Bøker av Zanne Domoney-Lyttle

This book traces the diverse ways in which overlooked forms of cultural media, existing outside the sphere of 'popular culture, interact with the Bible. Supporting the theory that there is no singular 'Bible' and that biblical literacy is demonstrated in a multitude of ways outside of biblical text alone, those who contribute to this book explore precisely how which multiple 'cultural Bibles' co-exist simultaneously, in various forms which represent, allude to, perpetuate, challenge or subvert biblical narratives and the Bible. Such perspectives demonstrate the means by which the Bible continues to inform culture outside of the religious. Beginning with an introductory analysis of the Bible in visual cultural media - including definitions of what 'culture', 'subculture', 'counterculture' and 'popular culture' mean in this respect - the contributors explore the myriad methods in which cultural media represents, alludes to, challenges, questions and troubles biblical narratives. By discussing topics gathered under depictions of sex and gender, troubling and whitewashed representations, biblical allusions in subcultural media, and subverting or challenging biblical authority, this volume offers new studies on subcultural representations of the Bible which seek to interrogate, perpetuate and/or challenge dominant cultural ideas of what the Bible is, and who it is for.

This volume has its origins in a conference entitled 'Women and Gender in the Bible and the Ancient World' (University of Glasgow, 2019), a symposium with a deliberately broad scope to encourage fresh research that might transcend already-defined categories. With responses from both emerging and established academics, as well as professionals outside the academy, this collection offers a breadth of explorations of the gendered landscapes and horizons that construct, and subvert, biblical womanhood, and its reception. Familiar figures such as Mary Magdalene, Eve, and Tamar are treated alongside unnamed women whose anonymity is revealing. Exploring a range of performances from ritual to resistance, and from storytelling to sex work, the contributors aim to capture connections between biblical figures and their socio-political worlds, their afterlives and reworkings, and their continued resonances for today's readers and scholars of the Bible. Questions are raised about gendered status, transformation, territorialization and oppression of biblical women: the significance and complexity of their relationships within and outwith the texts that both constitute their confinements and provoke new lineages. Women and Gender in the Bible offers challenging perspectives on our understanding of how we can establish creative transactions between ancient patriarchal cultures and modern post-industrial cultures via counter-readings, misreadings and outraged readings. Casting off the intolerable weight of hundreds of years of androcentric reception is both a starting point and an ultimate goal.