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This volume provides Dilthey's most mature and best formulation of his Critique of Historical Reason. It begins with three "e;Studies Toward the Foundation of the Human Sciences,"e; in which Dilthey refashions Husserlian concepts to describe the basic structures of consciousness relevant to historical understanding.The volume next presents the major 1910 work The Formation of the Historical World in the Human Sciences. Here Dilthey considers the degree to which carriers of history--individuals, cultures, institutions, and communities--can be articulated as productive systems capable of generating value and meaning and of realizing purposes. Hegel's idea of objective spirit is reconceived in a more empirical form to designate the medium of commonality in which historical beings are immersed. Any universal claims about history need to be framed within the specific productive systems analyzed by the various human sciences. Dilthey's drafts for the Continuation of the Formation contain extensive discussions of the categories most important for our knowledge of historical life: meaning, value, purpose, time, and development. He also examines the contributions of autobiography to historical understanding and of biography to scientific history.The finest summary of Dilthey's views on hermeneutics can be found in "e;The Understanding of Other Persons and Their Manifestations of Life."e; Here, Dilthey differentiates understanding relative to three kinds of manifestations of life. After giving his analysis of elementary understanding, he examines the role of induction in higher understanding and interpretation, and the relevance of transposition and re-experiencing for grasping individuality.
Features selected writings of Wilhelm Dilthey (1833-1911) - a philosopher and historian of culture who has had a strong and continuing influence on twentieth-century Continental philosophy as well as a broad range of other scholarly disciplines.
'One may state Dilthey's significance in most general fashion by characterizing his work as the first thorough-going and sophisticated confrontation of history with positivism and natural science. Dilthey's sweep was universal: he strove to reduce to order the multifarious realms of knowledge, the conflicting traditions of cultural study, that he had embraced. Thus Dilthey laid out a program that no mortal ¿ and certainly no one whose mind had been formed in the third quarter of the nineteenth century ¿ could hope to bring to completion. Yet despite its inconclusiveness, Dilthey's work exerted enormous influence. The distinction he had drawn between natural and cultural science became standard for historians and, to a lesser extent, for social scientists also. After Dilthey historians no longer needed to apologize for the "unscientific" character of their discipline: they understood why its methods could never be quite the same as those of natural science. And the contemporary tradition of intellectual history grew naturally out of Dilthey's teaching.' ¿ H. Stuart Hughes
Presents Wilhelm Dilthey's principal writings on aesthetics and the philosophical understanding of poetry, as well as representative essays of literary criticism. This book includes the essay, "The Imagination of the Poet" which is his attempt to examine the philosophical bearings of literature in relation to psychological and historical theory.
A translation of one the major writings of Wilhelm Dilthey (1833-1911), a philosopher and historian of culture who continues to have a significant influence on Continental philosophy and a broad range of scholarly disciplines. It presents Dilthey's main theoretical works from the 1890s.
Wilhelm Dilthey's Introduction to the Human Sciences is a pioneering effort to elaborate a general theory of the human sciences, especially history, and to distinguish these sciences radically from the field of natural sciences. Though the "Introduction" was never completed, it remains one of the major statements of the topic.
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