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Suffused with rich satire, chaotic brilliance, verbal turbulence and wild humour, The Crying of Lot 49 opens as Oedipa Maas discovers that she haas been made executrix of a former lover's estate.
Charles Mason (1728 -1786) and Jeremiah Dixon (1733-1779) were the British Surveyors best remembered for running the boundary between Pennsylvania and Maryland that we know today as the Mason-Dixon Line.
Maxine Tarnow is running a nice little fraud investigation business on the Upper West Side, chasing down different kinds of small-scale con artists. She used to be legally certified but her licence got pulled a while back, which has actually turned out to be a blessing because now she can follow her own code of ethics.
Spanning the period between the Chicago World's Fair of 1893 and the years just after World War I, Against the Day moves from the labour troubles in Colorado to turn-of-the-century New York; Maybe it's not the world, but with a minor adjustment or two it's what the world might be.
The quest for V. sweeps us through sixty years and a panorama of Alexandria, Paris, Malta, Florence, Africa and New York. as become a modern classic. This is the first novel by the author of Gravity's Rainbow, and a profoundly impressive and original work in its own right.
Gravity's Rainbow is never a single story, but a proliferation of characters - Pirate Prentice, Teddy Bloat, Tantivy Mucker-Maffick, Saure Bummer, and more - and events that tantalize the reader with suggestions of vast patterns only just past our comprehension.
Charles Mason (1728-1786) and Jeremiah Dixon (1733-1779) were the British surveyors best remembered for running the boundary between Pennsylvania and Maryland that we know today as the Mason-Dixon Line. Here is their story as re-imagined by Thomas Pynchon, featuring Native Americans and frontier folk, ripped bodices, naval warfare, conspiracies erotic and political, and major caffeine abuse. We follow the mismatched pair--one rollicking, the other depressive; one Gothic, the other pre-Romantic--from their first journey together to the Cape of Good Hope, to pre-Revolutionary America and back, through the strange yet redemptive turns of fortune in their later lives, on a grand tour of the Enlightenment's dark hemisphere, as they observe and participate in the many opportunities for insanity presented them by the Age of Reason.
A New York Times besteller!It is 2001 in New York City, in the lull between the collapse of the dot-com boom and the terrible events of September 11th. Silicon Alley is a ghost town, Web 1.0 is having adolescent angst, Google has yet to IPO, Microsoft is still considered the Evil Empire. There may not be quite as much money around as there was at the height of the tech bubble, but there's no shortage of swindlers looking to grab a piece of what's left.Maxine Tarnow is running a nice little fraud investigation business on the Upper West Side, chasing down different kinds of small-scale con artists. She used to be legally certified but her license got pulled a while back, which has actually turned out to be a blessing because now she can follow her own code of ethicscarry a Beretta, do business with sleazebags, hack into people's bank accountswithout having too much guilt about any of it. Otherwise, just your average working momtwo boys in elementary school, an off-and-on situation with her sort of semi-ex-husband Horst, life as normal as it ever gets in the neighborhoodtill Maxine starts looking into the finances of a computer-security firm and its billionaire geek CEO, whereupon things begin rapidly to jam onto the subway and head downtown. She soon finds herself mixed up with a drug runner in an art deco motorboat, a professional nose obsessed with Hitler's aftershave, a neoliberal enforcer with footwear issues, plus elements of the Russian mob and various bloggers, hackers, code monkeys, and entrepreneurs, some of whom begin to show up mysteriously dead. Foul play, of course.With occasional excursions into the DeepWeb and out to Long Island, Thomas Pynchon, channeling his inner Jewish mother, brings us a historical romance of New York in the early days of the internet, not that distant in calendar time but galactically remote from where we've journeyed to since.Will perpetrators be revealed, forget about brought to justice? Will Maxine have to take the handgun out of her purse? Will she and Horst get back together? Will Jerry Seinfeld make an unscheduled guest appearance? Will accounts secular and karmic be brought into balance?Hey. Who wants to know?The Washington Post';Brilliantly written a joy to read Bleeding Edge is totally gonzo, totally wonderful. It really is good to have Thomas Pynchon around, doing what he does best.' (Michael Dirda)Slate.com"e;If not here at the end of history, when? If not Pynchon, who? Reading Bleeding Edge, tearing up at the beauty of its sadness or the punches of its hilarity, you may realize it as the 9/11 novel you never knew you needed a necessary novel and one that literary history has been waiting for."e;The New York Times Book ReviewExemplary dazzling and ludicrous... Our reward for surrendering expectations that a novel should gather in clarity, rather than disperse into molecules, isn't anomie but delight.' (Jonathan Lethem)Wired magazine';The book's real accomplishment is to claim the last decade as Pynchon territory, a continuation of the same tensions between freedom and captivity, momentum and entropy, meaning and chaos through which he has framed the last half-century."e;
It's been a while since Doc Sportello has seen his ex-girlfriend. Suddenly out of nowhere she shows up with a story about a plot to kidnap a billionaire land developer whom she just happens to be in love with. Easy for her to say.
A compilation of five short stories which include: "The Small Rain", "Lowlands", "Entropy", "Under the Rose", and "The Secret Integration".
Vineland is vintage Pynchon, full of quasi-allegorical characters, elaborate unresolved subplots, corny songs ("Floozy with an Uzi"), movie spoofs (Pee-wee Herman in The Robert Musil Story), and illicit sex (including a macho variation on the infamous sportscar scene in V.).
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