Bøker utgitt av Apartamento Publishing S.L.v

This is a walk through a decade's worth of work by Misha Kahn. Glitzy, wobbly, hairy, witty-no number of adjectives aptly describes an output so vast, one which ranges from underwater mosaic sculptures and scrap-metal chaise longues to a gem-encrusted, wrist-worn, labyrinth-style ball game. Neither strictly an artist nor a designer, Misha himself emphatically avoids categorisation for the very real fear it might box him in and close off fresh, breakable ground. It's this boundless energy for every new material or technical challenge, combined with his singular ideas and aesthetics, that has made Misha a leading creative voice of his generation. It's our second collaboration with Friedman Benda (following Faye Toogood: Assemblage 6, Unlearning) and is Misha's first ever book. Inside, his sketches, process shots, final works, and installation set-ups are contextualised by six candid conversations (at a nail bar, on a hike, in a back garden) with other creative luminaries: Nick Haramis, Dries Van Noten, WangShui, Kellie Riggs, Todd Oldham, and Su Wu. These are prefaced by writer and curator Glenn Adamson and his reflection on Misha's practice through the years, while our author adds a finishing touch, annotating the book by hand with commentary on his very own words and works.

In a world where people are people, animals are people, hamburgers and hot dogs are people, an irresistible spirit-slumber has seeped through the collective consciousness, nearly snuffing out the soul of the living, breathing world. Nearly inaudibly, heart song echoes through this fog of confusion; time has folded in on itself, allowing not only God but Jupiter, Neptune, Pluto, and Hera to enter the waking realism, where they vie for power and sway over the fate of the planet. This is the story that New York-based artist Zebadiah Keneally has set himself the task of reciting in his first ever (but none the less epic) graphic novel, All the Things I Know. This 380-page saga is contained within a softcover book with pink PVC dust jacket and comes after publishing two of its chapters in issues #27 and #28 of Apartamento magazine.

Xavier Corbero? (1935-2017) is among the foremost Spanish artists of the last century. His sculptures in rough-hewn stone, marble, and bronze gave form to ideas running through a circle of contemporary surrealist artists, including Salvador Dali?, Marcel Duchamp, Max Ernst, and Joan Miro?, but with pieces distinctly his own. His works are widely and internationally celebrated in institutions like London's V&A and New York's The Met, but maybe his greatest artwork is located on the outskirts of Barcelona in the form of the home he built for himself over a period of five decades, a series of labyrinthine rooms, levels, buildings, and arches that he continually added to whenever money came his way, conceiving new plans on morning strolls with the local builder. The House of Xavier Corbero?, edited by his daughter Ana Corbero?, is the first publication to explore this home in Esplugues de Llobregat, which soon looks to be sold. With original photography by Daniel Riera, it also features a series of texts by long-time friends and colleagues of the artist: the architects Ricardo Bofill and Josep Acebillo, program director at World Architecture Festival Paul Finch, artist and journalist Celia Lyttelton, RBTA director Pablo Bofill, as well as an interview with Corbero? himself by the filmmaker Albert Moya, originally published in issue #16 of Apartamento magazine.

In March 2020, Spencer Bailey and Andrew Zuckerman were just beginning The Slowdown, a New York-based media company that aims to make sense of a world addicted to speed, advocating for a more thoughtful and considered approach to the moment. As Covid-19 emerged and lockdowns began, a global slowdown unfolded with an immediacy neither of them could have predicted. Immediately, they felt the urge to record what leading minds were thinking and feeling in real time. At a Distance, a podcast of conversations focused on long-view, planetary-scale concerns, was born. Now organised as a book of 100 of these interviews, At a Distance provides a curated selection of the wisdom shared by the podcast's guests. Presented in short-form narratives that capture the best thinking in an easily digestible way, the book contextualises the surrounding political, cultural, and social climate with revealing editorial commentary. The guests-including environmentalist and journalist Bill McKibben, psychiatrist Bessel van der Kolk, MoMA curator Paola Antonelli, food artist Laila Gohar, biologist Merlin Sheldrake, Buddhist monk Gelong Thubten, novelist Hari Kunzru, philosopher Kate Soper, and landscape architect Walter Hood-offer a grounding sense of context and clarity, looking at the world from multiple angles, such as public health, the climate crisis, racial inequality, and Big Tech. At once informative, intelligent, and deeply personal, At a Distance explores the dramatic changes that could be possible going forward and provides a hopeful, rationally optimistic guide toward the future.