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Exploring the imaginative construction of the post-colonial South by the communist East, this is a multi-faceted, collaborative study of the reception of Australian literature in the German Democratic Republic. An account of fraught and complex cross-cultural literary exchange between two highly distinct, even uniquely opposed reading contexts, this study has resonance for all newly global reckonings of the cultural Cold War.Australian Literature in the German Democratic Republic is an investigative exposé of Australian literature's revealing career in East Germany. Working from the extraordinary records of the East German publishing and censorship regime, the authors materially track the production and reception of one country's corpus as envisioned by another. The 90 Australian titles published in the GDR form an alternative canon, revealing a shadowy literary archive that rewrites Australia's postwar cultural history from behind the iron curtain. Cast as a geo-political conundrum - beautiful and exotic, yet politically retrograde - Australia was presented to East German readers as an impossible, failed utopia, its literature framed through a critique of Antipodean capitalism that yet reveals multiple ironies for that heavily censored, walled-in community.This book brings together leading German and Australian scholars in the fields of book history, German and Australian cultural history, Australian and postcolonial literatures, and postcolonial and cross-cultural theory, with emerging writers currently navigating between the two cultures.
In recent years growing numbers of investors have been joining the community interested in not only generating financial returns but also creating positive social and environmental value in the world. "The ImpactAssets Handbook for Investors" offers an introductory overview for those interested in investing their capital in a sustainable, responsible and impactful manner.The handbook offers insights and approaches to developing strategy as well as an understanding of the issues and considerations of impact investors in practice. In addition to discussions of portfolio structure and strategy, the handbook offers an overview of due diligence necessary to assess potential investments, a discussion of communications and performance measurement issues and other factors key to managing capital for multiple returns.With contributions from some of the field's leading experts in impact investing, "The ImpactAssets Handbook for Investors" will provide the reader with both broad advice and specific guidance on how to become best positioned to engage in impact investing as an asset owner, both large and small. While not an "answer book," the handbook offers practical insights and presents critical questions every investor should consider in creating an investment strategy and executing the deployment of investment capital.
Why do people queue up and break the bank to watch fantasy movies? Why do some fictional characters and mythical creatures arrest our mind and senses? Why do some images and tales affect us so deeply, so much so that we see them all around and inside us? From heroic journeys to uncanny feelings to invincible goddesses, 'Symbols and Myth- Making in Modernity' investigates the metaphoric power of symbols in human imagination today and in the past. The book traces how ever-present cross-cultural symbols, residing in ancient rites, masterpieces of Renaissance, Sufi poetry, religion and myths, erupt in popular culture today, including in cinema, books, visual art, music and politics.The book unpacks a post-Jungian, phenomenological theory of deep culture that nourishes human perception of reality through symbols and myths. It describes how complex symbols such as those in ancient myths, religions or modern popular culture should be seen as multivalent, irreplaceable, shared to the extent that they carry significance across cultures and times and pointing to interiority or inner transformation, including as compensation or as affirmation. Moreover, the most popular and common symbols are not fantasized by individuals but are rather grasped or intuited from the culture they live in. Symbols are manifest in popular culture yet simultaneously hidden so that their significance becomes apparent only with appropriate conceptual lenses which carries signification beyond the literal object itself. Art and rituals are the societal vessels that disclose the depth of the symbol and its relevance to daily life.Symbols have always been situated within a system of meaning - a mytho-logia. But moderns have largely lost conscious access to a mythology. This offers mythology for our time, illustrating its relevance in modern rituals of popular movies, religion and politics. Dismantling literalism and disturbing our view of the world, at each step the book unpacks how people relate to the world through symbols, how symbols play out in the modern world, and the work they do in transforming the self. At the same time, deep culture is helpful in pointing to ruptures - where modern myths stumble - thereby leading to new analyses of emerging societal crises and identifying new potential solutions.
'The Status of Religion and the Public Benefit in Charity Law' is an apologetic for maintaining the presumption of public benefit for the charitable category 'advancement of religion' in democratic countries within the English common law tradition.
Water Security in the Middle East explores the extent and nature of water security problems in transboundary water systems in the Middle East. This collection of essays discusses the political and scientific contexts and the limitations of cooperation in water security.
Asia Pacific in the Age of Transnational Mobility addresses and discusses the challenges of community and identity in the evolving transnational migrant and ethnographic landscapes of the region in the era of social media.
A festschrift honoring the work of Edward A. Tiryakian, consisting of a large number of essays.
¿When Business Harms Human Rights¿ narrates the experiences of different individuals and communities from around the world, examining the impact that business activities has had on their lives. The volume is situated within the multidisciplinary subject area of business and human rights.
This book analyzes the mythical aura of Spanish low-budget films of the late 1970s and 1980s, and how marginalization was exploited and romanticized.
'Neo-Gothic Narratives' defines and theorises what mobilises the employment of the Gothic to speak to our own times.
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