Bøker av Wilhelm Dilthey

The philosopher and historian of culture Wilhelm Dilthey (1833-1911) has had a significant and continuing influence on twentieth-century Continental philosophy and in a broad range of scholarly disciplines. This volume is the third to be published in Princeton University Press's projected six-volume series of his most important works. Part One makes available three of his works on hermeneutics and its history: "e;Schleiermacher's Hermeneutical System in Relation to Earlier Protestant Hermeneutics"e; (The Prize Essay of 1860); "e;On Understanding and Hermeneutics"e; (1867-68), based on student lecture notes, and the "e;The Rise of Hermeneutics"e; (1900), which traces the history of hermeneutics back to Hellenistic Greece. All the addenda to this well-known essay are translated here, some for the first time. In them Dilthey articulates three philosophical aporias concerning hermeneutics and projects an ultimate convergence between understanding and explanation. Part Two provides translations of review essays by Dilthey on Buckle's use of statistical history and on Burckhardt's cultural history; an essay "e;Friedrich Schlosser and the Problem of Universal History;"e; and a talk recalling his early years as a student of Boeckh, Jakob Grimm, Mommsen, Ranke, and Ritter. It also contains the important historical essay "e;The Eighteenth Century and the Historical World,"e; in which Dilthey reexamines the Enlightenment to show its significant contributions to the rise of historical consciousness.

Features selected writings of Wilhelm Dilthey (1833-1911) - a philosopher and historian of culture who has had a strong and continuing influence on twentieth-century Continental philosophy as well as a broad range of other scholarly disciplines.

'One may state Dilthey's significance in most general fashion by characterizing his work as the first thorough-going and sophisticated confrontation of history with positivism and natural science. Dilthey's sweep was universal: he strove to reduce to order the multifarious realms of knowledge, the conflicting traditions of cultural study, that he had embraced. Thus Dilthey laid out a program that no mortal ¿ and certainly no one whose mind had been formed in the third quarter of the nineteenth century ¿ could hope to bring to completion. Yet despite its inconclusiveness, Dilthey's work exerted enormous influence. The distinction he had drawn between natural and cultural science became standard for historians and, to a lesser extent, for social scientists also. After Dilthey historians no longer needed to apologize for the "unscientific" character of their discipline: they understood why its methods could never be quite the same as those of natural science. And the contemporary tradition of intellectual history grew naturally out of Dilthey's teaching.' ¿ H. Stuart Hughes

Presents Wilhelm Dilthey's principal writings on aesthetics and the philosophical understanding of poetry, as well as representative essays of literary criticism. This book includes the essay, "The Imagination of the Poet" which is his attempt to examine the philosophical bearings of literature in relation to psychological and historical theory.

A translation of one the major writings of Wilhelm Dilthey (1833-1911), a philosopher and historian of culture who continues to have a significant influence on Continental philosophy and a broad range of scholarly disciplines. It presents Dilthey's main theoretical works from the 1890s.