Bøker av Thomas Merton

"Zen enriches no one," Thomas Merton provocatively writes in his opening statement to Zen and the Birds of Appetite-one of the last books to be published before his death in 1968. "There is no body to be found. The birds may come and circle for a while... but they soon go elsewhere. When they are gone, the 'nothing,' the 'no-body' that was there, suddenly appears. That is Zen. It was there all the time but the scavengers missed it, because it was not their kind of prey." This gets at the humor, paradox, and joy that one feels in Merton's discoveries of Zen during the last years of his life, a joy very much present in this collection of essays. Exploring the relationship between Christianity and Zen, especially through his dialogue with the great Zen teacher D.T. Suzuki, the book makes an excellent introduction to a comparative study of these two traditions, as well as giving the reader a strong taste of the mature Merton. Never does one feel him losing his own faith in these pages; rather one feels that faith getting deeply clarified and affirmed. Just as the body of "Zen" cannot be found by the scavengers, so too, Merton suggests, with the eternal truth of Christ.

In this third volume of papers from Thomas Merton¿s conferences during his decade (1955-1965) as novice master at the Cistercian Abbey of Gethsemani, his insight into the liturgical pattern of the Christian year and beyond is presented in fresh detail. Merton¿s own commitment to this central dimension of Christian life is clear, and nowhere more so than in his work introducing students to the patterns that would mark their lives as monks.Though dating from the period just before the liturgical reforms of Vatican II, Merton's commentaries remain pertinent. The thoroughly annotated text is preceded by an extensive introduction situating this material in the context of Merton's lifelong writing on liturgy. Moreover, as his former student Br. Paul Quenon notes in his foreword, this context is one deeply rooted in Merton¿s understanding of Scripture. ¿These notes . . . take us into one man's lifetime of reflection and seasoned experience of the Church Year.¿

Previously unpublished material from world-renowned Trappist monk and author, Thomas Merton, featuring the final conference talks given in the United States before his untimely death. In May and October of 1968, Thomas Merton offered two extended conferences at Our Lady of the Redwoods Abbey, a Cistercian women's community in Northern California. Comprising over twenty-six hours of previously unpublished material, Thomas Merton in California covers a variety of topics including ecology and consciousness, yoga and Hinduism, Native American ritual and rites of passage, Sufi spirituality, and inter-religious dialogue, along with extended discussions on prayer and the contemplative life. The material presented in these talks reveals Merton's wide-ranging intellectual and spiritual pursuits in the final year of his life, and fills a long-standing lacuna around Merton's visits to Redwoods Monastery, forming a necessary bridge to the Asian journey that was to come. Practical and applicable, as well as searching and inspired, Thomas Merton in California is essential for Merton readers and scholars, and all those interested in deepening their spiritual lives.

Thomas Merton presented numerous sets of conferences during his decade (1955-1965) as novice master at the Cistercian Abbey of Gethsemani. The two courses included in this volume - a thorough examination of the book of Genesis that began in mid-1956 and concluded on the Feast of Pentecost in 1957, and a series of classes on the book of Exodus from 1957 and 1958 - are here presented for the first time in a critical edition accompanied by extensive annotation and a comprehensive introduction. These courses comprise the only major surviving teaching notes on particular books of Scripture dating from the years when Merton was in charge of the novitiate. They provide direct access to his views on the intellectual and spiritual contexts in which they should be understood. As biblical scholar Pauline Viviano writes in her preface, ¿this edition of Thomas Merton¿s class notes brings us into the workings of a great spiritual leader¿s mind as he reflects upon Scripture. . . . all who are on a spiritual journey can gain from his insights and the lessons he draws.¿

In "Bread in the Wilderness," Merton looks at the psalms as poetry; in this book he regards them as prayer. Guiding the reader through the more representative psalms, he explains why the Church also considers the psalms as the best way to praise God. According to Merton: "To put it very plainly, the Church loves the Psalms because in them she sings of her experience of God, of her union with the Incarnate Word, of her contemplation of God in the Mystery of Christ....If we really come to know and love the Psalms, we will enter into the Church's own experience of divine things. We will begin to know God as we ought.

Thomas Merton may have seemed an unlikely candidate for a best-selling author. Cloistered in a remote Kentucky monastery, Merton struggled as a young man to reconcile the contemplative life he sought as a monk and his very public passion for writing. Publisher James Laughlin saw Merton's talent and played the muse, encouraging him with the poems, essays, and diaries of other writers and publishing nearly everything Merton sent in return.Ironically, the very society Merton rejected upon entering the monastery embraced his work, bringing him publishing success only dreamed of by more eager authors. Soon Merton discovered he had a podium, a voice, and a responsibility that weighed as heavily on him as his previous quest for silence. Laughlin's encouragement remained constant throughout, as political ally, publishing adviser, and supporting friend.Nearly thirty years of rich correspondence documents this strong literary and personal relationship and traces the remarkable development of Merton's vision: from an early focus on matters internal and religious, to a tremendous world view encompassing issues of race, politics, war, and the spiritual decay of modern society.

The best-known Cistercian of the twentieth century reflects on the teaching and life of the most renowned Cistercian of the twelfth century. Three essays written in the 1950s explore the relation of contemplation and action in the monastic vocation and in the life of Christians.

Cassian and the Fathers is the initial volume in the series of Novitiate Conferences of Thomas Merton, the classes he presented to young men beginning their monastic life at the Abbey of Gethsemani in Kentucky. They contain Merton's insights on important Patristic and monastic figures preceding the time of St. Benedict, above all John Cassian, the most significant bridge between the early desert fathers and the development of monastic life in the West, and they reveal the continuing relevance of their teachings for contemporary monastics and other Christians. Much of the value of interest of Cassian and the Fathers, as of the novitiate conferences in general, lies in the light it casts on Merton himself as teacher, novice master and monk. These notes provide a privileged standpoint for observing Merton functioning as an integral and important member of his monastic community. The 'public' Merton has long been visible in his works written for publication, and has more recently been complemented by the 'interpersonal' Merton disclosed in his correspondence and the 'intimate' Merton revealed in his complete journals. This edition includes an extensive introduction situating these conferences and Merton's years as novice master in the context of his broader life as monk and writer, an extensively annotated edition of the text of the conferences based on Merton's own typescript, and helpful appendices indicating changes Merton made to his text, correlating the written text with taped versions of the actual classes, and providing suggestions for further reading both in Merton's other works and in more recent studies of the figures he discusses here.

A 365 daily with inspirational and provocative selections from the journals of Thomas Merton combined with drawings and photographs by Merton.This volume of daily inspiration from Thomas Merton draws from Merton's journals and papers to present, each day, a seasonally appropriate and thought-provoking insight or observation.Each month will begin with one of Merton's delightful pen-and-ink drawings or one of his elegant black-and-white photographs.

An examination of the roots of the Cistercian Order, founded in 1098, its development and waning, and the seventeenth-century reforms by the Abbé de Rancé, which began the second flowering that continues today. Throughout, Merton illuminates the purposes of monasticism. Index; photographs.

In 1944, New Directions brought out Thomas Merton's first book of verse. By the time of his tragic, untimely death in 1968, Father Louis (as he was known at the Trappist monastery where he lived for twenty-seven years) had published upwards of fifty books and pamphlets, including several more collections of poetry. All of these poems have been assembled in a single, definitive volume (first published by New Directions in 1977) which includes much additional unpublished or uncollected material drawn from the archive of the Merton Studies Center at Bellarmine College in Louisville, Kentucky, or supplied by the poet's friends and associates. Brought together in The Collected Poems of Thomas Merton are: Early Poems (1940-42, published posthumously in 1971), Thirty Poems (1944), A Man in the Divided Sea (1946), Figures for an Apocalypse (1947), The Tear of the Blind Lions (1949), The Strange Islands (1957), Original Child Bomb (1962), Emblems of a Season of Fun (1963), Cables to Ace (1968), and The Geography of Lograire (completed in 1968 and published posthumously). These are followed by Sensation Time at the Home and Other New Poems, a book which Merton completed shortly before his death. There are also sections of uncollected poems, humorous verse, poems written in French, with some English translations, Merton's translations of poetry from various languages, drafts and fragments, and a selection of concrete poems. With the availability of The Collected Poems of Thomas Merton as a New Directions paperbook, an ever wider audience may more fully appreciate the impressive range of the poet's technique, the scope of his concerns, and the humaneness of his vision.

Although it first appeared after his death in 1968, he had arranged for its publication, written a foreword for it, and was delighted with the prospect of its at last becoming a part of his published works. My Argument with the Gestapo tells of the adventures of a young man, clearly identified by the name Thomas Merton, who travels from America to Europe to report on the war with Germany from the viewpoint of a poet. He hates the war, yet is driven to come to terms with it. There is a pervading sense of dreamworld or hallucination, heightened by the device of passages written in a macaronic language, invented from multilingual roots, to satirize and parody political propaganda speeches dealing with the war. A work of imagination (Merton did not in fact return to England after the start of World War II in Europe), it nevertheless contains much that is autobiographical and revealing of the young Merton. Most clearly visible are the seeds of his never-forsaken concern with peace and nonviolence and his abhorrence of war. Indeed, his outspoken criticism of Britain at a time when all the emphasis was on 'the brave little island standing alone' foreshadows his devotion to truth as he saw it, no matter what the cost. And students of Merton will find scenes in the book that are straight autobiography, amplifying and perhaps filling in gaps in what later was to be the beginning of Merton's great literary success, The Seven Storey Mountain (1948).

As wide a following as the late Thomas Merton had while he lived, ever since his tragic accidental death in Bangkok in 1968, there has been a steady upsurge of interest in both his life and writings. A priest and Trappist monk by vocation, his theological works have been instrumental in reforming Western monasticism and in carrying on the religious dialogue between East and West; an enormously productive poet, his poems display an astonishing technical versatility and deeply felt humanity. Merton's stature as a critic, however, was not fully appreciated until the publication in 1981 of the first full collection of his distinctly literary essays, now available as a paperbook. The fifty-six pieces included in The Literary Essays of Thomas Merton present every known article by the author, though written for the most part during the last years of his life. The mature Merton ranges across the modern literary landscape with impressive ease. Joyce, Pasternak, and Zukofsky are only a few of the authors discussed in "Literary Essays (1959-68)." These are followed, in turn, by "Seven Essays on Albert Camus"; nine essays "Introducing Poets in Translation"; and "Related Literary Questions," linking Merton's literary thought with his aesthetic, religious, and social concerns. His earlier work, such as his 1939 Master's thesis on Blake as well as newspaper and periodical reviews written prior to 1941, are included in appendices; to these are added transcripts of two talks he gave on Faulkner in 1967. The Literary Essays were collected and edited by Brother Patrick Hart, Father Merton's secretary at the Abbey of Gethsemani in Kentucky.

Poet, Trappist monk, religious philosopher, translator, social critic: the late Thomas Merton was all these things. This classic selection from his great body of poetry affords a comprehensive view of his varied and progressively innovative work. Selected by Mark Van Doren and James Laughlin, this slim volume is now available again as a wonderful showcase of Thomas Merton's splendid poetry.

Showing that the summit of ultimate truth is reached in contemplation, this book offers an exposition of the doctrines of St John of the Cross. The expositions and meditations are nourishment for the spirit journeying towards truth.