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When I Wear Bob Kaufman's Eyes by Thomas Murphy is a unique look from inside the mind of Tom outward at the landscape of America today. He pulls no punches as he rages against injustice while finding a sliver of community."When I Wear Bob Kaufman's Eyes is an intimate poetry of witness, a celebration of nature, language, and art. Lush yet economical, piercing, it explores breath and space, the verse is often projective. In a painful and playful study of experience, an elegiac reverie never forgetting a mission to testify what love and peace have met in conflict, in America, Tom Murphy is injured, angered, and still transcendent. He offers us a forgiving embrace of culture, a world in crisis. He introduces us to the characters that inform our everyday, a journal poet serving up a daily dreambook, never shying away from the nightmare, reminding us "our/brok en/ hi story, /mir rors/ u s." This is poetry of the 21st Century, we do not drown in aesthetics or appeasement. There is a strong personal voice that pummels through abstraction, seizes the unknowable and the unanswerable, through the magic of juxtaposition, and awakens and heals. In this book of poems there is a narrative that embraces truth, and beauty is there all along or arrives before we know it. This book is a life." Michael Rothenberg"When I Wear Bob Kaufman's Eyes is an intimate poetry of witness, a celebration of nature, language, and art. Lush yet economical, piercing, it explores breath and space, the verse is often projective. In a painful and playful study of experience, an elegiac reverie never forgetting a mission to testify what love and peace have met in conflict, in America, Tom Murphy is injured, angered, and still transcendent. He offers us a forgiving embrace of culture, a world in crisis. He introduces us to the characters that inform our everyday, a journal poet serving up a daily dreambook, never shying away from the nightmare, reminding us "our/brok en/ hi story, /mir rors/ u s." This is poetry of the 21st Century, we do not drown in aesthetics or appeasement. There is a strong personal voice that pummels through abstraction, seizes the unknowable and the unanswerable, through the magic of juxtaposition, and awakens and heals. In this book of poems there is a narrative that embraces truth, and beauty is there all along or arrives before we know it. This book is a life." Michael Rothenberg
BrigitI'd like it to be perfect . . . Beautiful . . . The statue . . . Unbeatable? . . . I'd like it to be what I feel . . . And I don't know what that is.Set in the 1950s, Brigit, a prequel to Murphy's critically-acclaimed Bailegangaire (1985), tells the story of Mommo and Séamus, grandparents living on the breadline, who are raising three grandchildren: Mary, Dolly and Tom, when Séamus is offered a job to carve a statue of St Brigit. Brigit premiered in September 2014, in a production by Druid Theatre Company, Galway, Ireland.Bailegangaire'One of the finest and most inventive pieces of Irish dramatic writing ever - the power of its language soaring beyond the loftiest aspirations of Synge and its insights on the human spirit cutting deeper than O'Casey's' - Sunday IndependentA Thief of a Christmas'Grand opera . . . both timeless and contemporary' - Fintan O'Toole
Peggy Moore learns that her parents created an Anniversary Box. Each year on their anniver-sary, they would write a message to each other to affirm their love and suggest ways to make it stronger.
The Drunkard is a wonderfully eloquent play.'Young Edward Kilcullen's life is blighted by alcohol.
In the pages of this book, you will meet some of the people who on the morning of September 11th, were suddenly thrust into front-line positions in the battle to put our nation back on its feet. -- the aviation industry. Their stories will serve as touchpoints for the thousands of people whose journey to closure is still ongoing.
"The Morning After Optimism" borrows patterns from European fairytale to explore the relationship between reality and illusion. "The Sanctuary Lamp" is a play about spritual refugees, and "The Gigli Concert" is the story of a man who, wishes to sing like Gigli.
Murphy Plays: 6 collects together the author's work derived from or inspired by other great works of literature. The most recent play in the volume, The Last Days of a Reluctant Tyrant, premiered at the Abbey Theatre, Ireland, in 2009.
Murphy Plays: 5 brings together four of the authors recent works: The Wake, Too Late for Logic, The House, and Alice Trilogy. It is published to coincide with the Irish premiere of Alice Trilogy at the Abbey Theatre, Dublin.
This play recounts the story of a woman, returning from the USA to her hometown in Ireland. As her family learn of her years as a prostitute, she learns their attitudes and about Irish society in general.
Contains three of Tom Murphy's plays "Famine", "The Patriot Game" and "The Blue Macushia", which has never before appeared in print. Tom Murphy is an Irish playwright whose work has been staged at the Royal Court, Warehouse and Almeida theatres.
A collection of three of Tom Murphy's most iconic plays - Famine, A Whistle in the Dark and Conversations on a Homecoming - covering the period from the Great Hunger of the nineteenth century to the 'new' Ireland of the 1970s.
An epic family drama, shot through with dark humour, The Last Days of a Reluctant Tyrant tells the tragic story of a family disintegrating, having lost its moral values. The latest play by leading Irish playwright Tom Murphy, it was produced at the Abbey Theatre in June 2009.
"The most distinctive, the most restless, the most obsessive imagination at work in the Irish theatre today" Brian Friel
A senile bedridden old woman rehearses over and over again an epic tale of a village laughing match. Meanwhile her two granddaughters struggle to release themselves from the prison of remembered unhappiness.
With "The Sanctuary Lamp" the author takes a hallowed institution and populates it with social misfits who desecrate every convention in both thought and action.
"The most distinctive, the most restless, the most obsessive imagination at work in the Irish theatre today" Brian Friel
The macabre business of blight and death, of wakes and murder, of poisoned love and lost hope, and the scandal of an emigration policy that was in effect one of transportation, and include some of the modern Irish theatre's most powerful and poetic scenes.
Represents some of the work of the Dublin playwright, Tom Murphy. "The Gigli Concert" had its London premiere at the Almeida Theatre in 1992. "Conversations on a Homecoming" was revived at the Abbey Theatre, and "Bailegangaire" was first performed in Galway and London in 1985.
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