Bøker av Trevor Herbert

"All histories of music need contexts, but some more than others. The relevant contexts, at least in western music, have been patronage (whether benevolent or commercial), cultural production and distribution, the audiences for which music has been written and performed, the needs and purposes it has served, and how continuities have been interrupted by musical or extra-musical interventions. It would not be an enormous step to think of Welsh music history in similar terms were it not for the sizeable adjustment needed because Welsh music has not consistently followed the path of the mainstream European tradition. There is no body of secular works in the art music category from before the mid-twentieth century that has gained sustained public interest or deserved serious analytical attention, so no claim can be made for Welsh music to have a composer-led history. It can therefore reasonably be asked why Wales should famously be regarded as a 'musical nation' and a 'land of song'. These could be dismissed as stock phrases of the type routinely tagged to national stereotypes, which gain currency by repetition, but it would be a mistake to pass over them too lightly. They deserve unpicking because they contain historical substance, and to an extent, have configured the way the Welsh have regarded themselves and how others have often described them"--

Music in Words is a compact guide to researching and writing about music, addressing all the issues that anyone who writes about music--from students to professional musicians and critics--may confront when putting together anything from brief program notes to a lengthy thesis. The book is a writing guide and a reference manual in one: the first part, a "how to" section, offers a clear explanation of the purpose of music research and how it is to be done, including basic introductions to the most necessary tools for musical inquiry (with special emphasis on strategic use of the internet), and how they can be accessed and used. The second part is a compendium of information on style and sources for quick reference, including a straightforward presentation of the purpose and use of citation and reference systems as they are applied to and in music. As a whole, the volume gives readers a clear picture of how to write about music at different levels and for different purposes in a>This American edition has been thoroughly revised and expanded, and features an extensive section on writing for the Internet and new sections on writing for jazz, popular music, world musics, and ethnography. Additionally, a companion website presents a broad range of writing samples and links to key resources.

This is the first fully comprehensive study of the trombone in English.