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Tom Waldman's lively and sweeping assessment of the state of American liberalism begins with the political turbulence of 1968 and culminates with the 2006 takeover of Congress by the Democratic Party. Not Much Left: The Fate of Liberalism in America vividly demonstrates how the progressive and liberal wing of the Democratic Party helped end a war, won the civil rights battle, and paved the way for blacks, women, gays, and other minorities to achieve full citizenship. Through reportage, anecdotes, and analysis-particularly of the disastrous defeat of Democrat George McGovern in 1972-Waldman chronicles how the grand coalition that achieved so much in the 1960s began to self-destruct in the early 1970s. Citing the Republican recovery from Barry Goldwater's 1964 defeat, Waldman demonstrates how the two parties' very different reactions to electoral debacle account for recent Republican dominance and Democratic impotence. Assessing liberalism's fate through the Carter and Reagan presidencies, the defeat of Michael Dukakis in the 1988 presidential election, and the on-again, off-again liberalism of the Clinton years, Waldman then brings the discussion up to date with analysis of the 2008 presidential campaign.
We All Want to Change the World provides a cogent and fascinating evaluation of post-World War II American commercial music and its complex, multi-faceted impact on the world of politics. Tom Waldman offers articulate and compulsively readable insights into such issues as: John Lennon and Yoko Ono's fiercely political period and its decidedly mixed effect on both of their careers and the causes they championed; the violence that erupted over the Sex Pistols' performance of "e;God Save the Queen"e; at Her Majesty's Silver Jubilee; Ronald Reagan's misinterpretation of "e;Born in the USA"e;; popular song and feminism and gender issues in the political sphere; the recent trend of rock tunes being reworked as campaign songs, such as Fleetwood Mac's "e;Don't Stop,"e; and Sam and Dave's "e;Dole Man"e;; and much more. There is also extensive commentary on the events of September 11th, when many of the biggest names in the history of rock music took part in two benefits to raise money for the victims' families and to lift the spirits of the country.
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