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Since her parents' mysterious deaths many years ago, scientist Cora Sparks has spent her days in the safety of her university lab or at her grandmother Etta's dress shop. Tucked away on a winding Cambridge street, Etta's charming tiny store appears quite ordinary to passers-by, but the colourfully vibrant racks of beaded silks, delicate laces, and jewel- toned velvets hold bewitching secrets: With just a few stitches from Etta's needle, these gorgeous gowns have the power to free a woman's deepest desires.
Jude is the owner of a special antiques shop in Cambridge. She finds all of the joy in her life matching people with the special something that they are missing, a talisman that will help bring them just what their heart most desires. Although Jude's life is certainly not overflowing with the love she would wish for...
May 1941. One of the senior choristers of St Paul's Cathedral choir, Dr Edwin Roberts, is found beaten to death in the crypt of the Cathedral. Coburg and Lampson are called in to investigate. When they get there, Coburg is pleasantly surprised to be greeted there by Arthur Waterson, an old Etonian friend, now sporting a dog collar. Waterson believes that there may be a connection between the very precious books that are housed in the crypt and Dr Roberts' work at Bletchley Park. As Coburg and Lampson work to solve a very puzzling case, it becomes clear that there is more to the brutal murder than they first suspected .
In this authorised biography, Derek Jarman's story stretches from the bleakness of post-war Britain and his RAF childhood to studenthood at the Slade and work as a designer for such figures as John Gielgud and Ken Russell. It tells how energetic home filmmaking with dazzling friends led to distinctive features like Sebastiane, Jubilee, The Tempest, Caravaggio and Blue. It is the story of a filmmaker, a gay activist, a painter and a gardener, and a vivid bohemian existence in a London long gone. Jarman created a singular garden in the shingle surrounding his simple fisherman's cottage at Dungeness in Kent, which has become a site of memorial, celebration and pilgrimage. He became known as an impassioned and provocative spokesperson not only for gay men, but for anyone oppressed by bigotry. Derek Jarman died of AIDS-related causes in February 1994 and Peake describes the inimitable courage and grace in the face of painful death, and the legacies Jarman left behind.
Spring 1941. It is the third year of war, and when the siren sounds the people of Cambridge trudge to the city's public bomb shelters. Crowded, smoky, often raucous, the shelters have become a way of life for the poor. At dawn, the body of a young man is found in a shadowy corner of the Trinity Shelter, one of three on the city's great open space - Parker's Piece. Detective Inspector Eden Brooke searches the body and finds no wallet or papers, save for a cinema ticket dated six months earlier. PC Vanessa Hill - a recruit to The Borough police from Girton College - uses her skills in fine art to sketch the dead man's face for a poster. An autopsy reveals the only clue to his death is the wound left by a hypodermic needle in the back of his neck. Brooke has a very puzzling case on his hands .
After The Curse of Penryth Hall, a new mystery awaits in Scotland...
When tragedy brings Merrin McKenzie back to St Ives, she knows adjusting might take time, even with the comfort of Christmas back in her hometown. Stepping back from her career as a solicitor, she agrees to clean holiday rentals for her friends who own cottages nearby. She anticipates dirty laundry and sandy floors, but she didn't sign up for a dead body, neatly tucked up in one of the guest beds.The police are baffled by the young man's identity and the strangeness of his death. For Merrin, however, coincidences are beginning to stack up. Even though Inspector Louis Peppiatt is sceptical of her theories, something sinister is hiding beneath the festive surface of this charming seaside town. As the case unfolds, a dark side to the Cornish coast emerges.
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