Bøker utgitt av Anthem Press

'Leadership' is crucial to contemporary business, politics, and organizations of every type, including the corporate, non-profit, educational, and government sectors. While modern leadership theorists suggest various models, traits, and approaches to leadership behavior that purport novelty, Ecclesiastes just may have been right that 'There is nothing new under the sun'. The biblical figure of Moses - a familiar name both to adherents of the Western religious traditions and to people who are not - provides an exemplary model of effective leadership that is broadly applicable. Moses is depicted in the Bible as exhibiting 'heroic' and 'charismatic' tendencies. He was certainly empathic. Yet Moses also shows 'transactional', 'transformational' and 'visionary' leadership qualities. A leader of good character, Moses exhibits features similar to the Yiddish term, 'mensch' - someone showing responsibility and integrity, knowing right from wrong.Though few might think of Moses as a 'leader' or a 'manager' in the contemporary sense, Moses not only holds a firm place among the most significant leaders in Western civilization but is arguably the quintessential example of leadership from whom much can be learned by people entering and occupying leadership positions. While current leadership and management vocabulary might differ from the Hebrew Bible, many of the traits, behaviors and actions advocated by modern leadership theorists appear to emulate those of Moses. Wolak contrasts contemporary leadership ideas with biblical and rabbinic sources that show Moses' leadership qualities, Moses serves as an ancient model with current relevance for what modern leadership theorists argue make for an effective leader.'Religion and Contemporary Management' discusses and compares original and critical biblical and rabbinic sources with current business leadership and management literature, revealing what leadership theorists' advocate today largely emulates what the Bible depicts as effective leadership through Moses' example. Hence, Moses' influence on current leadership trends in Western culture appears pervasive, even if contemporary leadership theorists do not typically cite Moses as an important source for leadership precedent.

"Norah Hoult's 'Poor Women!'' A Critical Edition" reintroduces a significant yet critically-neglected 20th-century Irish author. Hoult's stories capture the restrictions imposed on women by society and its institutions. Often compared to writers such as Sean O'Faolain, Frank O'Connor, Kate O'Brien and Edna O'Brien, her work also shares characteristics with James Joyce and Mary Lavin.

'Pashtun Identity and Geopolitics in Southwest Asia' brings together Pakistan and Afghanistan as two inseparable entities by investigating areas such as the evolution and persistence of the Taliban, quest for Pashtun identity, the ambivalent status of the tribal region and the state of civic clusters on both sides. In addition to their relations with the United States and the EU, a due attention has been devoted to regional realties while looking at relations with India and China. The study explores vital disciplines of ethnography, history, Islamic studies, and international relations and benefits from a wide variety of source material. The volume takes into account the salient subjects including political Islam, nature and extent of violence since 9/11, failure of Western policies in the region, the Drone warfare, and the emergence of new regimes in Kabul, Islamabad and Delhi offering fresh opportunities as well as new threat perceptions.

Carrying forward the momentum of the twenty-first-century 'rediscovery' of Patrick White (1912-1990), winner of the 1973 Nobel Prize for Literature, this book features work by White scholars aiming to stimulate future research into 'world' modernism, queer literature, and the 'jittery' modernist impulses of contemporary culture.

Carrying forward the momentum of the twenty-first-century ¿rediscovery¿ of Patrick White (1912¿1990), winner of the 1973 Nobel Prize for Literature, this book features work by White scholars aiming to stimulate future research into ¿world¿ modernism, queer literature, and the ¿jittery¿ modernist impulses of contemporary culture.

This book has a double agenda. First, it is a series of free-standing essays dealing with the fraught question of regulation in its multiples guises: economic, social, political, cultural and psychological. At the same time, it serves as a companion volume to the re-edition of Kaplan's landmark 'Bread, Politics and Political Economy in the Reign of Louis XV', which first appeared in 1976. The chapters that unfold reveal how Kaplan's thinking has evolved in reaction both to the changing intellectual, epistemological, historiographical and sociopolitical environment, and to some of the significant scholarship that has been accomplished during the past forty years. This study is conceived as a commentary on and a dialogue with 'Bread, Politics' and with researchers who have written in and around the concerns of that book.Kaplan treats themes with which readers of his first book are conversant: the matrix motif of regulation; agriculture; markets; collective action and the moral economy; the people; order and disorder; the parlements in the age of the Economic Enlightenment; the king and kingship; the monarch and his ministers in the elaboration and execution of public policy; the new historiography of political economy; and the old, persistent tragedy of famine, understood as the problem of food insecurity in its less virulent incarnations.Kaplan engages them all with keen interest, and his discussion is "e;problem"e;-oriented. The author focuses largely on the questions that he considered, or failed to raise or resolve, in his inaugural work. The unity of outlook derives from the triangulation between the 'Bread, Politics' of 1976, a dense selection of the scholarship of the past four decades, and the critical gaze that Kaplan directs toward both. Kaplan remains faithful to the premise of 'Bread, Politics': that the subsistence question, broadly construed, is at the core of eighteenth-century history, and that the issues joined by the struggle over liberalization have marked French (and European/Atlantic) history ever since. These issues continue to shape our destiny today through the bristling tension between liberty and equality, and the debate over the necessity, legitimacy and character of regulation.

This compact volume is a practical guide for anyone interested in Trade Credit Insurance. The International Credit Insurance & Surety Association (ICISA) presents an approachable but detailed guide written collaboratively by carefully selected industry experts. The guide describes the 'lifeline' of the credit insurance product, from the initial application stage to the expiration phase of the policy, including practical use aspects for credit managers. The volume offers compact information on the history of trade, the need for protection against trade credit risks, and solutions offered by credit insurance providers. The focus is on short term credit, including whole turnover policies and single risk policies.

Adoor Gopalakrishnan, India's most distinguished contemporary filmmaker, has made eleven award-winning films and over forty documentaries, most of which are set in his native state of Kerala, in southern India. A 1965 graduate of the Film and Television Institute of Pune, his first film, "e;Swayamvaram"e; (1972), heralded the New Wave in Kerala. The region's displacement from a princely feudal state into twentieth-century modernity forms the backdrop to most of his complex narratives about identity, selfhood and otherness, in which innocence is often at stake and characters grapple with their consciences. The films deal with eviction and dislocation, with the precarious nature of space, and the search for home. They are also about power and its abuse within a destructive patriarchy and the abject conditions of servility it breeds. At the same time, these narratives are usually placed within the larger frameworks of guilt and redemption where hope of emancipation-moral, spiritual, and creative-is a real one. This first comprehensive study of Gopalakrishnan's feature films offers a compelling analysis of these issues within their socio-historical contexts.

Based on an extensive ethnographic study of television and audiences in class-divided Philippines, this is the first book to take a bottom-up approach in considering how people respond to images and narratives of suffering and poverty on television. Arguing for an anthropological ethics of media, this book challenges existing work in media studies and sociology that focuses solely on textual analysis and philosophical approaches to the question of representing vulnerable others. Current questions in media ethics, such as whether to portray sufferers as humane and empowered individuals or show them 'at their worst' have so far used textual and visual analyses to convey the researcher's own moral position on the matter. In contrast, this book, inspired by the anthropology of moralities, accounts for the different interpretations and moral positions of audiences, who are positioned in various degrees of social and moral proximity to those they see and hear on television. Winner of the 2016 Philippine Social Science Council Excellence in Research Award.

Drawing on the work of Hegel, this book proposes a framework for understanding modernity in the Muslim world and analyzes the discourse of prominent Muslim thinkers and political leaders with reference to some of the most significant markers of modernity.This study closely examines the works of nine major Islamic thinkers in twentieth and twenty-first centuries: Mohammad Iqbal, Abul Ala Maududi , Sayyid Qutb , Fatima Mernissi, Mehdi Haeri Yazdi, Mohammad Mojtaehd Shabestari, Mohammad Khatami, Seyyed Hussein Nasr and Mohamad Arkoun.By discussing these thinkers, the book traces the genealogy of major strands of consciousness in some crucial parts of the contemporary Islamic world and their relations to significant features of the modernity, such as human and individual subjectivity and agency, freedom, domination, culture of mass democracy, human rights, women's rights, political activism and participation, economic ethos and views on forms of property ownership, as well as social and cultural pluralism.

Christos Tsiolkas is one of the most recognizable and internationally successful literary novelists working in Australia today. He is also one of the country's most politically engaged writers. These terms - recognition, commercial success, political engagement - suggest a relationship to forms of public discourse that belies the extremely confronting nature of much of Tsiolkas's fiction and his deliberate attempt to cultivate a literary persona oriented to notions of blasphemy, obscenity and what could broadly be called a pornographic sensibility.

Over the last two decades, Eastern European countries have experienced extensive changes in geo-political relocations and relations leading to everyday uncertainty. Based on ethnographic cases, this anthology explores how grey zones of governance, borders, relations and invisibilities affect everyday life in contemporary Eastern Europe.

Over the last two decades, Eastern European countries have experienced extensive changes in geo-political relocations and relations leading to everyday uncertainty. Based on ethnographic cases, this anthology explores how grey zones of governance, borders, relations and invisibilities affect everyday life in contemporary Eastern Europe.

This exacting study makes the case that a diverse range of theatre, film and activism engaged in the portrayal or participation of asylum seekers and refugees since 2001 has been informed by and contributed to the consolidation of 'irregular' noncitizenship as a cornerstone idea in contemporary Australian political and social life. This idea has been reified as a direct consequence of the asylum seeker-related public discourse that has been prominent in twenty-first century Australia, to the extent that it has become impossible to imagine what Australia means without it. 'Performing Noncitizenship' is the first book-length study of its kind to focus on Australia's urgent and fraught asylum politics, and its implications extend beyond one country's problems. To date, there has been little attention paid to theatre and performance's implicatedness in how irregular noncitizenship has been taken up in Western neoliberal democracies as a core diagnosis for the ills of a precarious social and economic status quo. This study is unique among studies of asylum seeker and refugee representation in theatre, film and activism in its interest in the ways representations of asylum seekers are informed by and inform identity politics among citizens. The book's purpose is to identify and illuminate the increasing leverage of noncitizenship as a marker of twenty-first century human illegitimacy.

This interdisciplinary collection of essays offers a window onto the overseas Indian and Chinese communities in Asia. Contributions give insight on the interactive role of the cultural and religious ¿other¿, the diasporic absorption of local beliefs and customs, and the practical business networks and operational mechanisms unique to these communities.

A primary focus of this book is on the impact of time and memory as they intersect and constitute the spaces of theatre. These spaces include more traditional sites of theatre, such as those involving stages and curtains, actors and audiences, as well as those other theatres or spaces of performance that range from performance and installation art, to the performance of a string quartet, and from the writing of performance, to the performance of writing. What unites them is the presence of time as the constant and corrosive agent of theatrical absence, a vanishing site that finally affirms these theatres as theatres of thought, as spaces of thoughtful and mirroring reflection. With such time in mind, attention is directed toward theatre's own blurred and porous boundaries and, implicitly, that most conventional theatrical form, the proscenium itself, evoking questions such as: where does the performance begin and where does it end? Who is watching and who is being watched? And what, as time takes its toll, is there to be seen at all? For it is from this demarcating line of representation that - like a 'line in the sand' - such spaces of thought, theatrical or not, largely determine where the various forms of representation begin and end, where time is told of others, and where time is finally told of each of us.

This book exposes the myths behind tobacco industry claims that implementing policies aimed at curbing tobacco consumption will negatively affect farmers and that no economically sustainable alternatives exist.

A practical, easy-to-read guide that aims to help undergraduate students cope with the demands of English and Creative Writing degrees.Written by lecturers and industry professionals with decades of experience in writing and higher education, this book also includes hints and tips from previous students. Find out what your tutors are looking for when marking your work, how to avoid common pitfalls, what the difference between clear and creative writing is, how to organise and behave on your work placement, and how to structure and research that all-important first assignment.This guide demystifies academic language and marking processes so that you can make the most of your degree.

'Ricardo's Gauntlet' advances a critique of the mainstream economic case for international free trade. While the core of the case for free trade is David Ricardo's principle of comparative advantage, the book argues that this case relies on a cluster of interconnected and mutually enforcing 'economic fictions' - economic theories or doctrines that pretend to be fact but which upon examination turn out to be mirages. Exposing the layers of fiction nested in the subfields of mainstream economics empties comparative advantage of its persuasiveness, bringing down the case for free trade.

Jan A. Kregel is considered to be "e;the best all-round general economist alive"e; (G. C. Harcourt). This is the first collection of his essays dealing with a wide range of topics reflecting the incredible depth and breadth of Kregel's work. These essays focus on the role of finance in development and growth. Kregel has expanded Minsky's original postulate that in capitalist economies stability engenders instability in international economy, and this volume collect's Kregel's key works devoted to financial instability, its causes and effects. The volume also contains Kregel's most recent discussions of the Great Recession beginning in 2008.

In this collection of essays on Hamlin Garland, Donald Pizer attempts to re-establish the wealth and importance of the early work and activities of the radical, Pulitzer Prize-winning writer from the Midwest. Essays in the opening half of the book are devoted to Garland's radical economic and artistic beliefs and activities, while those in the second part concentrate on his most permanent, well-known work of this period: 'Main-Travelled Roads, Rose of Dutcher's Coolly', and 'A Son of the Middle Border'.In the preface to this volume, Pizer traces the overall coherence of Garland's early ideas and fiction. Garland, Pizer demonstrates, found in his reading of radical writers of the period an explanation of the hardships and limitations of prairie life that he had personally experienced; he then translated this union of concept and actuality into a powerful expressive tool in his acclaimed prairie fictions.Pizer includes several of his late essays on Garland in this book, in which he suggests, on the basis of his own critical development, that Garland's finest writing dealing with late nineteenth-century Midwestern life also contains sexual and Edenic themes which transcend the immediate social and economic conditions of this period and help to explain the significance and lastingness of his early body of work.

"e;Unhomely Cinema"e; explores how the unhomely nature of contemporary film narrative provides an insight into what it means to dwell in today's global societies. Drawing from Freud's concept of the uncanny - that frightful and inexplicable experience of the home as foreign and strange - the unhomely speaks to the spatial dislocation, transience, homelessness and disempowerment symptomatic of contemporary global societies.While uncanny homes are traditionally associated with the science fiction and horror genres, "e;Unhomely Cinema"e; shows how an array of film genres - from Michel Gondry's comedy "e;Be Kind Rewind"e; to Laurent Cantet's eerie suspense thriller "e;Time Out"e; - use the figure of the precarious home to engage with some of the most pertinent social and cultural issues involved in the question of "e;making home."e;Encounters with the unhomely often result in the painful loss of home, but the unhomely can also offer an ethics of dwelling, whereby the impossibility of narrative closure represents new and more hopeful ways of dwelling in the world.

This volume ¿ which brings together essays by prominent scholars in the field of sociology ¿ provides a range of perspectives on the increasing influence of Luc Boltanski¿s writings on both theoretical and empirical problems of contemporary social and political analysis.

Military power has long been a serious obstacle to a sustained democracy in Pakistan. The authors investigate the Pakistani military's retrogressive agrarian interventions in the Punjab, and outlines a change, as recognised by society, in the military's rightful function within the economy.Set against the social resentment instigated by the military's agricultural land grabbing, and a burgeoning resistance to the military's overbearing and socially unjust role in Pakistan's economy, this book supplements a larger body of work detailing the military's hand in industrial, commercial, financial and real estate sectors. Any gain in economic autonomy wielded by the military makes it less answerable to civilian oversight, and makes it more likely to act to protect its economic interests.The survival of civilian rule in Pakistan, which is critically important for the foreseeable future, requires a fundamental reordering of the balance of power between state institutions, and between state and society. Pakistan, long encumbered by the military yoke, has witnessed its first peaceful transition from one political administration to another; and in a move congenial to the consolidation of this democratic process, 'The Military and Denied Development in the Pakistani Punjab' exposes the nefarious nature of the military's predation, and signals a move for the military to be contained to its constitutionally mandated role - defence.

This volume offers the first English translation of one of Indiäs most celebrated works of anticolonial resistance. It is also the first edition of the play to provide an extensive historical-critical commentary and to draw on a comprehensive range of colonial archival documents.

Ali Kadri examines how over the last three decades the Arab world has undergone a process of developmental descent, or de-development. He defines de-development as the purposeful deconstruction of developing entities. The Arab world has lost its wars and its society restructured to absorb the terms of defeat masquerading as development policies under neoliberalism. Foremost in this process of de-development are the policies of de-industrialisation that have laid to waste the production of knowledge, created a fully compradorial ruling class that relies on commerce and international finance for its reproduction, as opposed to nationally based production, and halted the primary engine of job creation. The Arab mode of accumulation has come to be based on commerce in a manner similar to that of the pre-capitalist age along with its cultural decay. Kadri attributes the Arab world's developmental failure not only to imperialist hegemony over oil, but also to the rising role of financialisation, which goes hand in hand with the wars of encroachment that were already stripping the Arab world of its resources. War for war's sake has become a tributary to the world economy, argues Kadri, and like oil, there is neither a shortage of war nor a shortage of the conditions to make new war in the Arab world.

Winner of the Karachi Literary Festival Peace Prize 2015, 'The Ahmadis and the Politics of Religious Exclusion in Pakistan' traces the history of the political exclusion of the Ahmadiyya religious minority in Pakistan by drawing on revealing new sources. The Ahmadis believe Mirza Ghulam Ahmad of Qadiyan (1835-1908) was a prophet (in a nuanced understanding of this term) and promised messiah. This led to the group's condemnation as infidels during the colonial period, setting in course a painful history of religious exclusion.Part I of this volume traces the development of the anti-Ahmadi movement from its origin in Punjab province, where an agitation movement was launched calling upon the central government to declare the Ahmadis officially non-Muslim. After the movement intensified, leading to proclamation of martial law in Lahore in 1953, the Punjab government held a court of inquiry, which released its report in 1954. The proceedings of the Munir-Kiyani inquiry commission has now become available to scholars, and is a key focus of analysis. Part II focuses on the developments in Pakistan's politics that created a discursive space where legislative measures against the Ahmadis could be deliberated and adopted by the national assembly, and argues Pakistan's first general elections in 1970 reflected the entrenchment of religious leaders in Pakistan's power politics. The national assembly's 1974 session saw Ahmadis unanimously declared as non-Muslims; the records of this session's debates are extensively reviewed in this book. A truly path-breaking study, this work goes beyond merely chronicling the details of anti-Ahmadi violence and the legal and administrative measures adopted against them, to address wider issues of the politics of Islam in postcolonial Muslim nation-states and their disputative engagements with the ideas of modernity and citizenship.

Unfortunately, developing countries and less developed countries in general have not yet entered the digital era. Most of them have not yet developed the back-office components that are fundamental prerequisites for conducting e-applications. In many situations, e-government systems have been adopted solely as window dressing, as it is considered improper for governmental agencies not to have a web portal, email address and/or a Facebook or Twitter account. But these government web portals are of no real use to the citizens. This volume seeks to help rectify this issue.Drawing lessons from the eFez Project in Morocco, "e;E-Government for Good Governance in Developing Countries"e; offers practical supporting material to decision makers in developing countries on information and communication technologies for development (ICT4D), specifically e-government implementation. It documents the eFez Project experience in all of its aspects, presenting the project's findings and the practical methods developed by the authors (a roadmap, impact assessment framework, design issues, lessons learned and best practices) in their systematic quest to turn eFez's indigenous experimentations and findings into a formal framework for academics, practitioners and decision makers. The volume also reviews, analyzes and synthesizes the findings of other projects to offer a comparative study of the eFez framework and a number of other e-government frameworks from the growing literature.Given the lack of practical books that target decision makers guiding the design and implementation of e-government for good governance and any other sector-specific ICT4D, the authors hope that the eFez Project's great success in Morocco, and the outcomes and methods described in this volume, will prove a useful model for practitioners and decision makers in other developing countries around the world.

In this important study, Muhammad Moj explores the Deobandi sect within Islam and its relationship to Pakistani society in an innovative way. The Deoband Madrassah Movement (DMM) has largely been studied as a political and religious reform movement, but this book interprets it rather as a counterculture, drawing on the counterculture theory of Milton Yinger.Using analyses of Deobandi journals and interviews with madrassahs and college students, this book comprehends the DMM from a broader perspective to discover the reasons behind its clash with the mainstream society in which it operates.

This collection of essays, with special reference to Asia, analyzes religion through lived experience and reveals how religious phenomena are inextricably linked to globalizing processes.