Bøker av Virginia Konchan

Poems that explore literary and religious depictions of grief to honor the loss of a mother. Requiem is a collection anchored in personal and collective grief, remembrance, and commemoration, journeying through the loss of a mother in a series of elegies, fugues, and lamentations that draw from the Church's canonical hours of prayer as collected in a breviary. Historical and religious mourning rites, and the grief work of John Donne, Gerard Manley Hopkins, Roland Barthes, Emily Dickinson, and Mozart, among others, establish a lyric dialogue around aesthetic representations of grief, invoking a doubleness between the griever and the grieved; a mutuality and interconnectedness that illuminate the role of witness in poetry, mortality, and transcendence. Requiem enacts our deepest longing: to honor and immortalize the beloved.

"Bel Canto is a collection belonging to the post-confessional tradition, whose protean speaker, a fast-talking theorist brimming with hypotheses and maxims, seeks to dismantle various power hierarchies by a dramatic staging of interiority and sensuous rebirth of meaning and desire, in moving, complex, funny, and cutting poems that cannot be reduced to information and exchanged like currency. Suggesting that revolutionary change will be linguistic, or will not be at all, Bel Canto critiques the alienating forces of late capitalism and neoliberal technocracy by restoring primacy to lyric subjectivity, sensibility, paradox, and alterity through a kaleidoscopic array of registers, modes, and idioms ironic and sincere. "What human could stay so quiet?" asks the speaker of "Epistle": "One who is secretly on fire.""--