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Features selected writings of Wilhelm Dilthey (1833-1911) - a philosopher and historian of culture who has had a strong and continuing influence on twentieth-century Continental philosophy as well as a broad range of other scholarly disciplines.
'One may state Dilthey's significance in most general fashion by characterizing his work as the first thorough-going and sophisticated confrontation of history with positivism and natural science. Dilthey's sweep was universal: he strove to reduce to order the multifarious realms of knowledge, the conflicting traditions of cultural study, that he had embraced. Thus Dilthey laid out a program that no mortal ¿ and certainly no one whose mind had been formed in the third quarter of the nineteenth century ¿ could hope to bring to completion. Yet despite its inconclusiveness, Dilthey's work exerted enormous influence. The distinction he had drawn between natural and cultural science became standard for historians and, to a lesser extent, for social scientists also. After Dilthey historians no longer needed to apologize for the "unscientific" character of their discipline: they understood why its methods could never be quite the same as those of natural science. And the contemporary tradition of intellectual history grew naturally out of Dilthey's teaching.' ¿ H. Stuart Hughes
Presents Wilhelm Dilthey's principal writings on aesthetics and the philosophical understanding of poetry, as well as representative essays of literary criticism. This book includes the essay, "The Imagination of the Poet" which is his attempt to examine the philosophical bearings of literature in relation to psychological and historical theory.
A translation of one the major writings of Wilhelm Dilthey (1833-1911), a philosopher and historian of culture who continues to have a significant influence on Continental philosophy and a broad range of scholarly disciplines. It presents Dilthey's main theoretical works from the 1890s.
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