Bøker av Valerie Preston-Dunlop

A visionary, a mystic, a lover, a leader, a dancer, an artist, a teacher, a theorist.Rudolf Laban (1879 - 1958) was all these things. Born in fin-de-siecle Austro-Hungary, Laban lived in Austria, France, and Germany. Though he began as a painter, architect and illustrator, it is in movement and dance that Laban made a lasting impact. He was a performer, a choreographer, and a mentor, but his ideas were always part of a broader vision of of movement - as theatre art, as community celebration, and as self-discovery. Through his research into movement he uncovered the interconnections of the body and the psyche, the individual and the group, and he devised a revolutionary system of movement notation that is till in use today.

Does a dance communicate ? What ? How ?Are all dances meaningful ?Do spectators see what a choreographer sees ?"The strands of the dance mediumlike locks of hair plait into one meaningful whole.The interlock is all."The interlock is what this book exploresfrom the choreographer and performers' perspectivewith every genre in contemporary dance theatre in mind.Written for practical people in dance, the text is organised in 32 short chapters each addressing a question on the way in which choreographers might or might not engage with their audiences in dance theatre works.The topics include an introduction to communication theory and the way in which the interlocking network between performers, movement material, sound, and performance can carry meaning. The book is written from choreographers' and performers' perspectives, with 46 dance works cited from a wide range of genres. The text is unusually presented - as closely as possible to how we speak to each other - with key words in bold type for ease of reference.Valerie Preston-Dunlop is an internationally recognisedlecturer, teacher, and author on dance.She is currently Adviser for Postgraduate Studies and Research at the Trinity Laban Centre in London.

Rudolf Laban's provocative, experimental, explosive dance theatre works have lain hidden since the Third Reich deliberately annihilated his name. This book exposes Laban's audacity and his significance for dance theatre today, giving access to his creative practices as he provided dance audiences with shock, amusement, and awe.

A collection of the verbal language of dance practitioners and researchers. This work presents people in dance, what they do, their movement, their sound and the space in which they work - from the standpoint of performers, choreographers, audiences and teachers.