Bøker utgitt av Amsterdam University Press

From a semio-pragmatic perspective and drawing on an interdisciplinary and intermedial approach, this book analyses how the audiovisual thinking process manifests itself in essay films. It explores how issues of subjectivity and identity, whether individual, social, political or cultural, prompt thought through the medium of cinema. The volume discusses the European Francophone essay film from its first appearance in cinematic modernity to the present. The study is developed in three stages. The first analyses the intermedial forms that are used: the letter, the (self-)portrait, the dialogue, the diptych, etc. The second examines the audiovisual materials that are mobilised. The third addresses the audiovisual procedures that are generated. In its analysis of works by Marker, Godard, Akerman, Varda and others, this book offers a new and detailed understanding of the production, evolution and achievements of the essay film in Francophone Europe.

This book explores early modern Italian women as agents of doubt. While women were often considered prone to doubt as a result of their natural "weakness," the essays gathered here reverse this view, demonstrating how women were able to embrace doubt as a means to expand their agency. Using doubt to contest both official narratives as well as religious and civil practices, women were able to carve out a space of their own in contemporary culture and society. The volume covers a period from the late fifteenth to the mid seventeenth centuries, offering critical insight into early modern doubt and investigating how doubt, like other categories of thought, could be gendered. Contributors address the topics of doubt and the Querelle des Femmes, religion, writing, and social networks. The volume offers a multidisciplinary approach to early modern doubt, combining gender studies with religious history, the history of literature, social history, and the history of science.

Digital technologies have rapidly become integral to communities and societies, bringing both significant benefits and serious concerns. Issues such as misinformation, disinformation, online polarization, discrimination, and widening inequalities have prompted a critical and urgent debate: Can digital societies still be effectively governed? This book brings together insights from various disciplines to address the pressing question: "How can we develop and apply principles of (good) governance in digital societies that are organized democracies?" Governing the Digital Societypresents a range of governance approaches, focusing on online platforms, artificial intelligence, and the public values that underpin these technologies. The authors position themselves at the forefront of their disciplines, offering perspectives from law, critical data studies, urban studies, science and technology studies, computational linguistics, and the political economy of media. Expert interviews provide additional insights into ongoing efforts to tackle the challenges of governing digital societies. The book demonstrates that governance is not just a technical or legal process but a complex societal one, embedding norms, values, and morality into our institutions and daily lives.

This volume examines the emerging exhibition complex on Chinese art in early twentieth-century China, and from the mid-1950s onwards, the cultural politics involved in Asia with the exhibitions of traditional and modern Chinese art in Taiwan, Japan, Hong Kong and Singapore. It also scrutinizes the curatorial practices that have influenced the interpretation and display of Chinese art amidst the advance of media technology and heritage engagement in the twenty-first century. Situated within ongoing debates on global art history, the volume is inclusive of multiple geo-cultural perspectives, and the dynamic practices that relate art tradition or heritage to more universal spatiotemporal art experience and engagement. It extends the understanding of exhibitions of Chinese art not only as multiple historical processes culturally and politically negotiated and contested by contending forces and diverse actors in the region, but also as creative interventions to engage people around the globe in the present.