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  • - Part One
    av William Shakespeare
    241,-

    Whether it's the battlefield or the football field, Beth Mac is relentless. Adored as much as she's feared, Corporal Elizabeth Mackenzie is nothing short of a full-blown enigma. Once awarded the Medal of Honour for her bold and arguably reckless efforts as a soldier, she eventually finds herself inching toward a different type of pedestal - one at Saint Judah's College. With her eyes on the prize, she's on a mission to take the captaincy, whatever the cost. And one by one her competition violently fall. Luckily, for Beth Mac, a doting boyfriend and a band of followers are far too easily manipulated for her to have to get her hands dirty. The school has its bets on the Grim Reaper being responsible. After all, that's who carried out the murderous rampage at the school just the year before. Full of all your classic sorority debauchery, Part One will take you on a journey of mysterious happenings with a down-under twist and a whole lot of slaughter. Bloody, witty and outrageously mad, it's Macbeth like you've never seen it before. Who knew football could be this deadly?

  • av William Shakespeare
    190

    One of the greatest plays of all time, the compelling tragedy of the tormented young prince of Denmark continues to capture the imaginations of modern audiences worldwide. Confronted with evidence that his uncle murdered his father, and with his mother's infidelity, Hamlet must find a means of reconciling his longing for oblivion with his duty as avenger. The ghost, Hamlet's feigned madness, Ophelia's death and burial, the play within a play, the "closet scene” in which Hamlet accuses his mother of complicity in murder, and breathtaking swordplay are just some of the elements that make Hamlet an enduring masterpiece of the theater.Each Edition Includes:• Comprehensive explanatory notes • Vivid introductions and the most up-to-date scholarship • Clear, modernized spelling and punctuation, enabling contemporary readers to understand the Elizabethan English• Completely updated, detailed bibliographies and performance histories • An interpretive essay on film adaptations of the play, along with an extensive filmography

  • av William Shakespeare
    117

  • av William Shakespeare
    395,-

    Cet adaptateur d'Hamlet est-il fou ou fait-il seulement semblant de l'être ? En 2020, Imago des Framboisiers s'est lancé le défi de traduire et d'adapter le chef d'oeuvre de Shakespeare en alexandrins français. Au bout de quatre ans, il est parvenu à atteindre la dernière ligne.Être ou bien ne pas être, c'est toute la question.Supporter l'écorchure et la persécutionD'une fortune infâme, en quoi est-ce plus nobleQue de tirer l'épée contre le flot ignobleDes troubles de la vie pour l'achever enfin ? Mourir, dormir, c'est tout. Car ce sommeil met finAux peines infinies, aux milliers de douleursDont hérite la chair, ô ces dernières heures,On les doit désirer. Mourir... dormir... dormir !Rêver aussi peut-être ! Voilà qui fait frémir !

  • av William Shakespeare
    255 - 427

  • av William Shakespeare
    249 - 427

  • av William Shakespeare
    267 - 439,-

  • av William Shakespeare
    212 - 391,-

  • av William Shakespeare
    280 - 463,-

  • av William Shakespeare
    224 - 403,-

  • av William Shakespeare
    249 - 427

  • av William Shakespeare
    249 - 403,-

  • av William Shakespeare
    224 - 391,-

  • av William Shakespeare
    267 - 439,-

  • av William Shakespeare
    267 - 451

  • av William Shakespeare
    204

    Shakespeare's Romeo and Juliet navigates the intoxicating, forbidden love between the star-crossed young lovers, Romeo and Juliet. Amidstfamilial strife, their passion unfolds in a poetic tragedy, challenging societal constraints. A timeless exploration of love, fate, and the enduring power ofShakespearean verse.

  • av William Shakespeare
    861 - 1 127,-

  • av William Shakespeare
    255 - 427

  • av William Shakespeare
    249 - 427

  • av William Shakespeare
    224 - 403,-

  • av William Shakespeare
    224 - 403,-

  • av William Shakespeare
    280 - 463,-

  • av William Shakespeare
    237 - 415,-

  • av William Shakespeare
    249 - 427

  • av William Shakespeare
    280 - 475

  • av William Shakespeare
    237 - 427

  • av William Shakespeare
    237 - 415,-

  • av William Shakespeare
    200

  • av William Shakespeare
    200

    GREED, BETRAYAL, MADNESS King Lear, first performed around 1805, and thought to have been written between Othello and Macbeth, is one of Shakespeare's greatest tragedies. It is a story of madness and flattery and the struggle for power but above all it is about human suffering, as we watch a monarch who is betrayed by his daughters and robbed of his kingdom descend into madness. It is one of the most relentlessly bleak of Shakespeare's tragedies. The story challenges us with the magnitude, the intensity, and the sheer duration of the pain that it represents. Lear's themes of ingratitude, injustice, and the meaninglessness of life are explored with unsurpassed power and depth. Greed, treachery, and cruelty are everywhere and the final act of the play is both brutal and heartbreaking. As we see old age portrayed in all its vulnerability, along with pride, and, perhaps, wisdom--it is only one reason that this most devastating of Shakespeare's tragedies is also perhaps his most moving. The play has been widely adapted for the stage and motion pictures, with the title role coveted by many of the world's most accomplished actors.

  • av William Shakespeare
    114 - 204

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