Bøker av Wendy Shaw

This book explores the changing spatial distribution of the United States of America's poorest and most affluent counties over the 30 years from 1980 to 2010. While overall rates of poverty have changed somewhat during this period, the geography of counties where affluence and poverty rates are the highest have also shifted as economic fortunes wax and wane. The spatial understanding of poverty and affluence is an important dimension of addressing the complex economic and social contexts within which poverty occurs, and which vary substantially depending on several factors. While there has been significant focus on poverty in the United States, including some analysis of its spatial characteristics, since the 1960s there has been relatively little research on the concomitant geography of affluence. The geographies of poverty and affluence analyzed in this book give a view of spatial economic segregation. Spatial aspects of both the poorest and most affluent counties are focused on, aswell as the changing gap and relative geographies between rich and poor over three decades.

Possessors and Possessed analyzes how and why museums-characteristically Western institutions-emerged in the late-nineteenth-century Ottoman Empire. Shaw argues that, rather than directly emulating post-Enlightenment museums of Western Europe, Ottoman elites produced categories of collection and modes of display appropriate to framing a new identity for the empire in the modern era. In contrast to late-nineteenth-century Euro-American museums, which utilized organizational schema based on positivist notions of progress to organize exhibits of fine arts, Ottoman museums featured military spoils and antiquities long before they turned to the "e;Islamic"e; collections with which they might have been more readily associated. The development of these various modes of collection reflected shifting moments in Ottoman identity production. Shaw shows how Ottoman museums were able to use collection and exhibition as devices with which to weave counter-colonial narratives of identity for the Ottoman Empire. Impressive for both the scope and the depth of its research, Possessors and Possessed lays the groundwork for future inquiries into the development of museums outside of the Euro-American milieu.