horror. It may be stated thus: Behind the scenes of life lurks something pernicious that makes a nightmare of our world."His fiction is known to be some of the most terrifying in the genre of supernatural horror, but Thomas Ligotti's first nonfiction book may be even scarier. Drawing on philosophy, literature, neuroscience, and other fields of study, Ligotti takes the penetrating lens of his imagination and turns it on his audience, causing them to grapple with the brutal reality that they are living a meaningless nightmare, and anyone who feels otherwise is simply acting out an optimistic fallacy. At once a guidebook to pessimistic thought and a relentless critique of humanity's employment of self-deception to cope with the pervasive suffering of their existence, The Conspiracy against the Human Race may just convince readers that there is more than a measure of truth in the despairing yet unexpectedly liberating negativity that is widely considered a hallmark of Ligotti's work.
Thomas Ligotti is often cited as the most curious and remarkable figure in horror literature since H. P. Lovecraft. His work is noted by critics for its display of an exceptionally grotesque imagination and accomplished prose style. In his stories, Ligotti has followed a literary tradition that began with Edgar Allan Poe, portraying characters that are outside of anything that might be called normal life, depicting strange locales far off the beaten track, and rendering a grim vision of human existence as a perpetual nightmare. The horror stories collected in Teatro Grottesco feature tormented individuals who play out their doom in various odd little towns, as well as in dark sectors frequented by sinister and often blackly comical eccentrics. The cycle of narratives introduce readers to a freakish community of artists who encounter demonic perils that ultimately engulf their lives.
For over thirty-five years, David Lynch has remained one of the weirdest, most challenging, and provocative filmmakers. From his early experimental films created as an art student in Philadelphia, to his foray into digital film with Inland Empire, Lynch's filmography is as diverse as it is influential. Featuring Thomas Ligotti, John Skipp, David J (of Bauhaus), Ben Loory, Nick Mamatas, Amelia Gray, Kevin Sampsell, Blake Butler, and many others, In Heaven, Everything is Fine: Fiction Inspired by David Lynch is a tribute to one of the greatest filmmakers of all time.
The first 4 issues of Weird Tales published by DNA Publications heralds the return of the classic name. Includes contributions from all the Weird Tales regulars: Tanith Lee, Ian Watson, Thomas Ligotti, Ramsey Campbell, and many more.
The four "lost" issues of Weird Tales, as it changed titles to Worlds of Fantasy and Horror -- only to revert to Weird Tales again with issue #312. Includes contributions from Thomas Ligotti, Joyce Carol Oates, Ramsey Campbell, Morgan Llywelyn, William F. Nolan, Joe Lansdale, Keith Roberts, Tanith Lee, Chet Williamson, and many, many more. A stunning 4-issue set.
Weird Tales #297 showcases Nancy Springer as the Featured Author and Frank Kelly Freas (who did all the artwork) as the Featured Artist. Other contributors include Thomas Ligotti and John Brunner.
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