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Year 2023 marked 120 years of the Lazarus Jewish Hospital in Lviv (Lwów/Lemberg). This richly illustrated book is a tribute to its place in the once-vibrant Jewish community of the city and in the society at large during the period 1903-1939. Visionaries from Lviv presents the hospital's history and its fascinating architecture, its doctors, and its founder, a prominent local Jewish philanthropist Maurycy Lazarus, with the background of the Jewish life in Lviv. The volume also details the history of medicine and medical education in Habsburg Galicia prior to the hospital's founding, Jewish access to the medical profession, and the impact of Jewish doctors on the path to modernity. It also shows the struggle of women to become doctors. A moving and timely book with contributions from leading historians, scholars, and medical professionals, Visionaries from Lviv is an ode to the once thriving Jewish community in Lviv and a testament to how one person's dream and commitment can impact the lives of so many. This publication was made possible with support from Furthermore: a program of the J. M. Kaplan Fund and Gesher Galicia.

Cities Surround the Countryside: Urban Aesthetics in Postsocialist China analyzes urban aesthetics in the Peoples Republic of China at the turn of the 21st century (1990-2010). Applying empirical field research, historical frameworks, and critical theory to analysis of urban fiction, cinema, art, architecture, and urban planning, the book explores how new forms of urban identity manifest in private lifestyles, local cultures, civic activism, narrative ethics, and urban governance. Cities is unique in its sustained analysis of cultural aesthetics in relation to the built environment and in its contextualization of urban aesthetics within broader economic and intellectual trends.

From Victory to Peace: Russian Diplomacy After Napoleon explores how Russia's diplomats understood European security as they worked to implement the edifice of pacification and peace constructed in 1814, 1815, and 1818. In response to developments across Europe and in Spanish America, Emperor Alexander I's hopes for peace, pragmatic adaptability, and commitment to act in concert with the other great powers came fully into focus. Based on sources of Russian provenance, the book challenges characterizations of Alexander's behavior as erratic and his foreign policy as heavy-handed and expansionist. Indeed, as historians assimilate the Russian perspective on European order (as well as the perspectives of other less well-studied countries), they encounter a multifaceted Restoration built upon practices of enlightened reformism and direct experience of revolution and war.

What should we make of claims by members of other groups to have moralities different from our own? Human Rights in Chinese Thought gives an extended answer to this question in the first study of its kind. It integrates a full account of the development of Chinese rights discourse with philosophical consideration of how various communities should respond to contemporary Chinese claims about the uniqueness of their human rights concepts. The book elaborates a plausible kind of moral pluralism and demonstrates that Chinese ideas of human rights do indeed have distinctive characteristics, but it nonetheless argues for the importance and promise of cross-cultural moral engagement.

From the late nineteenth century to the eve of World War II, America's experts on Russia watched as Russia and the Soviet Union embarked on a course of rapid industrialization. Captivated by the idea of modernization, diplomats, journalists, and scholars across the political spectrum rationalized the enormous human cost of this path to progress. In a fascinating examination of this crucial era, David Engerman underscores the key role economic development played in America's understanding of Russia and explores its profound effects on U.S. policy.American intellectuals from George Kennan to Samuel Harper to Calvin Hoover understood Russian events in terms of national character. Many of them used stereotypes of Russian passivity, backwardness, and fatalism to explain the need for-and the costs of-Soviet economic development. These costs included devastating famines that left millions starving while the government still exported grain.This book is a stellar example of the new international history that seamlessly blends cultural and intellectual currents with policymaking and foreign relations. It offers valuable insights into the role of cultural differences and the shaping of economic policy for developing nations even today.

Taking aim at the conventional narrative that standard, national languages transform 'peasants' into citizens, Gina Anne Tam centers the history of the Chinese nation and national identity on fangyan - languages like Shanghainese, Cantonese, and dozens of others that are categorically different from the Chinese national language, Mandarin. She traces how, on the one hand, linguists, policy-makers, bureaucrats and workaday educators framed fangyan as non-standard 'variants' of the Chinese language, subsidiary in symbolic importance to standard Mandarin. She simultaneously highlights, on the other hand, the folksong collectors, playwrights, hip-hop artists and popular protestors who argued that fangyan were more authentic and representative of China's national culture and its history. From the late Qing through the height of the Maoist period, these intertwined visions of the Chinese nation - one spoken in one voice, one spoken in many - interacted and shaped one another, and in the process, shaped the basis for national identity itself.

In Erik Mueggler's powerful and imaginative ethnography, an Indigenous community in the mountains of Southwest China struggles to find its place at the margins of a nation-state. Here, people describe the period that began with the Great Leap Famine of 1958-1960 and continued through the 1990s as the "age of wild ghosts." Their stories of this age converged on a dream of community-a bad dream, embodied in the life, death, and spectral reawakening of a local political and ritual system that expired violently under the Maoist regime. Displaying a sensitive understanding of both Chinese and the Tibeto-Burman language of this community, Mueggler explores memories of this institution, including of the rituals and poetics that once surrounded it and the bitter conflicts that came to haunt it. To exorcise "wild ghosts," he shows, is nothing less than to re-imagine the state and its power, to trace the responsibility for violence to its morally ambiguous origins, and to articulate demands for justice and longings for reconciliation.

The Tiananmen protests and Beijing massacre of 1989 were a major turning point in recent Chinese history. In this new analysis of 1989, Jeremy Brown tells the vivid stories of participants and victims, exploring the nationwide scope of the democracy movement and the brutal crackdown that crushed it. At each critical juncture in the spring of 1989, demonstrators and decision makers agonized over difficult choices and saw how events could have unfolded differently. The alternative paths that participants imagined confirm that bloodshed was neither inevitable nor necessary. Using a wide range of previously untapped sources and examining how ordinary citizens throughout China experienced the crackdown after the massacre, this ambitious social history sheds fresh light on events that continue to reverberate in China to this day.

The Blue Lagoon, Anthology of Modern Russian Poetry, was published in nine volumes in the United States from 1980 till 1986. For many years it remained one of the most important sources on Russian unofficial poetry of the Soviet period. It is also the biggest anthology of Russian poetry ever. Today, mostly in online version, it is a living mirror of the Soviet era and its chronicler - poet and publisher Konstantin Kuzminsky (1940-2015).

Anticipating some Soviet Union developments, Evgenii Zamyatsin's We (1920) is a futuristic dystopic novel in which D-503, builder of the first rocket ship, extols the glories of the Single State and discovers another way of life beyond his highly controlled society. From the newer field of biopoetics, which applies evolutionary psychology to art instead of emphasizing the social construction of human behavior and consciousness, Cooke (Texas A&M U.) explores themes in the novel including workforce mechanization, the symbolic roles of food-sharing, eugenics, and writing as subversion. Comparisons are made with other dystopian literature (e.g. Brave New World ), and novels by Russian authors including Solzhenitsyn and Tolstoy.

Geographical Imagination is an intellectual biography of Ishikawa Sanshirō (1876-1956), a Japanese anarchist active during the first half of the 20th century and a staunch opponent of any form of authoritarianism throughout his life. The book traces his travels, encounters, and ideological engagements, as he opposed war with Russia in the early 1900s, spent several years of self-imposed exile in France and Belgium in the 1910s, and explored European ideas - from anarchism and geographical thought to anti-Darwinism and ecological living. Ishikawa's life and writings bear testimony to Japan's undercurrent of political dissent and transnational revolutionary connections during the modern period.

In the United States, antisemitism has once again risen, and is spread in all our major institutions and political and cultural venues. In a series of essays by leading scholars, this work provides a detailed analysis of contemporary antisemitism and examines its origins, development, and alarming implications for the future.

This book contains a collection of eight annotated translations of responsa, alongside the original Hebrew texts, focusing on the post-expulsion Spanish-Portuguese communities of the sixteenth to seventeenth centuries. Topics include excommunication in Amsterdam, ʻagunot, inheritance rights of a converso son, obligatory contracts and breach of agreement, heresy and humanist scholarship, informing on someone to the Venetian Inquisition, and more.

In the six essays of this book, Ksana Blank examines affinities among works of nineteenth and twentieth-century Russian literature and their connections to the visual arts and music. Blank demonstrates that the borders of authorial creativity are not stable and absolute, that talented artists often transcend the classifications and paradigms established by critics. Featured in the volume are works by Alexander Pushkin, Fyodor Dostoevsky, Leo Tolstoy, Vladimir Nabokov, Daniil Kharms, Kazimir Malevich, Mstislav Dobuzhinsky, and Dmitri Shostakovich.

Taming Oblivion examines the cultural construction of senility in Japan and the moral implications of dependent behavior for older Japanese. While the biomedical construction of senility-as-pathology has become increasingly the norm in North America, in Japan a folk category of senility exists known as boke. Although symptomatically and conceptually overlapping with Alzheimer's disease and other forms of senile dementia, boke is distinguished from unambiguously pathological conditions. Rather than being viewed as a disease, boke is seen as an illness over which people have some degree of control. John Traphagan's ethnographic study of older Japanese explores their experiences as they contemplate and attempt to prevent or delay the boke condition.

This book provides a thorough examination of how both Marina Tsvetaeva and Boris Pasternak perceived Rainer Maria Rilke's poetic persona and oeuvre in similar ways, and how, in their perception of Rilke's role as that of the paradigmatic poet, they had drawn on the specifically Russian poetic paradigm, i.e., the image of Pushkin in the context of Russian literature of the Silver Age. At the same time, both poets' scrutiny of the sublime, the mundane, and the tragic side of practicing poetic craft in the Soviet Union, as in the case of Pasternak, and in exile, as in Tsvetaeva's case, generates the discourse of "empathic attunement." By applying "empathic" discourse towards Rilke, both poets' anxieties about their future, and that of Russian poetry in general, come to the fore.

Religion in China survived the most radical suppression in the human history-a total ban of any religion during the Cultural Revolution. All churches, temples, and mosques were closed down, converted for secular uses, or turned into museums for the purpose of atheist education. Since the 1970s, however, religion has thrived even though China remains under Communist rule. Christianity ranks among the fastest-growing religions throughout the vast land while many Buddhist and Daoist temples have been restored. The Communist authorities have carried out waves of atheist propaganda, anti-superstition campaigns, and severe crackdowns on Christian churches and new religious movements. How do we explain the resilience and vitality of religion in modernizing China? How did religion survive the eradication measures in the 1950s to 1970s? How have various religious groups managed to revive despite strict regulations? Why have some religions grown fast? Why have some forms of spirituality gone through dramatic turns? This book provides a comprehensive overview of the religious change in China under ¿ommunist rule, and it also offers a set of theoretical tools for studying religious vitality in modernizing societies.

Dostoevsky and the Riddle of the Self charts a unifying path through Dostoevsky's artistic journey to solve the "mystery" of the human being. Starting from the unusual forms of intimacy shown by characters seeking to lose themselves within larger collective selves, Yuri Corrigan approaches the fictional works as a continuous experimental canvas on which Dostoevsky explored the problem of selfhood through recurring symbolic and narrative paradigms. Presenting new readings of such works as The Idiot, Demons, and The Brothers Karamazov, Corrigan tells the story of Dostoevsky's career-long journey to overcome the pathology of collectivism by discovering a passage into the wounded, embattled, forbidding, revelatory landscape of the psyche

From the time the word kul'tura entered the Russian language in the early nineteenth century, Russian arts and letters have thrived on controversy. At any given time several versions of culture have coexisted in the Russian public sphere. The question of what makes something or someone distinctly Russian was at the core of cultural debates in nineteenth-century Russia and continues to preoccupy Russian society to the present day. When Art Makes News examines the development of a public discourse on national self-representation in nineteenth-century Russia, as it was styled by the visual arts and popular journalism. Katia Dianina tells the story of the missing link between high art and public culture, revealing that art became the talk of the nation in the second half of the nineteenth century in the pages of mass-circulation press

The destructive power of obsessive love was a defining subject of eighteenth- and nineteenth-century Russian literature. In Febris Erotica, Sobol argues that Russian writers were deeply preoccupied with the nature of romantic relationships and were persistent in their use of lovesickness not simply as a traditional theme but as a way to address pressing philosophical, ethical, and ideological concerns through a recognizable literary trope. Sobol examines stereotypes about the damaging effects of romantic love and offers a short history of the topos of lovesickness in Western literature and medicine.

This bold challenge to conventional notions about medieval music disputes the assumption of pure literacy and replaces it with a more complex picture of a world in which literacy and orality interacted. Asking such fundamental questions as how singers managed to memorize such an enormous amount of music and how music composed in the mind rather than in writing affected musical style, Anna Maria Busse Berger explores the impact of the art of memory on the composition and transmission of medieval music. Her fresh, innovative study shows that although writing allowed composers to work out pieces in the mind, it did not make memorization redundant but allowed for new ways to commit material to memory.

On the Horizon of World Literature compares literary texts from asynchronous periods of incipient literary modernity in different parts of the world: Romantic England and Republican China. These moments were oriented alike by "world literature" as a discursive framework of classifications that connected and re-organized local articulations of literary histories and literary modernities. World literature thus provided-and continues to provide-a condition of possibility for conversation between cultures as well as for their mutual provincialization.

What forces shaped the twentieth-century world? Capitalism and communism are usually seen as engaged in a fight-to-the-death during the Cold War. With the establishment of the People's Republic of China in 1949, the Chinese Communist Party aimed to end capitalism. Karl Gerth argues that despite the socialist rhetoric of class warfare and egalitarianism, Communist Party policies actually developed a variety of capitalism and expanded consumerism. This negated the goals of the Communist Revolution across the Mao era (1949-1976) down to the present. Through topics related to state attempts to manage what people began to desire - wristwatches and bicycles, films and fashion, leisure travel and Mao badges - Gerth challenges fundamental assumptions about capitalism, communism, and countries conventionally labeled as socialist. In so doing, his provocative history of China suggests how larger forces related to the desire for mass-produced consumer goods reshaped the twentieth-century world and remade people's lives.

This book identifies the crucial variables as classic Japanese forms of socio-political organization: the "circles of compensation." These cooperative groupings of economic, political, and bureaucratic interests dictate corporate and individual responses to such critical issues as investment and innovation; at the micro level, they explain why individuals can be decidedly cautious on their own, yet prone to risk-taking as a collective. Kent E. Calder examines how these circles operate in seven concrete areas, from food supply to consumer electronics, and deals in special detail with the influence of Japan's changing financial system. The result is a comprehensive overview of Japan's circles of compensation as they stand today, and a road map for broadening them in the future.

Words, silences, and narratives as vehicles are always in flux, always fueling us, precipitating actions both virtuous and criminal, good and evil, beautiful and ugly, sublime and ridiculous. Dostoevsky, more than any other writer except perhaps Shakespeare, supplies an unending source of inspiration for the full sweep of human action, thought, emotion, and belief in all their contradictory manifestations and combinations. Dostoevsky's journeys onto these terrains are without exception unfinished, always in process, alive and precariously so, even as those inspired by him may find for themselves completion, rationales, and answers. His readers have given various names to the quality of completion embedded within uncertainty that his oeuvre conveys and which can then serve to engender religious, philosophical, or nakedly political discourses and responses, some of which would no doubt surprise, even horrify him.Dostoevsky, however, continues to stand apart; his written words, silences, and narratives expressing, through their embodiment in characters, his own unfinished journey. Ivan Karamazov's rebellious philosopher maybe have walked his quadrillion kilometers in the dark, but their mutual creator still travels on.

Born into a low-level literati family in the port city of Ningbo, the seventeenth-century Chinese Christian convert Zhu Zongyuan likely never left his home province. Yet Zhu nonetheless led a remarkably globally connected life. His relations with the outside world, ranging from scholarly activities to involvement with globalizing Catholicism, put him in contact with a complex and contradictory set of foreign and domestic forces. In Global Entanglements of a Man Who Never Traveled, Dominic Sachsenmaier explores the mid-seventeenth-century world and the worldwide flows of ideas through the lens of Zhu's life, combining the local, regional, and global. Taking particular aspects of Zhu's multiple belongings as a starting point, Sachsenmaier analyzes the contexts that framed his worlds as he balanced a local life and his border-crossing faith. At the local level, the book pays attention to the intellectual, political, and social environments of late Ming and early Qing society, including Confucian learning and the Manchu conquest, questioning the role of ethnic and religious identities. At the global level, it considers how individuals like Zhu were situated within the history of organizations and power structures such as the Catholic Church and early modern empires amid larger transformations and encounters. A strikingly original work, this book is a major contribution to East Asian, transnational, and global history, with important implications for historical approaches and methodologies.