Bøker utgitt av Amaurea Press

In this photographic collection, seven photographers who have built their artistic reputation documenting Cuban jazz over the years, bring together images celebrating the musicians who have performed at Jazz Plaza - Havana's annual international jazz festival. These photographers present very personal, subjective views on the jazz performances that they document. The images themselves becoming silent participants in the events they show, demonstrating that without photography, jazz would not be the same.

When police pay a visit to an elderly peeping tom, they unexpectedly stumble upon a loose thread that leads detective John Custer into a murky world of sex crimes and serial killings, of hidden graves and socially impeccable paedophiles. Ignoring the scepticism of his colleagues and superiors, Custer doggedly follows his intuition that there really is something very wrong that needs to be discovered, however cold the trail seems to have become. Inspired by some of the many paedophile conspiracies that have been uncovered in recent years, and the cases of abused children, The Hobby is a psychological crime thriller, ranging from the fan club of a 1940s child star, through Istanbul and war-torn Burma and Cairo, to 1980s Britain. Custer and his assistant, Sergeant Jolly Campbell, seek to bring justice to the forgotten victims, while themselves going through their own quest for personal redemption.

A new edition of the best-selling, award-winning second book.To Lizaveta, César remained as much of an enigma after two years of their nomadic exile together as he had that first day in Clapham when he took up his peculiar vigil in her mother's kitchen and showed no signs of shifting out of her life, ever. 'South America,' this total stranger had pronounced unaccountably and then had fallen silent until hours later when Lisaveta decided to introduce herself. in response to her name he replied, 'No'.'What do you mean "No"?' she demanded, but was to remain in the dark on this, as on other vital questions: such as why César's friends Otto and Elías were on the run and from whom, why she was expected to carry guns on a holiday to Paris, and why there was so thick an atmosphere of mystery about everything when she couldn't pinpoint the danger. Through her 16-year-old eyes she saw 35-year-old César as old and slightly debauched but strikingly beautiful. His air of dissipated grandeur seemed to disarm almost everyone and she marvelled how even in London he was treated like some kind of protected species or listed building. 'My friends are waiting for a bullet,' Cesar told her, 'they don't shoot people like me'.From London the now indivisible foursome drift southwards from Paris to Milan and back - stopping in Bologna, Grenoble, and Venice - wherever the slow train takes them. They live like divine fugitives, resplendent in silks and Mercedes one month, warding off starvation the next. The danger for Otto and Elías is constant and palpable. For all of them, tension circumscribes an almost flamboyant kind of lassitude.This new edition accompanies the publication of Lisa's new memoir, Better Broken Than New.

A new edition of the best-selling, award-winning first book.When the Beltrán brothers came to this Andean valley, they found behind barred windows beautiful twin sisters - last in the line of an illustrious conquistador. Through them the Beltrán dynasty was born - a dynasty that ruled the valley for 200 years and was now returning to the dust.Two centuries later, Lydia Sinclair was scarcely out of school when she fell in love with Don Diego Beltrán and left England behind for her husband's Andean estate. Benito, the family's oldest retainer, said that through her the valley would not be forgotten: 'Fate has brought you here to us, to chronicle our decline.'In the night's stillness he told her of romance and battle, drought and pestilence, splendour and suffering.The characters in the valley's tumultuous history rose up before Lydia as if they still roamed the dusty slopes: Admiral Silence who enjoyed no one's company so decided never to speak again; General Mario who prophesied the ruin of their valley as he decayed from leprosy behind a mask; María Candelaria whose beauty and wildness caused the massacre of nearly half of the Beltráns; La Comadre Matilide, the peasant woman of striking ugliness whom people bribed to stay in their houses because her departure left a sense of ill omen; the aged sisters who sat amidst hoards of china and gambled at cards for their every move. Finally there was Cristóbal Beltrán, who sifted the sand in the hourglass, ageless and all-knowing and indestructable.Out of the upheaval and decay come a narrative and language astonishing in their fertility. This new edition accompanies the publication of Lisa's new memoir, Better Broken Than New.

A new memoir by best-selling novelist Lisa St Aubin de Teran (Keepers of the House, The Slow Train to Milan), looking back candidly at her life having retreated from the world to remote Mozambican village.

Esta es la historia del tabaco cubano, cuyo desarollo agrícola e industrial se torció tan habilmente como un Habano en torno a los intereses comerciales extranjeros. Traza el crecimiento decimonónico de una fuerte oligarquía tabacalera, clase campesina, y fuerza obrera urbana asalariada, al lado de una mano de obra esclava y bajo contrata, y examina cómo un prestigioso país manufacturero se transformó en exportador de la hoja. Detrás del cultivo de pobres vegueros se escondía el capital extranjero y nacional que, a la par de crear grandes plantaciones, empleó y hasta promovió al extremo la aparcería. Bien entrado el Siglo XX, una industria cada vez más asediada abastecía los restringidos mercados de lujo y un mercado nacional inestable y fluctuante, con unas pocas empresas de cierta envergadura, mayormente familiares, y una proliferación de chinchales y trabajo casero.Jean Stubbs penetra los más finos aspectos socio-políticos de cambios radicales en el campesinado y proletariado del tabaco, incluyendo como se entrelazan raza, género y oficio, para indagar más sobre la acción y la conciencia de clase y nacional, sea a través del reformismo, anarcosindicalismo, nacionalismo revolucionario, socialismo o comunisimo.Esta es una nueva edición española del libro que se publicó por primera vez en 1989, con un nuevo Prefacio y un Prólogo por Oscar Zanetti Lecuona.