Bøker utgitt av Alisha Printers

Tabssum Fatima is a renowned writer of Urdu and Hindi fiction, poetry, and translations. She has published numerous books and received prestigious awards in both languages. In addition, she directed over fifty short films.This book presents the legends of Tabssum Fatima. Tabssum's thought system revolves around the word 'No'. In her state of consciousness, every 'No' holds greater significance than 'Yes'. Tabssum Fatima's creations reflect the current state of consciousness. In her writings, she has encouraged women who are helpless, oppressed, exploited, or psychologically crushed to become rebels in one way or another. The protagonist, despite living in a typical situation, eventually confronts the ironies of the times and comes to her conclusions.

This novelette is based on the life of actress Shamim Ara. Shamim Ara (22 March 1938 - 5 August 2016) was a Pakistani film actress, director, and producer. She was known for portraying tragic heroines in films and was one of the most popular and successful actresses of her time, from the 1960s to the 1990s. Shamim Ara is considered one of the most influential actresses in the history of Pakistani cinema.

Memories are an invaluable asset in human life, whether positive or negative. Memories are intangible, like smoke, and can arise at any time and place uninvited. They do not knock, but rather intrude without permission. Solitude is their natural habitat. This book is a tribute to Naheed, a Pakistani painter. However, it is not solely based on events, but also showcases the creative sensibility that permeates throughout.

This book contains the freedom struggle of India. The Indian Rebellion of 1857 was a major uprising in India in 1857-58 against the rule of the British East India Company, which functioned as a sovereign power on behalf of the British Crown.All the articles in this book are historical and documentary. It includes the writings of important writers like Maulana Abul Kalam Azad, Khaliq Ahmad Nizami and Maulana Ghulam Rasool Mehr etc.

Mirza Khaleel Ahmad Beg is a prominent linguist of Urdu, hailing from Lucknow. Graduated from Jamia Aligarh. Author of several books. Born in Gorakhpur. Completed primary education from here too. He received his Ph.D. degree from Aligarh University. He also served as the head of the Linguistics Department in the same university. In 1994, he started an academic trip to America and entered the Department of Linguistics at the University of Tennessee (Knoxville). He returned to India in 1996 and wrote a book on sociolinguistics.

This is a collection of essays and reviews by renowned Urdu novelist, editor and translator Ashar Najmi. Since he is not a professional critic but a creator, his essays are different from the mainstream critical essays and his approach is also different. His articles and comments included in this book do not use the old concepts and obsolete language of Urdu criticism, but instead feel a freshness.

This book is based on the personality and achievements of renowned Urdu translator and teacher Khan Hasnain Aaqib, compiled by his disciple Mohsin Sahil. Hasnain Aaqib is fluent in Urdu, English, Persian and Arabic languages. You are also a poet, several collections of poetry have been published, apart from this, his research and critical books have also come out. He is the translator of many national and international books.

This is a strange poetry collection¿ This collection contains the shortest poems of Naseem Khan, even many poems are based on only one line but the impression is more than several lines. His vocabulary is new, his themes and subjects are rare and his style of expression is completely different from traditional poetry.

The unique style of Nasim Khan's poems is the proof of his poetic greatness. His vocabulary is new, his themes and subjects are rare and his style of expression is completely different from traditional poetry.Talking about the style of writing of Nasim Khan, different styles of narration will be seen in his poems. Where there is a post-modern style, there is also a symbolic and legendary style.

This book is a collection of the articles of Khan Hasnain Aqib, a well-known translator, researcher, critic and writer of India, which he has written from time to time in the last two decades, most of them have been published in literary magazines and journals. This collection is a good example of criticism that is free from cumbersome scholastic and ideological terms.

This book is a collection of the articles of Khan Hasnain Aqib, a well-known translator, researcher, critic and writer of India, which he has written from time to time in the last two decades, most of them have been published in literary magazines and journals. The readership included in this collection is a good example of criticism that is free from cumbersome scholastic and ideological terms.

In our childhood, we have also heard the stories of magicians, devils, fairies, witches, jinns and ghosts. We only heard stories in our childhood, whereas today's children listen to and watch stories as well. This Harry Porter series of movies we all have seen is also a story of wizards and witches. And the one that Gulliver has to go to the island of the dwarfs is also to some extent made up of characters like witches, princes and princesses, kings and queens. And the movies of Sindbad Jahazi that we have seen, they also contain similar stories. And those are the magic stories of Hatim Tai, and then there are the stories of Alf Laila, in which Alladin shows so many miracles with his Jinn that the intellect is amazed. These stories have been made into films as well as television serials. That is, there is nothing new or old in stories. Every time returns to itself.This book i.e. 'Asmaan Kam Hai' also has interesting stories. These stories are divided into two parts. In the first section there are stories that contain traditional characters while in the second section there are stories that are based on reality. These stories are informative i.e. information is given in them but the format and style are similar to stories so that the readers read with interest.

In the interlude between the decline of progressivism and the rise of modernism, a fresh new tone and conflict is about to emerge, and Aslam Salazaar's stories herald this discovery. Islam does not try to impress the reader with his pleasant narration of the external reality, rather his narrations are tied to the events of the story like a continuous link. The reader's interest in Aslam's stories does not break at any point and all the links at the level of events demand intelligence from the reader. In the process of recitation, the reader also feels a kind of self-expression. Islam generally tends to seek something from the existent to the non-existent. In a surprising environment, the artist worries about an existence that we feel but cannot touch. The style of Aslam Salazaar's creativity in search of new realities in a quiet atmosphere greatly affects the reader.

"Shabkhun', 'Sugaat', 'Aaj', 'Duniyazad', 'Awraaq', 'Aaj Kal' and 'Zhan-e-Jadid'; each of these magazines had its own special atmosphere or individuality. All of them have been closed except 'Aaj' and 'Aaj Kal' is never going to be closed. It is difficult to say about Ashar Najmi whether he is a great novelist or an editor, but in any case, an editor cannot be replaced by a novelist.'.Therefore, it is not difficult to infer that journalism (whether it is literary journalism or not) is of no use without creative passion. political, social, any subject is worthless without creative language. Therefore, the editorials written by Ashar Najmi are the perfection of the same pen that wrote 'Uss Ne Kaha Tha'. I am rationalizing my wonder and trying to fit this magic pen into the mold of rationality. " (KHALID JAWED, JCB PRIZE WINNER 2022)

It has been three years since suddenly a very small microbe announced its presence in this world of color and smell and caused the death of human beings by taking out the funeral of all scientific progress.Among those who gone, there were those shining stars of literature who dedicated their whole life in the name of literature, and among them there were some people who served literature very quietly, never There was no noise, no commotion, very few people knew about him and the truth is that he did not even get the place he deserved, the name of Shaukat Hayat is very important among such people.This book pays homage to all those Urdu writers who were taken away by Covid-19. In this book, not all of these people, but the works of some writers have also been included.

'Esbaat' (Editor: Ashar Najmi, Mumbai, Issue No.14-15, 2013) has organized a written dialogue on the occasion of a Saadat Hasan Manto century. Questionnaires were sent to Shamsur Rahman Faruqi, Intizar Hussain, Moinuddin Jeenabade, Sikandar Ahmad, Siddique Alam, Ali Akbar Natiq and Ameer Hamza Saqib. Ashar Najmi deliberately formulated some questions that would make the participants uncomfortable, make them think and agree to engage in dialogue on Manto in a new way.Shamsur Rahman Faruqi, who had previously mentioned Manto in his articles, but no formal writings on it had been seen so far, wrote a booklet in response to Ashar Najmi's question. This long essay by Faruqi is a masterpiece on Manto. Until now, most of the critics of Manto had piled up the usual impressionistic criticism, on the contrary, Faruqi not only recovered Manto with his specific style of reasoning, but he also composed the poetics of fiction regarding Manto.

Quarterly 'ESBAAT' is a literary magazine published from Mumbai for the last fifteen years. The first volume contains a selection of the articles that appeared in each of its issues during those fifteen years. Ashar Najmi is Chief Editor of ESBAAT.

Sex, sexuality or the relationship between men and women have been a subject of special interest in every epoch and will continue to be so. Dr. Azam has also chosen this burning topic for his novel 'Dard Ka Chand Bujh Gaya'. Many novels, fictions, poems and prose stories have been created in Urdu on this delicate and important subject. The most popular novel in Urdu, Umrao Jaan Ada, the story of a prostitute was published and popular in literary and film circles. It has become special and common. This novel was written at a time when even mentioning the name of 'prostitute' in the civilized society was considered to be bad and corrupting morals. But Mirza Muhammad Hadi Ruswa's excellence is that he also saved the sanctity of Umraojaan and put the fire at his feet.