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This volume offers a threefold intellectual juncture, analyzing the liberal-republican tension-field in a novel way, juxtaposing early modern political thought with twenty-first century political concerns. It conjoins Israeli political scholarship with its European and American counterparts, mapping differentials and commonalities.

This remarkable study makes a critical intervention in the study of Soviet and post-Soviet Russian culture. It shows us in a new manner what was distinctive about Soviet social and cultural history and in what ways it should be seen as a variety of the common story of modernity. Further, it explores how the cultural life of present day Russia has inherited these structures and patterns.

Developed as a reader for upper division undergraduates and beginning graduates, From Symbolism to Socialist Realism offers broad variety of materials contextualizing the literary texts most frequently read in Russian literature courses at this level. These approaches range from critical-theoretical articles, cultural and historical analyses, literary manifestos and declarations of literary aesthetics, memoirs of revolutionary terrorism and arrests by the NKVD, political denunciations, and "e;literary vignettes"e; capturing the spirit of its particular time in a nutshell. The voices of this "e;polyphonic"e; reader are diverse: Briusov, Savinkov, Ivanov-Razumnik, Kollontai, Tsvetaeva, Shklovsky, Olesha, Zoshchenko, Zhdanov, Grossman, Evtushenko, and others. The range of specialists on Russian culture represented here is equally broad: Clark, Erlich, Grossman, Nilsson, Peace, Poznansky, Siniavskii, and others. Together they evoke and illuminate a complex and tragic era.

Epic and the Russian Novel from Gogol to Pasternak examines the origin of the nineteen- century Russian novel and challenges the Lukacs-Bakhtin theory of epic. By removing the Russian novel from its European context, the authors reveal that it developed as a means of reconnecting the narrative form with its origins in classical and Christian epic in a way that expressed the Russian desire to renew and restore ancient spirituality. Through this methodology, Griffiths and Rabinowitz dispute Bakhtin's classification of epic as a monophonic and dead genre whose time has passed. Due to its grand themes and cultural centrality, the epic is the form most suited to newcomers or cultural outsiders seeking legitimacy through appropriation of the past. Through readings of Gogol's Dead Souls-a uniquely problematic work, and one which Bakhtin argued was novelistic rather than epic-Dostoevsky's Brothers Karamazov, Pasternak's Dr. Zhivago, and Tolstoy's War and Peace, this book redefines "e;epic"e; and how we understand the sweep of Russian literature as a whole.

Rank and Style is a collection of essays by Irina Reyfman, a leading scholar of Russian literature and culture. Ranging in topic from the eighteenth to the twentieth century, the essays focus on the interaction of life and literature. In the first part, Reyfman examines how obligatory state service and the Table of Ranks shaped Russian writers' view of themselves as professionals, raising questions about whether the existence of the rank system prompted the development of specifically Russian types of literary discourse. The sections that follow bring together articles on Pushkin, writer and man, as seen by himself and others, essays on Leo Tolstoy, and other aspects of Russian literary and cultural history. In addition to examining littlestudied writers and works, Rank and Style offers new approaches to well-studied literary personalities and texts.

Featuring a number of pioneering essays by the internationally known Russian cultural historians Boris Uspenskij and Victor Zhivov, this collection includes a number of essays in English. It focuses on several of the interesting and problematic aspects of Russia's cultural development.

Combining eventful sociology, path dependency and institutional political economy, this book argues that historical political events have been shaped not only by political and economic forces but also by resistance struggles of marginal and weaker social groups: organised workers, Palestinians and Mizrachi Jews.

This groundbreaking book focuses on Alfred Dreyfus the man, with emphasis placed on his own writings, including his recently published prison workbooks and his letters to his wife Lucie. Through close reading of these documents, a much more sensitive, intellectual, and Jewish man is revealed than was previously suspected. He and Lucie, through their family connections and mutual loyalty, were interested in and supported the artistic, scientific, philosophical and historical movements that formed their Parisian milieu. But as an Alsatian Jew, Alfred was also critical of many aspects of technological and ideological developments, making his mentality one of skepticism as well as idealism. Norman Simms addresses the way Dreyfus perceived the world, challenged many of its assumptions and contextualized it in the style of a rabbinical midrash, a process that created what Alfred called a "e;phantasmagoria"e; of the Affair that bears his name, and also interprets the man, his milieu and his mentality in the style of a midrash, a creative, transformative reading.

In every Haredi [ultra-Orthodox] neighbourhood, bookstores overflow with titles written by and for Haredi Jews. This title offers a reading of contemporary Haredi fiction, self-help, history, and theology, explaining how this isolationist religious community constructs its complex and paradoxical relationship with contemporary culture.

The purely scholarly problem of determining the number of victims, like other aspects of demography related to the Holocaust, have suddenly become closely embroiled in geopolitics and the phenomenon of Holocaust denial, which is now a context that has been forced upon it. This is imbued with these connections and interrelationships.

An exploration of the richness and diversity of Jewish society in Christian Iberia from 1100-1500. It includes essays which present a portrait that adds greater nuance to our understanding of both medieval Jewish and medieval Spanish history.

The study of Jewish political philosophy is a recently established field in the study of Jewish philosophy. While in older histories of Jewish philosophy there is hardly any discussion of this topic, recent editors of such books have found it useful to add chapters on it. Following the pioneering efforts of Leo Strauss, Ralph Lerner and Daniel Elazar, among others, political philosophy has gained its proper place alongside ethics and metaphysics in the study of the history of Jewish philosophy. This volume is another manifestation of this welcome development. Consisting of selected English-language papers the author published over the last thirty years, it concentrates on the Medieval and Renaissance periods, from Sa'adiah Gaon in the tenth century to Spinoza in the seventeenth. These were the formative periods in the development of Jewish political philosophy, when Jewish scholars versed in the canonical Jewish sources (biblical and rabbinic) encountered Greek political philosophy, as transmitted by Muslim philosophers such as Alfarabi, Ibn Bajja and Averroes, and adapted it to their Jewish terms of reference. The outcome of this effort was Jewish political philosophy.

Examines the major figures, movements and manifestos of the modernist period in Russia. Scholarly attention is given to literature, visual arts, cinema and theatre in an attempt to capture the complex nature of the time. It would be especially relevant for those looking for a comprehensive approach to the various movements and artistic expressions that constitute the Russian avant-garde.

Development, Learning, and Community uses data drawn from a study of pluralistic Jewish high schools to illustrate the complex and often challenging interplay between the cognitive and socio-affective elements of education.

Focuses on the changes undergone by Mapai, Israel's first ruling party, during Israel's first years of Independence, and then analyses the effects of these changes in relation to Israeli political culture.

Attacks by Muslims against Jews in Western Europe have reached all-time highs. The Arab-Israeli struggle has been brought to Europe and has been extended from Israel's Jews to Europe's Jews. This book provides a first-person account and an in-depth examination of the rise of anti-Semitism in the 21st century.

In Cultures in Collision and Conversation, David Berger addresses three broad themes in Jewish intellectual history: Jewish approaches to cultures external to Judaism and the controversies triggered by this issue in medieval and modern times; the impact of Christian challenges and differing philosophical orientations on Jewish interpretation of the Bible; and Messianic visions, movements, and debates from antiquity to the present. These essays include a monograph-length study of Jewish attitudes toward general culture in medieval and early modern times, analyses of the thought of Maimonides and Nahmanides, an assessment of the reactions to the most recent messianic movement in Jewish history, and reflections on the value of the academic study of Judaism.

Refusing to accept anything but ever-increasing levels of human responsibility within a religious framework, covenantal thinkers audaciously suggest that the covenant empowers humanity as it binds and inhibits divinity. This is a reformulation of recurrent issues within the Jewish tradition, and one which pays homage to the modern context from which it emerges. Hartman and Borowitz grew up in the same mid-century American academic and social environment, and the product of that upbringing has a significant impact on the subsequent theories which they promote. Both thinkers have attracted a considerable following, but very few scholars have discussed them together. Cooper here for the first time works toward understanding their work in comparison with each other, and with covenant as the central focus and framework.

Although Maimonides did not write a running commentary on any book of the Bible, biblical exegesis occupies a central place in his writings, particularly in his Guide of the Perplexed. In this book, Sara Klein-Braslavy offers a collection of essays on several key biblical interpretations by Maimonides dealing with the creation of the world; the story of the Garden of Eden; Jacob's dream of the ladder; King Solomon as an esoterist philosopher; and the problem of exoteric and esoteric biblical interpretations in the Guide. Special attention is paid to Maimonides' methods of interpretation and to his esoteric way of writing. Some of the articles in this volume were originally published in Hebrew, and appear here for the first time in English.

Democratizing Judaism is a two-part examination of the Reconstructionist philosophy of Mordecai M. Kaplan. Part I is largely devoted to a defense of Kaplan against several serious critics. It also provides new insight into Kaplan's theology through reference to hitherto unknown passages in his diaries. Part II provides a critical analysis of the contemporary Reconstructionist movement and explores how a Kaplan disciple treats problems of democracy in Israel and issues of ethical theological concern.

Winner of the 2012 Helen and Stan Vine Canadian Jewish Book Award in Holocaust Literature. A survivor of concentration camps and the Death March, Eli Pfefferkorn looks back on his Holocaust and post-Holocaust experiences to compare patterns of human behavior in extremis with those of ordinary life. What he finds is that the concentration camp Muselmann, who has lost his hunger for life and is thus shunned by his fellow inmates on the soup line, bears an eerie resemblance to an office employee who has fallen from grace and whose coworkers avoid spending time with him at the water cooler. Though the circumstances are unfathomably far apart, the human response to their situations is triggered by self-preservation rather than by calculated evil. By juxtaposing these two separate worlds, Pfefferkorn demonstrates that ultimately the human condition has not changed significantly since Cain slew Abel and the Athenians sentenced Socrates.

Focusing on the concepts of time and the life cycle, this collection of articles examines Jewish life in the Talmudic period through the lens of Jewish law and custom of the time. The essays are the work of Nissan Rubin and come together to present the cultural perspective of the sages and scholars who produced the stepping-stones of Jewish life and custom.

In 1936, Joseph Margoshes (1866-1955), a writer for the New York Yiddish daily Morgen Journal, published a memoir of his youth in Austro-Hungarian Galicia. He evoked a world that had been changed almost beyond recognition as a result of the First World War and was shortly to be completely obliterated by the Holocaust. It is an important evocation of an entire Jewish society and civilization.

This vivid and moving memoir describes the survival of a Jewish child in the hell of Nazi occupied Poland. Rubin Katz was born in Ostrowiec Swietokrzyskie, Poland, in 1931. This town, located in the picturesque countryside of central Poland 42 miles south of Radom, had in 1931 a population of nearly 30,000, of whom more than a third were Jews. The persistence of traditional ways of life and the importance of the local hasidic rebbe, Yechiel-Meier (Halevi) Halsztok, as well as the introduction of such modernities as bubble gum, are clearly and effectively described here. This memoir is remarkable for the ability of its author to recall so many events in detail and for the way he is able to be fair to all those caught up in the tragic dilemmas of those years. It is a major contribution to our understanding of the fate of Jews in smaller Polish towns during the Second World War and the conditions which made it possible for some of them, like Rubin, to survive.

Examines the major figures, movements and manifestos of the modernist period in Russia. Scholarly attention is given to literature, visual arts, cinema and theatre in an attempt to capture the complex nature of the time. It would be especially relevant for those looking for a comprehensive approach to the various movements and artistic expressions that constitute the Russian avant-garde.

In this book, Dvir Abramovich brings together a batch of timeless classical Hebrew novels, short stories, and poems, and furnishes readers with commentaries and critical readings of each landmark work. The selection of seminal texts include masterpieces from Yehuda Amichai, Haim Gouri, Amos Oz, Dvorah Baron, Shaul Tchernichovsky, Chaim Nachman Bialik, Hanoch Bartov, Shulamit Hareven, and Aharon Megged. Each interpretative essay includes a bio-graphical overview of the author whose opus is explored. This collection will prove exceptionally useful for teachers who wish to introduce their students to the treasures of contemporary Israeli fiction and are searching for reflective analyses and searching insights. Guaranteed to ignite discussion and debate, this informative and entertaining volume, written in an accessible and lively style, will appeal to a general and academic audience and will tempt readers to read or re-read these great works.

Across the twentieth century, the Russian literary hero remained central to Russian fiction and frequently "e;battled"e; one enemy or another, whether on the battlefield or on a civilian front. War was the experience of the Russian people, and it became a dominant trope to represent the Soviet experience in literature as well as other areas of cultural life. This book traces those war experiences, memories, tropes, and metaphors in the literature of the Soviet and post-Soviet period, examining the work of Dmitry Furmanov, Fyodor Gladkov, Alexander Tvardovsky, Emmanuil Kazakevich, Vera Panova, Viktor Nekrasov, Alexander Solzhenitsyn, Vladimir Voinovich, Sergei Dovlatov, Vladimir Makanin, Viktor Astafiev, Viktor Pelevin, and Vasily Aksyonov. These authors represented official Soviet literature and underground or dissident literature; they fell into and out of favor, were exiled and returned to Russia, died at home and abroad. Most importantly, they were all touched by war, and they reacted to the state of war in their literary works.

Representation of the religious sector is a new phenomenon in modern Israeli literature, emerging from a diversification of Israeli culture that began in the 1970s. Barbara Landress here explores the intricacies of fiction about Orthodox women in contemporary contexts, offering a subtle interpretation of the conflicts in Orthodox women's lives as they weave their way through daughterhood, motherhood, politics, and personal dilemmas, negotiating between tradition and modernity. Drawing on sociology, anthropology, and feminist theory, this body of Israeli women's writing is considered in comparative perspective with American feminist fiction of the 1960s and 1970s as well as with contemporary American Jewish women's writing that engages Orthodoxy.