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This book describes the properties of materials used for making percussion instruments for classical music played by a symphony orchestra in which the instruments could be played as a soloist instrument or as a group or several groups of instruments, as they are included into a musical work. A chapter is devoted to the bells. The scope of this book is primarily confined to percussion instruments of symphony orchestras taking into account the centuries of musical art and tradition. This book bridges the gap in the technical literature on describing the properties of materials for percussion instruments-timpani, other drums, marimba, xylophone, vibraphone, gong, cymbal, triangle, celesta, castanets.

Wood species' properties for musical instruments and growth origins of woods used by great makers such as Antonio Stradivari are examined and compared with more recently grown woods available to current makers.

As a result of the favorable comments upon the first edition, from students and colleagues, I have included a part on mathematical theory related to wave pro- gation in orthotropic solids in the general text, in order to enable the interested reader to follow the essentially physical aspects of the subject.