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Presents industrial ruins and explains what they can tell about ourselves and our past. It is their fragmentary nature and lack of fixed meaning that render ruins meaningful. This book highlights the danger of eradicating such urban sites through policies that privilege homogeneous new developments.
This book focuses on a single artefact, the Barochan Cross, a ninth century stone sculpture in Renfrewshire, Scotland. Exploring the changing stories, meanings, locations, uses and feelings of the sculpture, Tim Edensor adopts a broad temporal frame across twelve centuries that moves away from a periodisation that solely considers its original meanings and uses. Narrating the shifting ways in which the Barochan Cross has been moved, utilised, cared for, interpreted, encountered, sensed, copied and appropriated allows for a sophisticated yet highly accessible discussion about its changing relationships with the physical and conceptual landscapes in which it has been situated. This book thus expands the ways in which landscape might be conceptualised, revealing how artefacts can inform future critical thinking about heritage and bringing an important contribution to theories about material culture and landscape.
In undertaking a systematic analysis of urban materiality, this book investigates one kind of material in Melbourne: stone. In appealing to the general reader, academics and students, this book provides a highly readable account, replete with evocative examples and fascinating historical and contemporary stories about stone in Melbourne.
How does national identity vary across time and space, how is it contested, and what has been the impact of globalization upon national identity and culture? Attempting to answer such questions, this book examines how national identity is represented, performed, spatialized and materialized through popular culture and in everyday life.
This book presents for the first time a sociological analysis of the cultural phenomenon, the Taj Mahal. It describes many of the tourist practices around the Taj as well as considering the notion of tourism in a wider context.
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