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In the Jewish tradition, it is incumbent upon every generation to attempt to find meaning in its history. Meaning is co-created within the context of the inter-subjective field of a meeting of minds. Psychoanalysis, in some respects like the Jewish tradition from which it emerged, represents a body of thought about man's relation to himself and to others, and places great value on the influence of memory, narrative, and history in creating meaning within the dyadic relationship of analyst and patient. In Answering a Question with a Question: Contemporary Psychoanalysis and Jewish Thought, editors Aron and Henik have brought together an international collection of contemporary scholars and clinicians to address the interface and the mutual influence of Jewish thought and modern psychoanalysis.

Why do Israelis dislike fantasy? Put so bluntly, the question appears frivolous. But in fact, it goes to the deepest sources of Israeli historical identity and literary tradition. Uniquely among developed nations, Israel's origin is in a utopian novel, Theodor Herzl's Altneuland (1902), which predicted the future Jewish state. Jewish writing in the Diaspora has always tended toward the fantastic, the mystical, and the magical. And yet, from its very inception, Israeli literature has been stubbornly realistic. The present volume challenges this stance. Originally published in Hebrew in 2009, it is the first serious, wide-ranging, and theoretically sophisticated exploration of fantasy in Israeli literature and culture. Its contributors jointly attempt to contest the question posed at the beginning: why do Israelis, living in a country whose very existence is predicated on the fulfillment of a utopian dream, distrust fantasy?

The Jew in Medieval Iberia is an exploration of the richness and diversity of Jewish society in Christian Iberia from 1100-1500, providing a fresh look at the ways in which medieval Jews conceived of themselves and their communities, as well as their relationship to the surrounding society. The essays collected in this volume transcend older stereotypes of Christian persecution and Jewish piety to reveal a complex and vibrant community of merchants and scholars, townsmen and women, cultural intermediaries and guardians of religious tradition. Taken together, they present a portrait that adds greater nuances to our understanding of both medieval Jewish and medieval Spanish history.

The second of a three-volume series, this book contains Eva Jospe¿s Moses Mendelssohn: Selections from His Writings, together with an article dealing with Mendelssohn¿s enduring significance. As Raphael Jospe observes in his introduction to the volume, despite the welcome growth in recent years in the availability of English translations of Mendelssohn¿s works, Eva Jospe¿s Selections (including some of Mendelssohn¿s private letters) remain valuable for their clarity, for the logic of their organization, and for the important insight they provide into Mendelssohn¿s personality and convictions. Volume One of this series contains Eva Jospe¿s study of the ¿Concept of Encounter in the Philosophy of Martin Buber,¿ and Volume Three her Reason and Hope: Selections from the Jewish Writings of Hermann Cohen. Together, these volumes offer a multidimensional view of Jospe¿s work and thoughts.

This groundbreaking critical biography of Andrei Siniavskii (1925-1997) as a writer in and of his time shows how this subtle and complex author found his way in a society polarised into heroes and villains, patriots and traitors, how he progressed from identification with the value system and ideology of his time to reaction against it, and his dissidence expressed in literary terms.

This new volume from the author of Scenarios of Power explores the effect of the symbolic representations of the Russian imperial government on law, administrative practice, and concepts of national and imperial identities throughout centuries of monarchical rule. Richard Wortman characterizes the monarchy as an active agent in Russia's political experience, one whose dominant role was resisting change until the inevitable collapse facing all absolute monarchies.

Arriving in ancient Rome over 2,000 years ago, the Jewish communities of Italy have retained their identity throughout the millennia. This book traces their recreation of community, focusing on their economic, intellectual, and social lives, as they moved from south to north.

Outlines some aspects of Jewish intellectual life in the nineteenth and twentieth century, presenting a narrative of the relationship between Jewish scholars and their cultural environment. It investigates the language of conformity and dissent and interprets it as an imaginative grammar, comprising an arsenal of images, concepts, and interpretations.

From the very moment Alfred Dreyfus was placed under arrest for treason and espionage, his entire world was turned upside down, and for the next five years he lived in what he called a phantasmagoria. To keep himself sane, Dreyfus wrote letters to and received letters from his wife Lucie and exercised his intellect through reading the few books and magazines his censors allowed him, writing essays on these and other texts he had read in the past, and working out problems in mathematics, physics, and chemistry. He practiced his English and created strange drawings his prison wardens called architectural or kabbalistic signs. In this volume, Norman Simms explores how Dreyfus kept himself from exploding into madness by reading his essays carefully, placing them in the context of his century, and extrapolating from them the hidden recesses of the Jewish Alsatian background he shared with the Dreyfus family and Lucie Hadamard.

Examines southern Jewish womanhood during the Antebellum and Civil War Eras. This study finds that in Protestant South southern Jewish women created and maintained unique American Jewish identities through their efforts in education, writing, religious observance, paid and unpaid labour, and relationships with whites and African-American slaves.

This collective volume aims to highlight the philosophical and literary idea of apocalypse within key examples in the Slavic world during the nineteenth and twentieth centuries. From Russian realism to avant-garde painting, from the classic fiction of the nineteenth century to twentieth-century philosophy, not omitting theatre, cinema or music, the concepts of "end of history" and "end of present time" are specifically examined as conditions for a redemptive image of the world. To understand this idea is to understand an essential part of Slavic culture, which, however divergent and variegated it may be, converges on this specific myth in a surprising manner.

Explores the evolution of Lomonosov's imposing stature in Russian thought from the middle of the eighteenth century to the closing years of the Soviet period. It reveals much about the intersection in Russian culture of attitudes towards the meaning and significance of science, as well as about the rise of a Russian national identity, of which Lomonosov became an outstanding symbol.

All the Same the Words Don't Go Away brings together twenty-five years of essays and reviews, linked loosely by three themes. The first explores the legacy of Mikhail Bakhtin: his ideas of dialogue and carnival, and the debates ignited by each. The second delves into three "e;master workers"e; of the Russian tradition: Pushkin, Tolstoy, and Dostoevsky. In this section, emphasis is comparative: the riddle of Pushkin's life, why "e;Tolstoy versus Dostoevsky,"e; how Chekhov reads Tolstoy, why Kundera dislikes Doestoevsky and Tolstoy dislikes Shakespeare. The final section addresses the transposition of classic literary texts into other media through musical works by Musorgsky, Tchaikovsky, Shostakovich, and Prokofiev. Throughout, the fundamental heroes are Pushkin's Tatiana Larina and Boris Godunov. This volume will be of interest to comparativists and students in interdisciplinary humanities.

Encounters of Consequence provides an introduction to and deeper analysis of the situation of Jewish philosophy beginning in the last century. It charts Jewish philosophy's engagement with modernity and post-modernity along two overlapping axes-issues and persons-which often intersect. Key issues in modern Jewish philosophy are raised, including: the nature of Judaism and Jewish identity, the quests for meaning and continuity, the value of remaining a Jew, and the relevance of Jewish law, as well as the challenges of secularism, modern history (including the Holocaust), feminism and religious pluralism. Featured are many philosophers of encounter: Franz Rosenzweig, Martin Buber, and Emmanuel Levinas, as well as Joseph Soloveitchik, Gershom Scholem, Arthur Cohen, Eliezer Schweid, Emil Fackenheim, and Irving Greenberg.

Understanding and nurturing Jewish Peoplehood is an enterprise that seeks to generate involvement and communication between Jews the world-over. Offering a distinctive looking glass into Jewish Peoplehood, this title includes chapters that provide the reader with a deeper understanding of nature of the contemporary collective Jewish experience.

Shows that in its generative theology, Rabbinic Judaism in its formative age invoked the perpetual presence of God overseeing all that Israelites said and did. This title states that it conceived of Israel to transcend the movement of history and to live in a perpetual present tense, and that Israel located itself in a Land like no other.

Focusing primarily on the close study of literary works presented in the broad cultural and historical context, Jacob's Ladder discusses the reflection of kabbalistic allegory in Russian literature and provides a detailed analysis of the evolution of the perception of Kabbalah in Russian consciousness. Aptekman investigates the questions of when, how and why Kabbalah has been used in Russian literary texts from Pre-Romanticism to Modernism and what particular role it played in the larger context of the Russian literary tradition. The correct understanding of this liaison helps the reader to clarify many enigmatic images in Russian literary works of the last two centuries and to understand the roots of a particular cultural falsification that played an important role in the anti-Semitic mythology of the twentieth century.

The Penitentes are a lay Catholic brotherhood that practised bloody rites of self-flagellation and crucifixion. Marranos claim to be anousim. This book redefines the terms and creates contexts in which these groups are viewed with respect and sympathy without idealising or slandering them.

Intended to accompany undergraduate courses in the history of Russian cinema or Russian culture through film, this reader consists of excerpts from English language criticism and translations of excerpts of Russian-language criticism, as well as commissioned essays on thirty subtitled films widely taught in American and British courses on Russian film and culture.

Academic Studies Press is proud to present this translation of Professor Andrei Zorin's seminal Kormya Dvuglavogo Orla. This collection of essays includes several that have never before appeared in English, including "The People's War: The Time of Troubles in Russian Literature, 1806-1807" and "Holy Alliances: V. A. Zhukovskii's Epistle `To Emperor Alexander' and Christian Universalism".