Bøker av Wendy Cope

Wendy Cope's first book of poems and parodies, Making Cocoa for Kingsley Amis, went straight into the bestseller lists. Its successor, Serious Concerns has proved even more popular, addressing such topics as 'Bloody Men', 'Men and Their Boring Arguments', 'Two Cures for Love', 'Kindness to Animals' and 'Tumps' (Typically Useless Male Poets).

My heart has made its mind upAnd I'm afraid it's you. The Orange provides the perfect introduction to Wendy Cope, one of Britain's wittiest, best-selling and best-loved poets.

Wendy Cope's first collection of new poetry since 2011's acclaimed Family Values, chosen as one of the Telegraph's 15 Best Poetry Books of All Time.

For more than thirty years Wendy Cope has been one of the nation's most popular and respected poets. Christmas Poems collects together her best festive poems, including anthology favourites such as 'The Christmas Life', together with new and previously unpublished work.

You can't touch it, but it affects how you feel. You can't see it, but it might be there when you look at yourself in the mirror. You can't hear it, but it's there when you talk about yourself or when you think about yourself.A good manual for parents, guardians and teachers, edited by Wendy Cope in the form of a Press Review, featuring a number of essays on how to understand the psychology of infants and adolescents. This manual offers advice to alleviate low self-esteem in the kids we love and care for. What is this important but mysterious thing? It's your self-esteem! Self-esteem can have a big part to play in how you feel about yourself and also how much you enjoy things or worry about things. To understand self-esteem, it helps to break the term into two words. Let's first take a look at the word esteem, which means that someone or something is important, special, or valuable.

Engaging and fun, this poem is about the school day and is written by award-winning contemporary poet Wendy Cope.

In The Funny Side Wendy Cope, herself one of the funniest poets now writing in English, has collected 101 of the poems that have most amused her. Acknowledged classics of the genre are to be found alongside newer pieces, and the collection as a whole illustrates the great range to be found under the heading of 'humorous poetry'.

Wendy Cope has long been one of the nation's best-loved poets, with her sharp eye for human foibles and wry sense of humour. For the first time, Life, Love and the Archers brings together the best of her prose - recollections, reviews and essays from the light-hearted to the serious, taken from a lifetime of published and unpublished work, and all with Cope's lightness of touch. Here readers can meet the Enid-Blyton-obsessed schoolgirl, the ambivalent daughter, the amused teacher, the sensitive journalist, the cynical romantic and the sardonic television critic, as well as touching on books and writers who have informed a lifetime of reading and writing. Wendy Cope is a master of the one-liner as well as the couplet, the telling review as well as the sonnet, and Life, Love and the Archers gives us a wonderfully entertaining and unforgettable portrait of one of England's favourite writers.

From a motorway service area to her ambivalent relationship with religion, Wendy Cope covers a wide range of experience in her new collection. Her mordant humour and formal ingenuity are in evidence, even as she remembers the wounds of a damaging childhood; and in poems about love and the inevitable problems of aging she achieves an intriguing blend of sadness and joy. Two very different sets of commissioned poems round off a remarkable volume, whose opening poem sounds clearly the profound note of compassion which underlies the whole.

A beautifully illustrated anthology of Wendy Cope's poems, this collection includes well-loved classics such as "Summer Toes" and "Into the Bathtub" as well of lots of brand new, fabulous poems, which take us on a wonderful journey full of little adventures that will resonate with children everywhere.

The idea for this book grew out of Wendy Cope's experience of meeting her audience, when reading her poems in schools. This is an edition of the poems which identifies the references, verse-forms, contexts and occasions of her work, and which offers readers a new arrangement of the poetry as a whole. The notes also identify dates of composition, so that it is possible to observe the development of her work. As well as drawing on Wendy Cope's three published books, the selection also includes a significant number of poems collected or published for the first time.

Wendy Cope's most recent collection, her first since Serious Concerns in 1992, extends her concern with the comedy of the examined life ('the way we have been, the way we sometimes are'), and imagines those adjustments to the ordinary which would fulfil our futures, or allow us to realize the golden age of five minutes ago, or weigh the 'out there' of the present moment, where what is in sight is also out of reach. These are poems of well-tempered yearning, conditional idylls which sing in praise of lying fallow, the creativity of daydream, the yeast of boredom, the truths of intermediacy. Wendy Cope's formal tact is alertly present - in triolets, rondeaux, villanelles, squibs, epigrams - small forms whose power to disarm goes hand in hand with her characteristically tart ripostes to the way things (usually) are. This collection extends the variousness of her occasions.

When Making Cocoa for Kingsley Amis was first published, it catapulted its author into the bestseller lists and established her as one of our funniest and most eloquent poets.There are so many kinds of awful men -One can't avoid them all. She often saidShe'd never make the same mistake again:She always made a new mistake instead.(from 'Rondeau Redouble')