Bøker av Walter Benjamin

A new translation of philosopher Walter Benjamin''s work as it pertains to his famous essay, "The Storyteller," this collection includes short stories, book reviews, parables, and as a selection of writings by other authors who had an influence on Benjamin''s work. “The Storyteller” is one of Walter Benjamin’s most important essays, a beautiful and suggestive meditation on the relation between narrative form, social life, and individual existence—and the product of at least a decade’s work. What might be called the story of The Storyteller Essays starts in 1926, with a piece Benjamin wrote about the German romantic Johann Peter Hebel. It continues in a series of short essays, book reviews, short stories, parables, and even radio shows for children. This collection brings them all together to give readers a new appreciation of how Benjamin’s thinking changed and ripened over time, while including several key readings of his own—texts by his contemporaries Ernst Bloch and Georg Lukács; by Paul Valéry; and by Herodotus and Montaigne. Finally, to bring things around, there are three short stories by “the incomparable Hebel” with whom the whole intellectual adventure began.

Focusing on the 17th-century play of mourning, Walter Benjamin identifies allegory as the constitutive trope of modernity, bespeaking a haunted, bedeviled world of mutability and eternal transience. In this rigorous elegant translation, history as trauerspiel is the condition as well as subject of modern allegory in its inscription of the abyssal.

Presented in a new edition with expanded notes, this genre-defying meditation on the semiotics of late-1920s Weimar culture, composed of 60 short prose pieces that vary wildly in style and theme, offers a fresh opportunity to encounter Walter Benjamin at his most virtuosic and experimental, writing in a vein that anticipates later masterpieces.

The life of literary critic and philosopher Benjamin (1892-1940) is a veritable allegory of the life of letters in the 20th century. Benjamin's intellectual odyssey included an eventful trip to the USSR. His stunning account of that journey is unique among his writings for the frank, merciless way he struggles with his motives and his conscience.

The first stirrings of this most original of critical minds-penned during the years when he transformed himself from the comfortable son of a German Jewish family into the nomadic, boundary-crossing philosopher-critic we appreciate-have until now remained largely unavailable in English. Early Writings, 1910-1917 rectifies this situation.

Offers a source of literary modernism in the twentieth century.

Walter Benjamin - philosopher, essayist, literary and cultural theorist - was one of the most original writers and thinkers of the twentieth century. This new selection brings together Benjamin's major works, including 'One-Way Street', his dreamlike, aphoristic observations of urban life in Weimar Germany; 'Unpacking My Library', a delightful meditation on book-collecting; the confessional 'Hashish in Marseille'; and 'The Work of Art in the Age of Mechanical Reproduction', his seminal essay on how technology changes the way we appreciate art. Also including writings on subjects ranging from Proust to Kafka, violence to surrealism, this is the essential volume on one of the most prescient critical voices of the modern age. Contains: 'Unpacking My Library'; 'One-Way Street'; 'The Work of Art in the Age of Mechanical Reproduction'; 'Brief History of Photography'; 'Hashish in Marseille'; 'On the Critique of Violence'; 'The Job of the Translator'; 'Surrealism'; 'Franz Kafka' and 'Picturing Proust'.

Benjamin's famous "Work of Art" essay sets out his boldest thoughts-on media and on culture in general. This book contains the second, and most daring, of the four versions of the "Work of Art" essay-the one that addresses the utopian developments of the modern media.

In these essays, Benjamin challenges the image of Baudelaire as late-Romantic dreamer, and evokes instead the modern poet caught in a life-or-death struggle with the forces of the urban commodity capitalism that had emerged in Paris around 1850.

Not an autobiography in the customary sense, Walter Benjamin's Berlin Childhood around 1900 is a recollection of his childhood in an upper-middle-class Jewish home in Berlin's West End at the turn of the century. In this diagram of his life, Benjamin focuses not on persons or events but on places and things, seen from the perspective of a child.

Walter Benjamin's posthumously published collection of writings on hashish is a detailed blueprint for a book that was never written. A series of "protocols of drug experiments," written between 1927 and 1934, together with short prose pieces, On Hashish provides a peculiarly intimate portrait of Benjamin and of his unique form of thought.