Bøker av Tom Nichols

The fifteenth century saw the evolution of a distinct and powerfully influential European artistic culture. But what does the familiar phrase Renaissance Art actually refer to? Through engaging discussion of timeless works by artists such as Jan van Eyck, Leonardo da Vinci, and Michelangelo, and supported by illustrations including colour plates, Tom Nichols offers a masterpiece of his own as he explores the truly original and diverse character of the art of the Renaissance.

Since the original publication of The Death of Expertise, the assault on experts has only ratcheted up. Numerous forces have driven the increase, including a deepening of populist anti-intellectualism, a notable rise in conspiratorial thinking, and the hostile reaction to the medical establishment during the Covid pandemic. Trump and Trumpism, of course, have also played an outsized role, and social media continues to fan the flames. In this new edition, Tom Nichols covers the latest developments in the past half dozen years. Along with updating all the chapters, he has added a chapter on the Covid pandemic. Arguably the most influential book written on the attack on expertise in our era, this new edition is sure to remain the standard book on the subject.

An exploration of the visual elusiveness at the core of Giorgione's work.

This comprehensive, highly illustrated new study examines Titian's long career and varied output. Tom Nichols argues that Titian's works were self-consciously original, freely and intentionally undermining the traditional, more modest approach to painting in Venice at that time.

An acclaimed reassessment of Italian master painter Jacopo Tintoretto, now available in compact pocket format, which charts Tintoretto's life and work in the context of Venetian art and the culture of the Cinquecento.

`The art of poverty` is the first book in English to analyse depictions of beggars in sixteenth-century European art. It develops a striking thesis, arguing that such images largely conformed to two paradoxical, though complimentary, traditions: the one ironising, the other idealising. -- .