Bøker utgitt av Anthem Press

'Art, Politics and the Environment in Bangladesh' features original research of a new generation of scholars of Bangladesh. The chapters collectively engage with many enduring topics of academic interest, such as violence, poverty, environment, development, democracy, religion and human rights from the vantage point of Bangladesh.

Originally published in 1860, the formative Gothic novel by Harriet Prescott Spofford (1835¿1921), one of nineteenth-century Americäs most significant woman writers, relates the tale of a tormented British aristocrat who struggles to retain his sanity while suffering horrifying visitations from the spectre of his dead lover amid the agonies of an already fragile mind.

Late Victorian Orientalism is a work of scholarly research pushing forward disciplines into new areas of enquiry. This collection of essays tries to redefine the task of interpreting the East in the late nineteenth century taking as a starting point Said's Orientalism in order to investigate the visual, fantasised, and imperialist representations of the East, as well as the most exemplary translations of Oriental poems. The Victorians envisioned the East in many different modes or Orientalisms since as Said suggested '[t]here were, perhaps, as many Orientalisms as Orientalists.' By combining together Western and Oriental modes of art, this study is not only aimed at filling a gap in Victorian and Oriental studies but also at broadening the audiences it is intended for. Edward FitzGerald, William Bell Scott, the Brontë sisters, William Holman Hunt, D. G. Rossetti, William Morris, John La Farge, Algernon Swinburne, Walter Pater, the anonymous author of the Hongkong and the Hongkonians, Oscar Wilde, Arthur Symons, Rudyard Kipling, William Butler Yeats, Wilfred Thesiger, and Eric Newby play such a prominent role in the Oriental debate. By offering an extended discussion of their Oriental writings, this book will appeal to and benefit a wider range of audiences. The subject range of this volume of essays on late Victorian Orientalism explores nineteenth-century modes of art which position themselves as instruments of knowledge of the Orient. The contributors deploy variegated tools derived from textual studies and visual culture research in order to explore the many ways in which the late Victorians envisioned the East. It is this combined approach which makes possible the reconsideration of Orientalist literature, art and cinema.

As an ancient Indian poet-dramatist, K─ülid─üsa cannot be absorbed into the homogenizing tendencies of Hindu hagiography, as has often been attempted, especially in the period after independence. From being projected as a Brahmin by birth in legends, a Ved─üntist and Vaishnavite in darsana (theology), and more recently, owing to Western theoretical perspectives being applied to texts separated in time and contexts, Kalidasa is critiqued for a patriarchal and casteist outlook. These various readings have privileged personal theories and validated them by reading literary texts in certain ways. 'Memory, Metaphor and Mysticism in Kalidasa's 'Abhijñ─üna┼Ü─ükuntalam'' brings together scholars from both sides of the globe who offer possibilities for reviewing this text, not as an Oriental discovery or a cultural property, but as an ancient literary text that can be read in multiple philosophical contexts. Further, the translations of 'Abhijñ─üna┼Ü─ükuntalam' into South Asian languages like Urdu and Nepali and a classical language like Persian are also included for detailed study for understanding the impact of this text in the respective literary traditions of these languages, and to assess the actual cross-literary dialogue that this text made, without hyperboles and generalizations, given the fact that many of these translation happened just before and after independence when literary historiography and nation writing project went hand in hand in India.

Exploring the imaginative construction of the post-colonial South by the communist East, this is a multi-faceted, collaborative study of the reception of Australian literature in the German Democratic Republic. An account of fraught and complex cross-cultural literary exchange between two highly distinct, even uniquely opposed reading contexts, this study has resonance for all newly global reckonings of the cultural Cold War.Australian Literature in the German Democratic Republic is an investigative exposé of Australian literature's revealing career in East Germany. Working from the extraordinary records of the East German publishing and censorship regime, the authors materially track the production and reception of one country's corpus as envisioned by another. The 90 Australian titles published in the GDR form an alternative canon, revealing a shadowy literary archive that rewrites Australia's postwar cultural history from behind the iron curtain. Cast as a geo-political conundrum - beautiful and exotic, yet politically retrograde - Australia was presented to East German readers as an impossible, failed utopia, its literature framed through a critique of Antipodean capitalism that yet reveals multiple ironies for that heavily censored, walled-in community.This book brings together leading German and Australian scholars in the fields of book history, German and Australian cultural history, Australian and postcolonial literatures, and postcolonial and cross-cultural theory, with emerging writers currently navigating between the two cultures.

In recent years growing numbers of investors have been joining the community interested in not only generating financial returns but also creating positive social and environmental value in the world. "The ImpactAssets Handbook for Investors" offers an introductory overview for those interested in investing their capital in a sustainable, responsible and impactful manner.The handbook offers insights and approaches to developing strategy as well as an understanding of the issues and considerations of impact investors in practice. In addition to discussions of portfolio structure and strategy, the handbook offers an overview of due diligence necessary to assess potential investments, a discussion of communications and performance measurement issues and other factors key to managing capital for multiple returns.With contributions from some of the field's leading experts in impact investing, "The ImpactAssets Handbook for Investors" will provide the reader with both broad advice and specific guidance on how to become best positioned to engage in impact investing as an asset owner, both large and small. While not an "answer book," the handbook offers practical insights and presents critical questions every investor should consider in creating an investment strategy and executing the deployment of investment capital.

Why do people queue up and break the bank to watch fantasy movies? Why do some fictional characters and mythical creatures arrest our mind and senses? Why do some images and tales affect us so deeply, so much so that we see them all around and inside us? From heroic journeys to uncanny feelings to invincible goddesses, 'Symbols and Myth- Making in Modernity' investigates the metaphoric power of symbols in human imagination today and in the past. The book traces how ever-present cross-cultural symbols, residing in ancient rites, masterpieces of Renaissance, Sufi poetry, religion and myths, erupt in popular culture today, including in cinema, books, visual art, music and politics.The book unpacks a post-Jungian, phenomenological theory of deep culture that nourishes human perception of reality through symbols and myths. It describes how complex symbols such as those in ancient myths, religions or modern popular culture should be seen as multivalent, irreplaceable, shared to the extent that they carry significance across cultures and times and pointing to interiority or inner transformation, including as compensation or as affirmation. Moreover, the most popular and common symbols are not fantasized by individuals but are rather grasped or intuited from the culture they live in. Symbols are manifest in popular culture yet simultaneously hidden so that their significance becomes apparent only with appropriate conceptual lenses which carries signification beyond the literal object itself. Art and rituals are the societal vessels that disclose the depth of the symbol and its relevance to daily life.Symbols have always been situated within a system of meaning - a mytho-logia. But moderns have largely lost conscious access to a mythology. This offers mythology for our time, illustrating its relevance in modern rituals of popular movies, religion and politics. Dismantling literalism and disturbing our view of the world, at each step the book unpacks how people relate to the world through symbols, how symbols play out in the modern world, and the work they do in transforming the self. At the same time, deep culture is helpful in pointing to ruptures - where modern myths stumble - thereby leading to new analyses of emerging societal crises and identifying new potential solutions.

'The Status of Religion and the Public Benefit in Charity Law' is an apologetic for maintaining the presumption of public benefit for the charitable category 'advancement of religion' in democratic countries within the English common law tradition.

Water Security in the Middle East explores the extent and nature of water security problems in transboundary water systems in the Middle East. This collection of essays discusses the political and scientific contexts and the limitations of cooperation in water security.

Asia Pacific in the Age of Transnational Mobility addresses and discusses the challenges of community and identity in the evolving transnational migrant and ethnographic landscapes of the region in the era of social media.