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In November 2007, Romain Lannuzel Erasmus, student at the Autonomous University of Barcelona, mysteriously disappeared without a trace. This case remains unsolved, when the novel begins with another mysterious disappearance of Costantinu Iliescu, a Romanian student. His girlfriend and two of his Erasmus colleagues sound the alarm and move heaven and earth to find him, but both police and university officials believe that Iliescu has left voluntarily and refuse to get involved. However, they will soon have to change their minds as the events that occur after the disappearance of the Romanian student reveal that something terrible, dark and macabre is happening at the college. A team of policemen, including Deputy Inspector Manuela Vazquez, open an in-depth investigation and the potential suspects multiply. In the minds of teachers, police officers and students, the thick shadow of what appears to be a meticulous and bloodthirsty murderer looms. Carme Riera endorses the best elements of the thriller genre to create a state of tension and suspense that is maintained until the last page. The prose is evocative, almost cinematic and knows how to combine brilliantly intrigue, irony and social criticism.

Brexit traces the implications of the UK¿s projected withdrawal from the EU, placing short-term political fluctuations in a broader historical and social context of the transformation of European and global society.

'Enlightenment Travel and British Identities' is the first-ever collection of essays devoted to the influential eighteenth-century travel-writer, antiquarian and naturalist, Thomas Pennant (1726-1798). Offering a truly multidisciplinary range of perspectives, it explores the complex networks of informants who helped Pennant undertake and write-up the journeys behind his widely-read Welsh and Scottish 'Tours'.

'Before Einstein' examines the discourse of hyperspace philosophy and its position within the network of 'new' ideas at the end of the nineteenth century. Hyperspace philosophy grew out of the concept of a fourth spatial dimension, an idea that became increasingly debated amongst mathematicians, physicists and philosophers during the 1870s and 80s. English mathematician and hyperspace philosopher Charles Howard Hinton was the chief populariser of the fourth dimension in Europe and North America. The influence of his writings, many of which were published as a series under the title of 'Scientific Romances', ranged surprisingly wide.'Before Einstein' offers, for the first time, an extended examination of Hinton's work and - crucially - the influence of his ideas on contemporary writers and thinkers. Increasingly over the past three decades, critical attention has been given to the relevance of pre-Einsteinian theories of the fourth dimension within the shifting aesthetic and cultural values at the turn of the twentieth century. For the first time in a full-length literary study, 'Before Einstein' addresses the cultural life of the fourth dimension at the turn of the century. 'Before Einstein' begins by tracing the development of spatial theories of the fourth dimension out of the 'new', non-Euclidean geometries of the mid-nineteenth century, and proceeds to analyse Hinton's role as four-dimensional theorist and populariser of hyperspace philosophy. Hinton's 'Scientific Romances' are examined in detail, not simply as documents of interest for historians of science and ideas, but for their intrinsic literary value as well. Additionally, 'Before Einstein' captures the work of H. G. Wells, Henry James and William James through the lens of Hinton's writing, identifying what can be described as a four-dimensional literary aesthetic. The book addresses the existing gap in literary studies of the fourth dimension, while also providing scholars of the James brothers and Wells with new ways of approaching their subject matter.

How might Shakespeare¿s audiences have responded to this enduringly popular comedy? This guide to the various contexts that situate 'A Midsummer Night¿s Dream' in its time, explains the Christian ethics, the contemporary socio-political scene, the literary atmosphere and requirements of comedy that inform the background of this mad play.

The 'IB Music Revision Guide 2nd Edition' includes analyses of all the prescribed works of the International Baccalaureate Diploma Programme music course through 2019. It also includes a comprehensive overview of all the musical styles and cultures that are examined during the course, practice questions and answers that allow students to check their knowledge, as well as a glossary to help ensure key terms are understood. There are also revision tips and advice on exam technique that will help students prepare for the IB listening exam with confidence. Suitable for Standard and Higher Level.

'The Anthem Companion to Pierre Bourdieu' provides an introduction to the French sociologist¿s thought and an evaluation of the international significance of his work from a range of national perspectives.

The Aboriginal art movement flourished during a period in which the Australian public were awakened to the implications of the state's decision to confront the legacies of colonisation and bring Aboriginal culture into the heart of national public life. Rather than seeing this radical political and social transformation as mere context for Aboriginal art's emergence, this study argues that Aboriginal art has in fact mediated Australian society's negotiation of the changing status of Aboriginal culture over the last century. This argument is illustrated through the analysis of Aboriginal art's volatility as both a high art movement and a phenomenon of visual and commercial culture. This analysis reveals the agendas to which Aboriginal art has been anchored at the nexus of the redemptive project of the settler state, Indigenous movements for rights and recognition, and the aspirations of progressive civil society.At its heart this study is concerned with the broader social and cultural insights that can be gleaned from conducting a sustained inquiry into Aboriginal art's contested meanings. To achieve this it focuses upon the hopeful and disenchanted faces of the Aboriginal art phenomenon: the ideals of cultural revitalisation and empowerment that have converged upon the art, and the countervailing narratives of exploitation, degradation and futility. Both aspects are traced through a range of settings in which the tensions surrounding Aboriginal art's aesthetic, political and significance have been negotiated. It is in this dialectic that the vexed ethical questions underlying Australia's settler state condition can most clearly be identified, and we can begin to navigate the paradoxes and impasses underlying the redemptive national project of the post-assimilation era.

'Gamle Norge and Nineteenth-Century British Women Travellers in Norway' provides the first overview of the contribution of women writers to the significant body of nineteenth-century British writing about Norway. At once discursive and descriptive, and often containing practical advice specific to female travellers, the travelogue was the principal form of travel writing used by women during this period. Walchester reviews the ways in which female writers adapted this form, as well as fictional representations, to describe their experiences and to challenge their male precursors by offering new perspectives on the region and its history. The nature of travel to and writing about Norway changed considerably during the nineteenth century, with both cultural and material consequences. Norway was a challenging destination before the introduction of reliable steam ship connections, better accommodation and improved railway lines enabled female tourists to travel in large groups. Tracing the journeys and motivations of various groups of women travellers such as sportswomen, tourists and aristocrats, this book argues that in their writing, Norway forms a counterpoint to Victorian Britain: a place of freedom and possibility.

This book reflects on the innovations that central banks have introduced since the 2008 collapse of Lehman Brothers to improve their modes of intervention, regulation and resolution of financial markets and financial institutions.

Down the ages warriors have told the stories about their powers and their deeds. And some of their stories have made it into print--those of Black Elk, a Sioux shaman; Two Leggings and Plenty Coups, Crow Indians; Wolf Chief, the eagle hunter; Tukup and Tariri, shrinkers of heads; and others from North America, New Guinea, the island of Alor, the highlands of Luzon and even a Bedouin.H. David Brumble's 'Street-Gang and Tribal-Warrior Autobiographies' introduces readers to all these warrior autobiographies-and to the memoirs of warriors who live just down the block: Carl Joyeaux's 'Out of the Burning', Colton Simpson's 'Inside the Crips', Nathan McCall's 'Makes Me Wanna Holler' and Sanyika Shakur's 'Monster'. Gangbangers, Brumble argues, have told life stories that are eerily like the life stories that come to us from warrior tribes. He suggests that gangbangers were so alienated from the larger society that they reinvented something very similar to the tribal-warrior cultures right in the asphalt heart of American cities.Grisly, probing and resonant with the voices of generations of fighters, 'Street-Gang and Tribal-Warrior Autobiographies' is an unsettling work of cross-disciplinary scholarship.

'Australian Media and the Politics of Belonging' explores mediated debates about belonging in contemporary Australia by combining research that proposes conceptual and historical frameworks for understanding the concept in the Australian context. A range of themes and case studies make the book a significant conceptual resource as well as a much-needed update on work in this area. 'Australian Media and the Politics of Belonging' also provides an intervention that engages with key contemporary issues, questions and problems around the politics of belonging that are relevant not only to academic debate, but also to contemporary policy development and media and popular discussion.The chapters address a variety of key issues and questions regarding the ethics of media practice and actual media practices - consideration of ethical obligations, media treatment of different populations and the degree to which media serve not only as sites through which a range of voices contribute to definitions of Australian belonging but also, significantly, as a means through which such voices can be heard. An engagement with the problem of ethical practice also asks how a greater understanding of the impact of media representations can contribute to new ethical frameworks and new forms of media practice in areas of key sensitivity such as the reporting of Islam. [NP] In addressing such issues 'Australian Media and the Politics of Belonging' provides an important resource for understanding, and makes a vital contribution to, debates surrounding belonging in Australia.

¿Stephen Wall, ¿Trollope and Character¿ (1988) and Other Essays on Victorian Literature¿ is a collection of critical essays by the eminent literary critic Stephen Wall, including his exceptional writings on Anthony Trollope, as well as brilliant studies of Charles Dickens and other major Victorian figures.

Between its first date of publication in 1684 and 1784 classic 'Oesterreich über Alles Wann es Nur Will' went through more than twenty known editions which makes it, arguably, Europe's most successful 'economics textbook' prior to Adam Smith's 'Inquiry into the Nature and Causes of the Wealth of Nations' (1776). Philipp Wilhelm von Hörnigk laid in this book the foundations of what has become known as the 'mercantilist' political economy - a strategy for achieving national wealth and political strength simultaneously by building up a competitive domestic manufacturing industry with the help of the state. Hörnigk advocated standard recipes known from modern development economics, such as import substitution, protective tariffs on select goods as well as bounties and other financial as also logistic support by a proactive interventionist state in order to safeguard and nurture domestic industries that were in a state of infancy but which would be promising candidates for future growth and economies of scale. As new work by Erik Reinert and Lars Magnusson has shown, contrary to a sort of mainstream view in modern economics and economic history, it was such policies that tended to make European countries rich in the pre-industrial age, also laying the basic foundations for subsequent industrialization - even the 'Great Divergence' between Europe and Asia post 1800. Most European states were interventionist during the nineteenth century. They obviously drew upon a menu of recipes and political economy schedules that had circulated widely in seventeenth- and eighteenth-century Europe and which would subsequently also influence the major works by Friedrich List, Daniel Raymond and other nineteenth-century development theorists.Based on Hörnigk's popularity and the publication pattern for the book, the 'Hörnigk' strategy stood at the core of many a treatise and book written on economic matters in seventeenth- and eighteenth-century Europe; in fact Hörnigk may be called the forefather of modern development economics. He certainly was a towering figure in the 'Germanic' economic discourses of the early modern period. 'Austria Supreme, if It So Wishes (1684)' will be the first-ever English translation of a work the importance of which for European economic development and the 'European Miracle' cannot be overestimated.

''Turkey''s Water Diplomacy'' first delineates the institutional and legal foundations of transboundary water policy-making in Turkey. In doing so, major actors of water diplomacy at national, regional and international levels are identified and scrutinized. Specific attention is paid to the evolution of transboundary water politics in the Euphrates-Tigris river basin since Turkish water diplomacy and its basic principles have been largely shaped through practices in this strategically important river basin. Situated at the crossroads of the Middle East, the Caucasus and Europe as the country is, Turkey''s transboundary water policy has also been shaped by geographical determinants. Interestingly, Turkey has reflected her experience in one region (i.e., Europe) on practices in other regions. ''Turkey''s Water Diplomacy'' analyses how Turkey''s harmonization with the European Union has impacted the transboundary water policy discourses and practices, and how these changes have been reflected in its relations with its Middle Eastern neighbours. A historical account of transboundary water relations in the ET basin is enriched with the analysis of the current state of affairs in the region, such as the Syrian civil war and its repercussions on water issues. It is striking that Turkey was one of the three countries that rejected the UN Watercourses Convention in 1997. The book elaborates on the reasons why Turkey voted against the UN Watercourses Convention. Yet, since the voting of the convention in 1997, there have been changes in Turkey''s stance vis-à-vis international water law, which the book examines and focuses on. Turkey''s water diplomacy embodies complex water management problems, which can be best understood as a product of competition, feedback and interconnection among natural and societal variables in a political context. Hence, the book adopts the Water Diplomacy Framework with its key elements in making policy-relevant recommendations specifically for Turkey''s water diplomacy.

'British Depth Studies c500-1100 (Anglo-Saxon and Norman Britain)' is a collaboration between academic specialists and experienced schoolteachers to provide a reliable and up-to-date summary of Anglo-Saxon and Norman England, complete with original sources, for use in schools. In particular, it is designed for students and teachers preparing for the new GCSE 'Anglo-Saxon and Norman England' British Depth Study components of the Edexcel and AQA examination boards. Eight chapters, each prefaced with a timeline and an overview, deal systematically and clearly with all the key issues defined in the exam specifications. Each chapter concludes with exam-style questions and guidance for further reading. The book provides students with a useful section detailing the character of the question types set by both examination boards and guidance on what is required to achieve a high grade at GCSE. At the end of the book is an essential glossary. 'British Depth Studies c500-1100 (Anglo-Saxon and Norman Britain)' includes many carefully chosen primary sources, a large number of which have never before been made available to students at this level. These serve to provide a richer, fuller flavour of the period than other textbooks. The sources are 'folded' organically into the narrative, so that history is presented in its most attractive format: as a story.

John Ruskin, whose bicentenary will be celebrated world-wide in 2019, was not only an art historian, cultural critic and political theorist but, above all, a great educator. He was the inspiration behind such influential figures as William Morris, Leo Tolstoy, Marcel Proust and Mahatma Gandhi and his influence can be felt increasingly in every sphere of education today, for example, in debates about the importance of creativity, about grammar schools and social mobility, about Further Education, the crucial social role of libraries, environmental issues, the role of crafts as well as academic learning, the importance of fantasy literature, and the education of women. The current collection brings together ten top international Ruskin scholars to explore what he actually said about education in his many-faceted writings, and points to some of the key educational issues raised by his work. [NP] The volume is divided into three sections, covering the three major areas of Ruskin's concerns, namely social reform, the arts and religion. Their titles suggest his dynamic effect in all three areas: A) Changing Society; B) Libraries and the Arts; C) Christianity and Apocalypse. Ruskin's vision of education as both dividually and socially transformative is explored by Sara Atwood in Chapter 1. Among much else, he stresses the value of simplicity, one of many ideas he shared with his great admirer, Leo Tolstoy, a relationship explored by Stuart Eagles in Chapter 2. Ruskin believes too in the social and educational importance of dress, an idea developed by Rachel Dickinson in Chapter 3. Jan Marsh, in Chapter 4, examines Ruskin's contradictory stance on female education. Though he was a great believer in the 'separate spheres', he also championed wider learning opportunities for girls. The dissemination of education, through libraries and through the arts, is one of Ruskin's abiding concerns. Continuing his argument about the power of simplicity over artifice, he talks in the inaugural address of 'the virtues of Christianity [being] best practised, and its doctrines best attested, by a handful of mountain shepherds without art, without literature, almost without language.' In the history of Switzerland, he says, 'The shepherd's staff prevailed over the soldier's spear.' In Chapter 5 Emma Sdegno explores Ruskin's Shepherds' Library, his notion of book dissemination to such people, while in Chapter 6 Stephen Wildman examines another of his educational experiments, the use of photography to enable ordinary people to encounter the Old Masters and to 'see clearly'. Paul Jackson in Chapter 7 breaks new ground in revealing Ruskin's response to music, an art to which he responded deeply as a sensuous experience, while arguing that it could also act as an agent of moral improvement. In Chapter 8 Edward James examines Ruskin's only explicit foray into fairytale, 'The King of the Golden River', and links this back to his imaginative use of the fantastic and of fairyland images throughout his social and political writing.Ruskin was both a teacher and a preacher. His recollection in Praeterita of his first recorded speech, as a very small boy, 'People, Be Good!'1 suggests the trajectory of his adult career. Keith Hanley and Andrew Tate in the final chapters of this collection explore the links between his aesthetic and his religious views. Hanley in Chapter 9 picks up the notion of the absolute centrality of this Christian worldview to Ruskin's life and work and suggests the perils of 'secularising' him. In Chapter 10, Tate pursues Ruskin's apocalyptic vision. Ruskin believed that 'Every human action gains in honour, in grace, in all true magnificence, by its regard to things that are to come'; for him, therefore, 'apocalypse' meant, not an ending, but a revelation.