Gjør som tusenvis av andre bokelskere
Abonner på vårt nyhetsbrev og få rabatter og inspirasjon til din neste leseopplevelse.
Ved å abonnere godtar du vår personvernerklæring.Du kan når som helst melde deg av våre nyhetsbrev.
The Enormously Entertaining Memoir by One of the Great Artists of Our Time-Now a New York Times, USA Today, Los Angeles Times, and Publishers Weekly Bestseller. In this candid and often hilarious memoir, the celebrated director, comedian, writer, and actor offers a comprehensive, personal look at his tumultuous life. Beginning with his Brooklyn childhood and his stint as a writer for the Sid Caesar variety show in the early days of television, working alongside comedy greats, Allen tells of his difficult early days doing standup before he achieved recognition and success. With his unique storytelling pizzazz, he recounts his departure into moviemaking, with such slapstick comedies as Take the Money and Run, and revisits his entire, sixty-year-long, and enormously productive career as a writer and director, from his classics Annie Hall, Manhattan, and Hannah and Her Sisters to his most recent films, including Midnight in Paris. Along the way, he discusses his marriages, his romances and famous friendships, his jazz playing, and his books and plays. We learn about his demons, his mistakes, his successes, and those he loved, worked with, and learned from in equal measure. This is the hugely entertaining, deeply honest, rich and brilliant self-portrait of a celebrated artist who is ranked among the greatest filmmakers of our time.
Comprises three classic works: Without Feathers, Getting Even , and Side Effects
Each play is an absurdist take on marital infidelity, one instance set on the Upper West Side of Manhattan and the other in Old Saybrook, Connecticut. Fred Savage, a homicidal, paranoid, schizophrenic vagrant ex-copywriter, has been stalking a screenwriter for weeks, convinced that his prey stole his idea - in fact, his life - to create a successful movie plot. In an orthodontist is hosting her sister and golf-mad brother-in-law, a plastic surgeon, at her grand suburban house. When a couple who once owned the building stops by, they spark an old fashioned sex farce that is full of verve and cunning.
Set in an empty Greek amphitheater, this mad play within a play switches back and forth between ancient Athens and modern Broadway. A Greek actor and a writer are discussing how to end a play. Actors, including Doris Levine from Great Neck, Blanche DuBois, and Groucho Marx, pop out of the audience. Peppered with metaphysical and philosophical questions, the play skids along farcically until the actor and writer conclude that it lacks a beginning as well as an end.
Comedy Woody Allen Characters: 18 male, 2 female (doubling possible). Bare stage, simple props. A maniacal killer is at large and Kleinman is caught between conflicting factions with plans on how to catch him. Kleinman, a logical man in a mad world, is indecisive and insecure; he doesn't want to get involved but everyone is after him to make a choice. He is even accused of being the culprit. When Kleinman confronts the maniac (who looks no different from anyone els
ComedyCharacters: 3 male, 8 femaleInterior SetAllan Felix has this thing about Humphrey Bogart. If only he had some of Bogart's technique... Bookish and insecure with women, Allan's hero, Bogey comes to the rescue, with a fantastic bevy of beauties played out in hilarious fantasy sequences. Fixed up by friends with gorgeous women, he's so awkward that even Bogey's patience is tried. Allan mostly resembles a disheveled, friendly dog and this is what ultimately charms his best friend's wife, Linda into bed. It's a tough life, making it in the world of beautiful people but if you can't be a hero it helps to have one... "Hilarious...a cheerful romp. Not only are Mr. Allen's jokes and their follow ups, asides and twists audaciously brilliant, but he has a great sense of character."-The New York Times "A funny, likeable comedy that has a surprising amount of wistful appeal."-New York Post
'I am greatly relieved that the universe is finally explainable. I was beginning to think it was me.' Thus begins 'Strung Out', Woody Allen's hilarious application of the laws of the universe to daily life. Mere Anarchy, Woody Allen's first collection in over 25 years, features eighteen witty, wild and intelligent comic pieces - eight of which have never been in print before. Surreal, absurd, rich in verbal play, bitingly satirical and just plain daft in the mode we have grown to love from his finest films, this flight-of-fancy collection includes tales of a body double who, mistaken for the film's star, is kidnapped by outlaws; a pretentious novelist forced to work on the novelisation of a Three Stooges film; a nanny secretly writing an expose of her Manhattan employers; crooks selling bespoke prayers on eBay; and how to react when you're asked to finance a Broadway play about the invention and manufacture of the adjustable showerhead.
Woody Allen's screenplays are some of the wittiest and most sophisticated of modern cinema classics, and these four scripts reflect the emotional range of his talent. Annie Hall, subtitled 'A Nervous Romance', starred Diane Keaton with Woody Allen and won Academy Awards for Best Picture, Best Script, Best Actress and Best Director.
With thirty-five years of personal film-making behind him, Woody Allen is one of the most distinctive, uncompromising and accomplished of all American directors. One of the great practitioners of film comedy, Allen progressed from the slapstick of Take the Money and Run and Bananas, through the sophisticated Freudian one-liners and existential pratfalls of Annie Hall and Manhattan, to the complex moral studies of Crimes and Misdemeanours and Husbands and Wives. In the meantime Allen's own angst-ridden on-screen persona has entered the folklore of the movies to the same degree as Chaplin's tramp or Groucho Marx's cigar-toting know-it-all. This candid, thoughtful and humorous career-length interview with Stig Björkman - editor of a similar volume on one of Allen's own heroes, Ingmar Bergman - traces the path of his career, his motivations and inspirations, and of course his nigh-legendary anxieties. Newly updated, the book contains extended discussion of such recent Allen triumphs as Bullets Over Broadway, Mighty Aphrodite, Deconstructing Harry and Sweet and Lowdown.
It won Academy Awards for Best Director, Best Actress, Best Original Screenplay and Best Picture of 1977.
Abonner på vårt nyhetsbrev og få rabatter og inspirasjon til din neste leseopplevelse.
Ved å abonnere godtar du vår personvernerklæring.