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Explores how a major change in the nature and forms of working-class power affected novels about U.S. industrial workers in the first half of the twentieth century.
The Model of Poesy is one of the most exciting literary discoveries of recent years. A manuscript treatise on poetics written by William Scott in 1599, at the end of the most revolutionary decade in English literary history, it includes rich discussions of the works of Sidney, Spenser, Shakespeare and their contemporaries. Scott's work presents a powerful and coherent theoretical account of all aspects of poetics, from the nature of representation to the rules of versification, with a commitment to relating theory to contemporary practice. For Scott, any theory of literature must make sense not of the classics but of what English writers are doing now: Scott is at the same time the most scholarly and the most relevant of English Renaissance critics. In this groundbreaking edition, Gavin Alexander presents a text of The Model of Poesy framed by a detailed introduction and an extensive commentary, which together demonstrate the range and value of Scott's thought.
Lists over 1000 original works for chamber ensembles ranging in size from nine to 15 solo instruments. Each composition is listed both by composer and by instrument, and provides details of instrumentation, publisher, the composer's date of birth and the number of required musicians.
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