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  • av Ian Parker
    175,-

    What is revolutionary about psychoanalysis, and why should those of us concerned with political praxis take it seriously? This manifesto is an argument for connecting social transformation with personal liberation, showing that the two aspects of profound change can be intimately linked together using psychoanalysis. This manifesto explores what lies beyond us, what we keep repeating, what pushes and pulls us to stay the same and to change, and how those phenomena are transferred into clinical space. This book is not uncritical of psychoanalysis, and transforms it so that liberation movements can transform the world. With a preface by Suryia Nayak. 'There are always complex and inevitable ties between the personal and the political, but to understand them fully we need to grasp the radical potential of psychoanalysis, despite its uses being constantly tamed and domesticated. If you want to know how to make and to keep psychoanalysis revoutionary, read this Manifesto. It will inspire you.'- Lynne Segal, Author of Radical Happiness: Moments of Collective Joy

  • av Alexander Billet
    203,-

    What is the relationship between music and radical social change? This book explores their confounding and exciting interrelations in original and engaging ways. Beginning with how capitalism and empire have progressively twisted and atomized our aurally aesthetic experiences over the past century, Alexander Billet examines how social struggles and mass protests challenge the isolation and commodification of music, a challenge which can, in turn, suggest visions of a life lived collectively and on our own terms. Part manifesto, part theoretical exegesis, part love letter to human creativity, Shake the City is a rigorous and poetic plea for our world to be as musical as we deserve it to be. 'This is a book about how music is used to teach conformism, from muzak, through gentrification, to the isolation of our earbud world. And it is a book about how artists have rebelled, raging against racists and authoritarians, and fighting to remake musical forms. You'll find on Alexander Billet's pages a dazzling array of characters, from Erik Satie and the clubbers of the 1980s rave scene, to Skepta and Lethal Bizzle, by way of the Ramones. Read, resist, and make music ours once more.'- David Renton, author of Never Again: Rock Against Racism and the Anti-Nazi League, 1976-82 (Routledge, 2018).

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