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These So Long Days is the first book of an autobiographical poetry triptych. It explores themes such as observation and contemplation, the insignificance of one's attempts to gain insight into the world's fabric, and the immutable finitude of experience. Hence the fragmentary nature of the poems with their often obscure logic and apparent incompleteness. This collection contains 77 poems written between 2005 and 2007.
Literary Worlds and Deleuze contributes to debates on mimesis by offering an ';expressionist' take on the matter of the generation of literary worlds in drama. In examining postdramatic plays by Sarah Kane, Martin Crimp, Caryl Churchill, and Laura Wade, the book outlines a dynamic ontology of mimesis. Rather than pertaining to a static ontology of ';being', expressionist mimesis is generative and renews itself constantly without arriving at an entelechial end. In exploring the fluxional field of forces and relations that underlie the order of representation, expressionist mimesis is well suited to account for the ontologically uncertain realities of postdramatic theatre. The concepts of ';expression' and ';the event of sense' (Gilles Deleuze) become part of a generative model that incorporates pre-linguistic and supra-conceptual constituents within the genesis of representation.
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