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ENGThe mass migration of East European Jews and their resettlement in cities throughout Europe, the United States, Argentina, the Middle East and Australia in the late 19th and early 20th centuries not only transformed the demographic and cultural centers of world Jewry, it also reshaped Jews' understanding and performance of their diasporic identities. Rebecca Kobrin's study of the dispersal of Jews from one city in Poland-Bialystok?demonstrates how the act of migration set in motion a wide range of transformations that led the migrants to imagine themselves as exiles not only from the mythic Land of Israel but most immediately from their east European homeland. Kobrin explores the organizations, institutions, newspapers, and philanthropies that the Bialystokers created around the world and that reshaped their perceptions of exile and diaspora.RUSМассовая миграция восточноевропейских евреев и их расселение в городах Европы, Соединенных Штатов, Аргентины, Ближнего Востока и Австралии в конце XIX и начале XX века не только трансформировали демографические и культурные центры мирового еврейства, но также изменили понимание и евреями своей диаспоральной идентичности. Исслед

ENGJenna M. Gibbs explores the world of theatrical and related print production on both sides of the Atlantic in an age of remarkable political and social change. Her deeply researched study of working-class and middling entertainment covers the period of the American Revolution through the first half of the nineteenth century, examining controversies over the place of black people in the Anglo-American moral imagination. Taking a transatlantic and nearly century-long view, Performing the Temple of Liberty draws on a wide range of performed texts as well as ephemera―broadsides, ballads, and cartoons―and traces changes in white racial attitudes. The book will appeal to readers across disciplinary lines of history, literature, theater history, and culture studies. Scholars and students interested in slavery and abolition, British and American politics and culture, and Atlantic history will also take an interest in this provocative work.RUSДженна Гиббс исследует мир театральной и связанной с ней печатной продукции по обе стороны Атлантики в период Американской революции и первой половины XIX века, рассматривая споры о месте темнокожих людей в англо-американском культурном пространстве. Гиббс задается вопросом, как популярные развлечения включали в себя и помогали определить концепции свободы и естественных прав и осознать зло рабства. Эта история оказывается нелестной ни для Соединенных Штатов, ни для Великобритании. Аk

ENGLike A Bomb Going Off explores the rich and complex history of twentieth-century ballet and the even more complex history of the expressive arts in the Soviet Union through the lens of one of its most relentless renegades, Leonid Yakobson. A tightly focused and fascinating study of Leonid Yakobson's work, this biography presents its subject through the multiple ideologies of which he was both a product and a critic, offering a view of him as an artist, a citizen, a Jew, and a man of high-minded principle. Yakobson, a contradictory and fascinating artist, challenged censors, staging resistance from within the most public vocabulary of compliance - classical ballet. Ross's book traces how Yakobson was an artist of contradictions, a modernist who made war on ballet and used unconventional movement while making dances for the leading Soviet companies and Russia's greatest dancers.RUSВ своей книге Дженис Росс исследует богатую и сложную историю советского балета сквозь призму творчества одного из главных возмутителей спокойствия, Леонида Якобсона. Якобсон бросал вызов цензорам, преодолевая жесткие эстетические рамки статичного и консервативного советского балета. Он был художником противоречий, м&a

ENGThis timely book analyses the status of hydrocarbon energy in Russia as both a saleable commodity and as a source of societal and political power. Through empirical studies in domestic and foreign policy contexts, Veli-Pekka Tykkynen explores the development of a hydrocarbon culture in Russia and the impact this has on its politics, identity and approach to climate change and renewable energy.RUSКнига «Энергия России: Углеводородная культура и изменение климата» рассказывает о том, как нефть и газ текут через российское общество. В работе исследуется и то, как зависимость от ископаемых источников энергии объясняется и оправдывается в глазах простых россиян и какую роль эти источники играют в политике страны. Хотя современная Россия полностью зависит от нефти и газа, ст&

ENG: The American Jewish Communist movement played a major role in the politics of Jewish communities in cities such as Boston, Chicago, Los Angeles, New York, and Philadelphia, as well as many other centers, between the 1920s and the 1950s. Making extensive use of Yiddish-language books, newspapers, periodicals, pamphlets, and other materials, Dreams of Nationhood traces the ideological and material support provided to the Jewish Autonomous Region of Birobidzhan in the far east of the Soviet Union by two American Jewish Communist-led organizations, the ICOR and the American Birobidjan Committee. By providing a detailed historical examination of the political work of these two groups, the book makes a substantial contribution to our understanding of 20th century Jewish life in the United States.RUS: Еврейское коммунистическое движение в период с 1920-х по 1950-е годы играло важную роль в политике еврейских общин в таких американских городах, как Бостон, Чикаго, Лос-Анджелес, Нью-Йорк, Филадельфия. Опираясь на книги, газеты, периодические издания, памфлеты и другие материалы на идише, Генри Сребрник рассказывает о той идеологической и материальной поддержке, которую Еврейской автономной области Биробиджана оказывали две американские организации -- Организация еврейской колонизации в России и Американский Биробиджанский комитет.

ENG: The overwhelming scientific evidence indicates that planet Earth is in the process of undergoing dramatic climate change, which threatens to undermine the quality of life around the world. Irrationality of Capitalism and Climate Change demonstrates how the roots of humanity's assault on the environment are directly associated with the origins of capitalism, an irrational social system in which reproduction of capital on a global scale is destructive to the environment. The author begins with a philosophical analysis of the role that reason and passion assume in social systems., then traces the local and regional environmental effects of preindustrial social systems. The author argues that nations are faced with a global challenge, to construct life-affirming policy that functions as an alternative to the global devastation that the accumulation of capital causes. The book concludes by proposing rational socialism, a life-affirming social system that functions in harmony with the environment.RUS: Книга Эндрю Колина демонстрирует, что корни разрушения человеком природы напрямую связаны с происхождением капитализма - социальной системы, в которой воспроизводство капитала в глобальном масштабе разрушительно для окружающей среды. Автор начинает с философского анализа роли, которую разум и страсть играют в социальных системах, а затем прослеживает экологические последствия стимулируемой ими деятельности. Колин утверждает, что перед современными государствами стоит гло

В противовес хорошо известным трактовкам романа «Доктор Живаго» в рамках литературно-политического контекста, исследование Ульриха Штельтнера сосредоточено исключительно на структуре произведения. Автор анализирует формальный язык прозаической и поэтической частей, чтобы определить роли обеих форм речи для текста Пастернака в целом. «Доктор Живаго» - экспериментальный роман, в котором метафиктически противопоставлены или связаны «хаос» и «порядок», «жизнь» и «искусство», а также «проза» и «стихи».

ENGA wide-ranging and original introduction to the Anthropocene (the Age of Humanity) that offers fresh, theoretical insights bridging the sciences and the humanities. Using history, art, literature, religion, philosophy, ethics, and justice as the focal points, Merchant traces key figures and developments in the humanities throughout the Anthropocene era and explores how these disciplines might influence sustainability in the next century. Wide-ranging and accessible, this book from an eminent scholar in environmental history and philosophy argues for replacing the Age of the Anthropocene with a new Age of Sustainability.RUSМогут ли история, искусство, литература, религия, философия, этика и правосудие повлиять на экологическую устойчивость в следующем столетии? Задаваясь этим вопросом, Кэролин Мёрчант исследует взаимодействие традиционных областей человеческой мысли и экологии. Ее масштабная и доступная книга позволяет увидеть неизбежность смены эпохи антропоцена новой эпохой устойчивого развития.

ENG: "Currently there are more than 125 Chinese cities with a population exceeding one million. The unprecedented urban growth in China presents a crucial development for studies on globalization and urban transformation. This concise and engaging book examines the past trajectories, present conditions, and future prospects of Chinese urbanization, by investigating five key themes - governance, migration, landscape, inequality, and cultural economy.Based on a comprehensive evaluation of the literature and original research materials, Ren offers a critical account of the Chinese urban condition after the first decade of the twenty-first century. She argues that the urban-rural dichotomy that was artificially constructed under socialism is no longer a meaningful lens for analyses and that Chinese cities have become strategic sites for reassembling citizenship rights for both urban residents and rural migrants."RUS: В современном Китае насчитывается более 125 городов с населением свыше миллиона человек. Беспрецедентный их рост представляет собой важнейшее явление для исследований глобализации и трансформации Китая. В этой книге на основе изучения пяти ключевых тем -- управления, миграции, ландшафта, неравенства и культурной экономики -- рассматривается прошлое, настоящее и будущее китайской урбанизации.

ENGDrawing upon theories on the novel in Bakhtin's Dialogic Imagination, this book examines Nuevo Romanticismo through the lens of Russo-Soviet littérature engagée. The term Nuevo Romanticismo originated in José Díaz Fernández's eponymous essay and has been applied to a group of writers who exemplified a rehumanization of the field of Spanish cultural production. In contrast with the dehumanized tendencies noted by Ortega y Gasset, writers César Arconada, Ramón J. Sender, and Lusia Carnés combined avant-garde aesthetics and a deep preoccupation with the human condition, creating a model of politically engaged art in part through transcultural dialogues with Russian literary models. This study explores the deep connection between Spanish and Russian narratives immediately before and during the Second Republic, as well as themes as relevant today as nearly a century ago: the ethics of war, the new woman, and responses to machine culture in the modern age. Lynn C. Purkey is an Associate Professor of Spanish at the University of Tennessee at Chattanooga.RUSТермин Nuevo Romanticismo («новый романтизм») возник в одноименном эссе Хосе Диаса Фернандеса как обозначение группы писателей, ставшей рупором регуманизации в испанской культуре. Опираясь на теорию романа, представленную в работах Бахтина, Линн Пёрки рассматривает Nuevo Romanticismo сквозь призму русской и советской литературы. В противовес дегуманизированным тенденциям, отмеченным Ортегой-и-Гассетом в испанской литературе, писатели Сесар Арконада, Рамон Х. Сендер и Лусия Карнес соединили в своих текстах авангардную эстетику и сосредоточенность на человеке, создав модель политически ангажированного искусства -- отчасти благодаря транскультурному диалогу с русскими литературными текстами. В книге исследуется глубокая связь между испанскими и русскими нарративами, созданными непосредственно до и во время Второй республики, а также неизменно актуальные для обеих культур в последнее столетие темы этика войны, феминизм, растущая механизация цивилизации.

ENG: From Belonging to Belief presents a nuanced ethnographic study of Islam and secularism in post-Soviet Central Asia, as seen from the small town of Bazaar-Korgon in southern Kyrgyzstan. Opening with the juxtaposition of a statue of Lenin and a mosque in the town square, Julie McBrien proceeds to peel away the multiple layers that have shaped the return of public Islam in the region. She explores belief and nonbelief, varying practices of Islam, discourses of extremism, and the role of the state, to elucidate the everyday experiences of Bazaar-Korgonians. McBrien shows how Islam is explored, lived, and debated in both conventional and novel sites: a Soviet-era cleric who continues to hold great influence; popular television programs; religious instruction at wedding parties; clothing; celebrations; and others. Through ethnographic research, McBrien reveals how moving toward Islam is not a simple step but rather a deliberate and personal journey of experimentation, testing, and knowledge acquisition. Moreover she argues that religion is not always a matter of belief--sometimes it is essentially about belonging.RUS: Эта книга -- тонкое этнографическое исследование ислама и секуляризма в постсоветской Центральной Азии на примере небольшого городка Базар-Кор- гон на юге Кыргызстана. С помощью этнографического подхода Джули Макбрайен показывает, что переход местных жителей к исламу -- это сознательный и личный путь экспериментов, испытаний и приобретения знаний.

ENG: Kenkoku University and the Experience of Pan-Asianism makes a fresh contribution to the recent effort to re-examine the Japanese wartime ideology of Pan-Asianism by focusing on the experiences of students at Kenkoku University or "Nation-Building University," abbreviated as Kendai (1938-1945). Located in the northeastern provinces of China commonly designated Manchuria, the university proclaimed to realize the goal of minzoku kyowa ("ethnic harmony"). It recruited students of Japanese, Chinese, Korean, Taiwanese, Mongolian and Russian backgrounds and aimed to foster a generation of leaders for the state of Manchukuo. Distinguishing itself from other colonial schools within the Japanese Empire, Kendai promised ethnic equality to its diverse student body, while at the same time imposing Japanese customs and beliefs on all students.RUS: Во время Второй мировой войны расположенный в оккупированной Маньчжурии университет Кенкоку провозгласил своей целью достижение «этнической гармонии». В него набирали студентов японского, китайского, корейского, тайваньского, монгольского и русского происхождения, а целью обучения было воспитание лидеров для марионеточного государства Маньчжоу-Го. В отличие от других колониальных школ Японской империи, этот университет обещал этническое равенство разнородному контингенту учащихся, но в то же время навязывал всем студентам японские обычаи и верования. В книге предпринята попытка переосмыслить японскую идеологию паназиатского движения, опираясь на свидетельства студентов университета Кенкоку.

ENGJewish Partisans of the Soviet Union is a classic compilation of original Russian and Jewish sources on the anti-Nazi resistance in Eastern Europe. It is rooted in decades of research motivated by a desire to set the record straight on Jewish participation in resistance movements, a phenomenon often overlooked when not actively concealed. As the son of Jewish partisans in Nazi-occupied Eastern Europe, Jack Porter presents here the result of his decades-long research: first-hand accounts and interviews with survivors and partisans, as well as some of their original work, and a seminal English translation of Partisan Brotherhood, a historical document gathered by Russian-Jewish intellectuals in 1948 at the height of anti-Semitic hysteria, written mainly by non-Jewish Soviet partisan commanders recounting the deeds of the Jewish fighters in their units.RUSВ основе этой книги лежат десятилетия исследований, вызванных к жизни желанием внести ясность в вопрос об участии евреев в партизанском движении. Будучи сыном еврейских партизан, Джек Портер собрал в своем исследовании рассказы из первых рук, интервью с выжившими и с партизанами, а также мемуарные публикации и выдержки из «Партизанской дружбы» - исторического документа, составленного российско-еврейской интеллигенцией в 1948 году в разгар антисемитской истерии и написанного в основном нееврейскими сов

ENG: Justin Jesty's Art and Engagement in Early Postwar Japan reframes the history of art and its politics in Japan post-1945. This fascinating cultural history addresses our broad understanding of the immediate postwar era moving toward the Cold War and subsequent consolidations of political and cultural life. At the same time, Jesty delves into an examination of the relationship between art and politics that approaches art as a mode of intervention, but he moves beyond the idea that the artwork or artist unilaterally authors political significance to trace how creations and expressive acts may (or may not) actually engage the terms of shared meaning and value. Art and Engagement in Early Postwar Japan centers on a group of social realists on the radical left who hoped to wed their art with anti-capitalist and anti-war activism, a liberal art education movement whose focus on the child inspired innovation in documentary film, and a regional avant-garde group split between ambition and local loyalty. In each case, Jesty examines writings and artworks, together with the social movements they were a part of, to demonstrate how art--or more broadly, creative expression--became a medium for collectivity and social engagement. He reveals a shared if varied aspiration to create a culture founded in amateur-professional interaction, expanded access to the tools of public authorship, and dispersed and participatory cultural forms that intersected easily with progressive movements. Highlighting the transformational nature of the early postwar, Jesty deftly contrasts it with the relative stasis, consolidation, and homogenization of the 1960s. RUS: Книга Джастина Джести переосмысливает историю искусства в Японии после 1945 года. Автор углубляется в изучение отношений между искусством и политикой, но выходит за рамки идеи о том, что произведение искусства или художник являются только выразителями политических смыслов.В центре книги -- группа леворадикальных соцреалистов, надеявшихся соединить свое искусство с антикапиталистическим и антивоенным движением, движение либерального толка и региональная авангардистская группа, пытающаяся найти баланс между амбициями и преданностью локальной культуре.

This book intends to be a contribution to the "varieties of capitalism" paradigm. The theoretical background is Weber's theory of legitimacy. Was communism ever "legitimate"? What kind of legitimacy claims were made in the transition from communism to capitalism? Central Europe was closer to the Western "liberal" model. Russia built capitalism in a patrimonial way. China followed its own unique way; some called it "socialism with Chinese characteristics". Putin experiments with an innovation for post-communist capitalism. He confronts the "oligarchs" and reallocates property from those who challenge his political authority to old and new loyal ones. In conclusion, the central question is to what extent is "Putinism" a generic model for post-communist capitalism?

ENG: Between the founding of Soviet Uzbekistan in 1924 and the Stalinist Terror of the late 1930s, a nationalist cinema emerged in Uzbekistan giving rise to the first wave of national film production and an Uzbek cinematographic elite. In Cinema, Nation, and Empire in Uzbekistan Cloéeacute; Drieu uses Uzbek films as a lens to explore the creation of the Soviet State in Central Asia, starting from the collapse of the Russian Empire up through the eve of WWII. Drieu argues that cinema provides a perfect angle for viewing the complex history of domination, nationalism, and empire (here used to denote the centralization of power) within the Soviet sphere. By exploring all of film's dimensions as a socio-political phenomenon-including film production, film reception, and filmic discourse-Drieu reveals how nation and empire were built up as institutional realities and as imaginary constructs.RUS: Основываясь на исследованиях, проведенных в узбекских и российских государственных архивах, и на глубоком анализе четырнадцати полнометражных фильмов, Хлоя Дрийе описывает дискуссии о процессах государственного и национального строительства Узбекистана, а также о возникновении национализма в целом. Книга «Кино, нация, империя. Узбекистан, 1919-1937» помогает нам понять, как Центральная Азия, входившая в состав Российской империи, сначала была деколонизирована, а затем вновь оказалась под давлен

ENG: The internet and digital technologies have generated a flood of texts and widespread worries about information overload. But this phenomenon is not unique to our age. Already centuries ago scholars complained about an overabundance of books, especially in the wake of the invention of printing in mid-15th century Europe. Blair studies the remedies that the learned devised to cope with that explosion of texts, notably by making summaries and excerpts which could be sorted and accessed in reference books. First she traces methods of information management back to antiquity and the middle ages and across cultures with long textual traditions such the Islamic and Chinese worlds. Then she focuses on the tools and practices in use in early modern Europe, such as note-taking, alphabetical indexing, thematic diagramming, and large scale compiling. The result combines intellectual history with book history to emphasize long continuities between past and present.RUS: Интернет и цифровые технологии порождают необозримый поток текстов, что вызывает особенного типа тревожность - по поводу информационной перегрузки. Но это явление не является уникальным для нашей эпохи. Уже столетия назад ? и особенно после изобретения книгопечатания в Европе в середине XV века ? ученые жаловались

The Bolshevik's 1917 political coup caused a seismic disruption in Russian culture. Carried by the first wave of emigrants, Russian culture migrated West, where it was transformed by interactions with new cultural environment and clashed with exported Russian trends. In this book, Klára Móricz explores the transnational emigrant space of Russian composers Igor Stravinsky, Vladimir Dukelsky, Sergey Prokofiev, Nicolas Nabokov, and Arthur Lourié in interwar Paris. Their music reflected the conflict between a modernist narrative demanding innovation, and a narrative of exile wedded to the preservation of prerevolutionary Russian culture. The emigrants' and the Bolsheviks' contrasting visions of Russia and its past collided frequently in the French capital, where the Soviets displayed their political and artistic products. Russian composers in Paris also had to reckon with Stravinsky's disproportionate influence: if they succumbed to fashions dictated by their famous compatriot, they risked becoming epigones; if they kept to their old ways, they risked becoming irrelevant. Although Stravinsky's neoclassicism provided a seemingly neutral middle ground between innovation and nostalgia, it was also marked by the exilic experience. Móricz offers this unexplored context for Stravinsky's neoclassicism, shedding new light on this infinitely elusive term.

ENThis three-volume book investigates the Russian transformations of one of the central concepts of Greek Christology, the self-humiliation or kenosis of Christ. The author applies rhetoric (paradox, metaphor, metonymy) as a means to elucidate mechanisms of theological persuasion and to trace the representations of the humiliated Christ and his imitations in various media from liturgy and iconology to everyday practice and literary fiction. The exploration of post-Christian literature of the 19th and 20th century (N. Chernyshevskii, M. Gor'kii, N. Ostrovskii, Ven. Erofeev, Vl. Sorokin) demonstrates the existence of a kenotic Christology after Christianity.RUThis three-volume book investigates the Russian transformations of one of the central concepts of Greek Christology, the self-humiliation or kenosis of Christ. The author applies rhetoric (paradox, metaphor, metonymy) as a means to elucidate mechanisms of theological persuasion and to trace the representations of the humiliated Christ and his imitations in various media from liturgy and iconology to everyday practice and literary fiction. The exploration of post-Christian literature of the 19th and 20th century (N. Chernyshevskii, M. Gor'kii, N. Ostrovskii, Ven. Erofeev, Vl. Sorokin) demonstrates the existence of a kenotic Christology after Christianity.

The Limits of Reform examines the institutional, social, and cultural foundations of bureaucratic power and authority in Imperial Russia using the deeply rooted and wide ranging Ministry of Internal Affairs as example. The author develops the concept of "Ministerial Power" to explain the enduring and highly personalized mode of authority in Russian history. This analysis and concept have implications for understanding both Soviet and post-Soviet governmental institutions.

How St. Petersburg Learned to Study Itself: The Russian Idea of Kraevedenie considers the origins and evolutions of kraevedenie, looking specifically at the role that movements and institutions that emerged in early twentieth-century St. Petersburg played in the formation of this discipline. Based on extensive work in archives in St. Petersburg, it looks at the historical preservation movement that was spearheaded by participants in the World of Art circle and contributors to the journal Starye gody. It considers the pedagogical excursion movement and specifically the influence of Ivans Grevs and Nikolai Antsiferov. It also discusses the operations and role of the Central Bureau of Kraevedenie in the 1920s.The original English-language edition of this book (Penn State University Press, 2006) received both the South Central MLA book award and the Nikolai Antsiferov Prize for the best work on St. Petersburg by a foreign author.

Celebrification has thrived for centuries in literature, theater, music, and other cultural spheres, as vividly illustrated by Byron, Sarah Bernhardt, and Paganini. It especially effloresced in cinema after the symbolically named Lumière brothers pioneered movies as light-projected ?moving life? to be contemplated and shared in the intimate darkness of theaters. Actors and actresses such as Valentino and Garbo acquired the status of divine beings whose life on and offscreen stimulated fascination and a passionate devotion most frequently invested in religious figures. The recent explosion in social media has only amplified immeasurably the scale and intensity of that adulation. Yearning for the seemingly transcendent, fans as mere mortals seek contact with celebrities as objects of worship that, like nocturnal stars, are simultaneously remote yet accessible. Starlight and Stargazers examines the multifaceted nature and specific manifestations of film celebrification in Czechoslovakia/the Czech Republic, Poland, Soviet Russia/Russia, and Ukraine before and after 1991.

While acknowledging Dostoevsky's personal commitment to the Russian Orthodox faith, Jones argues that it is possible to understand his fictional world only in terms of the interplay of a wide variety of religious experiences and outlooks, including affirmations of faith and expressions of radical doubt and unbelief, and a constant questioning of one by the other. In their neglect of its outward expressions, Dostoevsky's novels seem to acknowledge that the Orthodox tradition has to die in order to be reborn in the light of the image of Christ and that, to use his own expression, the final 'hosanna' must pass through a 'furnace of doubt'.

How did Gorbachev and Yeltsin get away with transforming and replacing the Soviet system and its foreign relations? Why did they act as they did in pushing for such radical changes? And how will history evaluate their accomplishments? In this unique and original study, George W. Breslauer compares and evaluates the leadership strategies adopted by Gorbachev and Yeltsin at each stage of their administrations: political rise, political ascendancy, and political decline. He demonstrates how these men used the power of ideas to mobilize support for their policies, to seize the initiative from political rivals, and to mold their images as effective problem solvers, indispensable politicians, and symbols of national unity and élan. Gorbachev and Yeltsin as Leaders also compares these men with Khrushchev and Brezhnev, yielding new insight into the nature of Soviet and post-Soviet politics and into the dynamics of "transformational" leadership more generally. The book is an important contribution to the analysis and evaluation of political leadership. It is exceptionally well written and accessible to the nonspecialist.

Over one million refugees left Russia at the Bolshevik Revolution. The pain of losing one's homeland may fade, but the psyche is slow to heal. The Nansen Factor shines a light on the lives of some of these refugees.